1832 engraver (29 resultados)

Seltenes in Farben gedrucktes Schabkunst-Blatt (Mezzotinto) von 1789. -- Blatt-Maße: ca. 32 x 23 cm. -- gut erhalten. || Rare color printed mezzotint from 1789. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550. …

Seltenes in Farben gedrucktes Schabkunst-Portrait von 1789. -- Blatt-Maße: ca. 32 x 23 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Rare color printed mezzotint from 1789. -- slightly stained in the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550. …

Seltenes in Farben gedrucktes Schabkunst-Blatt (Mezzotinto) von 1789. -- Blatt-Maße: ca. 32 x 23 cm. -- gut erhalten. || Rare color printed mezzotint from 1789. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550. …

Seltenes in Farben gedrucktes Schabkunst-Blatt (Mezzotinto) von 1789. -- Blatt-Maße: ca. 32 x 23 cm. -- unten links mit einer Fehlstelle außerhalb des Bildes und im Außenrand leicht fleckig, sonst gut erhalten. || Rare color printed mezzotint from 1789. -- lower left with a loss outside the image and slightly stained in the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.…

Seltenes in Farben gedrucktes Schabkunst-Blatt (Mezzotinto) von 1789. -- Blatt-Maße: ca. 32 x 23 cm. -- gut erhalten. || Rare color printed mezzotint from 1789. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550. …

Seltenes in Farben gedrucktes Schabkunst-Portrait von 1789. -- Blatt-Maße: ca. 32 x 23 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Rare color printed mezzotint from 1789. -- slightly stained in the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550. …

Hardcover. Condición: Near Fine. Limited Edition. Limited Editions Club, 1932, signed by both Frederic Warde (publisher) & Alice Hargreaves (the original Alice). Near Fine, in the original red morocco, decorative gilt panelling to boards, spine with pictorial motifs after Tenniel & gilt titles, light rubbing to spine ends, otherwise fine. Internally, half title, frontis, title with vignette, [4], (v-xi), [1], [2] contents, [3], 4-182 pp, [1], [1], [1] limitation leaf, an edition limited to 1500 copies, small mark to lower cover (not detracting), a.e.g., signed by Frederic Warde (Typographer & binder) to limitation & Alice to leaf after half title. In the publishers printed red cloth slip case. (220*146 mm). Dodgson, was about 6 feet tall, slender, had either grey or blue eyes, wore his hair long, and 'carried himself upright, almost more than upright, as if he had swallowed a poker'. He dressed customarily in clerical black and wore a tall silk hat, but when he took Alice and her sisters out on the river, he wore white flannel trousers and a hard white straw hat (A. and C. Hargreaves, Alice's recollections). He ate frugally when he ate at all, disliked tea but enjoyed a glass of wine. He had a pleasant speaking voice, but left no recording of it, and a tolerably good singing voice which he did not mind using. He sometimes talked to himself! See ODNB. TENNIEL John 1820-1914. (ROLLITZ Bruno - engraver) (ilustrador). Signed by Publisher / Printer. …

Hardcover. Condición: Near Fine. Limited Edition. Limited Editions Club, 1932, Near Fine, in the original red morocco, decorative gilt panelling to boards, spine with pictorial motifs after Tenniel & gilt titles, light rubbing to spine ends, otherwise fine. Internally, half title, frontis, title with vignette, [4], (v-xi), [1], [2] contents, [3], 4-182 pp, [1], [1], [1] limitation, an edition limited to 1500 copies, signed by Frederic Warde (Typographer & binder). (221*145 mm). Dodgson, was about 6 feet tall, slender, had either grey or blue eyes, wore his hair long, and 'carried himself upright, almost more than upright, as if he had swallowed a poker'. He dressed customarily in clerical black and wore a tall silk hat, but when he took Alice and her sisters out on the river, he wore white flannel trousers and a hard white straw hat (A. and C. Hargreaves, Alice's recollections). He ate frugally when he ate at all, disliked tea but enjoyed a glass of wine. He had a pleasant speaking voice, but left no recording of it, and a tolerably good singing voice which he did not mind using. He sometimes talked to himself! See ODNB. TENNIEL John 1820-1914. (ROLLITZ Bruno - engraver) (ilustrador). Signed by Publisher / Printer.…

No Binding. Condición: VG. No place, no date, circa 1900, sized about 8 x 10.5 inches, with facsimile signature, engraved by Bather, very sharp, clean, and bright, on heavy plate paper. The subject, October 3, 1832 - April 22, 1914, born East Goshen, Pennsylvania, married Tamson Windle in 1867. They had one son, John E. Darlington. W. T. Bather, Engraver (ilustrador).…

Condición: Good. Double-page wood engraving on newsprint. Text on verso. 40 x 54 cm (sheet). Good, age toning along the sheet edges, a few tears along sheet edges, horizontal tear at left sheet edge extending into image.

Condición: Good. Hand-colored etching. 30 x 40.5 cm (sheet). Very Good, minor surface soiling in the margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Condición: Good. Etching and engraving on wove paper. 23.5 x 35 cm (image). 30 x 45 cm (sheet). Very Good. Margins trimmed. Soiling in margins. Tears in the lower margin. Small lose at upper edge of image.

Condición: Good. Etching and engraving on wove paper. After an original design by Jacques Swebach-Desfontaines. 25 x 38 cm (image). 30 x 45.5 cm (sheet). Very Good. Margins trimmed. Soiling in margins. A crease at upper left sheet corner.

Condición: Good. Large folio. 67 x 50 cm. New half Sakora goatskin with marbled boards, preserving the original label, by the artisan binder Sasha Mosalov. Plate volume only with 71 of 80 plates, lacking plates 3, 15, 17, 25, 40, 52, 55, 73. Lacking the title page. Some stains in the margins. Very good.Colas, 1089; Brunet II, 1337; not in OCLC.Written by Nicolas Nicolaides: Baron Louis Nicolas Philippe Auguste de Forbin, later count de Forbin (la Roque-d'Anthéron, 1777 - ??????, 1841) was a French painter, author and antiquarian. He was also a pupil of painter Jacques-Louis David. During the Bourbon restauration, Forbin served as general director of the Louvre Museum and other museums of France.Inspired by the travels of François-René de Chateaubriand, Forbin sailed out from Toulon on 22 August 1817 to tour the eastern Mediterranean. Like Chateaubriand, Forbin travelled on his own initiative, without an order from the French government; however, since the aim of his journey was to discover Greek and Roman antiquities and to draw landscapes of the places he would visit, he was able to travel on the ships of the French fleet of the Levant (Flotte du Levant).In his venture Forbin was accompanied by painters Pierre Prevost and Léon Matthieu Cochereau (also a pupil of David and a nephew of Prévost), as well as architect Jean-Nicolas Huyot. Abbé de Forbin-Janson, later bishop of Nancy, was also a member of the company for the first part of the journey, while Huyot had to retire when he fractured his leg on Milos island. In addition, twenty-four year old Cochereau died of dysentery off the coast of Cythera and was replaced by Linant de Bellefonds who at the time was a mate on "Cleopatra", the mission's ship. De Bellefonds resigned from his position on the ship and participated in the expedition as a painter and chartographer. When the expedition ended in December of 1817, de Bellefonds decided to stay on in Egypt, and explored its territory as member of several missions. From 1831 to 1869 he served the kingdom of Egypt as chief engineer of several public works, including the Suez Canal. The expedition sailed to Acre, Galilee, and thenceforth travelled by land. While in Palestine, the travellers visited the Dead Sea and Jordan river, reached Cairo and sailed the Nile down to Upper Egypt. The main places they visited includde Milos island, Athens, Constantinople, Ephesus, Acre, Jerusalem, Gaza, Damietta, Cairo, Luxor, Thebes, Rosetta and Alexandria. When the expedition returned to France in April 1818 Forbin had spent approximately 28.000 francs on the purchase and transportation of antiquities, some of which ended up in the Louvre collections (at the time Royal Museum of France). Prevost drew panoramic views of Jerusalem and Athens, but succumbed to pneumonia in 1823, without completing his panorama of Constantinople.The descriptions of Forbin show him to be a mature observer in possession of deep humanistic culture. His style sometimes resembles a clumsy imitation of Chateaubriand's "Journey to the Holy Land" (1806). However, as Forbin was not a professional author but a painter, his descriptions are way more exact than those of Chateaubriand.Forbin also travelled to Sicily in 1820, and published his travel account, as he had done with his expedition of 1817.…

Condición: Good. 2 vols. 4to. 9 x 11-5/8 inches. Vol. I: xxxii, 620 pp. with 7 plates. Vol II: xii,366,ii, 336pp. with 4 plates, Contemporary sheepskin with 5 raised bands the gilt embossing on spine, expertly repaired. Lowndes, II, p. 767.

Condición: Good. Engraving. 29 x 21.5 cm (sheet). Very Good, light specks of foxing primarily in the margin areas.

Condición: Good. Hand-colored aquatint. 38.5 x 28.5 cm (sheet). Very Good, short tear in left sheet edge.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Condición: Good. Hand-colored aquatint. 39 x 29 cm (sheet). Very Good, sheet toned in the margins.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

Condición: Good. Wood engraving on wove paperimage: 15 3/4 x 12 in. (40 x 30.5 cm) sheet: 21 11/16 x 15 1/4 in. (55.1 x 38.8 cm).Repaired loss in lower left margin.In 1856 he produced 12 folio-size illustrations of The Legend of The Wandering Jew, which propagated longstanding antisemitic views of the timeThe Wandering Jew is a mythical figure whose legend began to spread in Europe in the 13th century.The original legend concerns a Jew who taunted Jesus on the way to the Crucifixion and was thencursed to walk the earth until the Second Coming. The exact nature of the wanderer's indiscretion varies in different versions of the tale, as do aspects of his character; sometimes he is said to be ashoemaker or other tradesman, while sometimes he is the doorman at Pontius Pilate's estate.…

Condición: Good. Handcoloured engraving on very thick paper.655 x 480mm.Hand-coloured engraving, engraved by L. Hill after Fowler. A letterpress prospectus for the print above, , dated August, 12 1805 and issued by Fowler as "the Proprietor and Publisher.Plate 1 from "Engravings of the Principal Mosaic Pavements, which have been discovered in the course of the last and present centuries, in various parts of Great Britain. Also, Engravings of several Subjects in Stained Glass, in the windows of the Cathedrals of York, Lincoln, &c. &c. The whole executed on Twenty-Seven Plates, and each Impression accurately coloured, after the original subject of the respective plates, by William Fowler . ".…

Condición: Good. Handcoloured engraving on very thick paper.655 x 480mm.Hand-coloured engraving, engraved by I. or L. Hill after Fowler. A letterpress prospectus for the print above, includes a translation of the Latin on the mosaic. Plate 2 from "Engravings of the Principal Mosaic Pavements, which have been discovered in the course of the last and present centuries, in various parts of Great Britain. Also, Engravings of several Subjects in Stained Glass, in the windows of the Cathedrals of York, Lincoln, &c. &c. The whole executed on Twenty-Seven Plates, and each Impression accurately coloured, after the original subject of the respective plates, by William Fowler . ".…

228 x 138 mm. (matrix). (some scuffing to plate). Lizars was a founder of the Royal Scottish Academy (1826) and was known for both wildlife engravings and portraits. This is one of several portraits he engraved of Scottish novelist, Sir Walter Scott. Offered with a framed copy of the engraving (marginal dampstaining) published in Edinburgh by Geo.Tait, Haddington, and Alex. Hill.…

No Binding. Condición: Very Good. 16 x 22 3/8 inches (40.6 x 56.8 cm., entire sheet). etching & engraving (some spotting to margins & title area, marginal defect at top margin). In the Battle of Talavera, July 27-28, 1809, an Imperial French army under King Joseph Bonaparte and Marshal Jean-Baptiste Jourdan attacked an Anglo-Spanish army led by Sir Arthur Wellesley. After several of their assaults were bloodily repulsed on the second day, the French retreated toward Madrid. Wellesley was ennobled as Viscount Wellington of Talavera and of Wellington for the engagement.…

No Binding. Condición: Very Good. 16 x 22 3/8 inches (40.6 x 56.8 cm., entire sheet). etching & engraving (some foxing to margins & title area). In the Second Battle of Porto, also known as the Battle of the Douro or the Crossing of the Douro, May 12, 1809, General Arthur Wellesley's Anglo-Portuguese army defeated Marshal Nicolas Soult's French troops and took back the city of Porto. The battle ended the second French invasion of Portugal. Second-in-command, Edward Paget, lost his right arm in the battle.…

No Binding. Condición: Very Good. 16 x 22 3/8 inches (40.6 x 56.8 cm., entire sheet). etching & engraving (some foxing to margins & title area). In the siege of Badajoz, March 16-April 6, 1812, also called the third siege of Badajoz, an Anglo-Portuguese Army under Wellington's command besieged the Spanish fortress on the southwestern border of Portugal, and forced the surrender of the French garrison of some 5,000 French soldiers under General Armand Philippon. The siege was one of the bloodiest in the Napoleonic Wars and was considered a costly victory by the British, with some 4,800 Allied soldiers killed or wounded.…

Condición: Good. 2 vols. 4to, 22.5 x 31 cm. Qtr. contemporary morocco. 2 pages loose in vol. 2. Tissue guards in place with light foxing. 48 engraved portraits by Luigi Ceroni. Section on each subject by a notable author. Not paginated. OCLC Number / Unique Identifier:181873276; Bibliothèque nationale de France: ark:/12148/bpt6k97381539. 2 vol. in 4, demi-maroquin début XXe (2 feuillets détachés au tome 2).…

Oblong folio. (15 3/8 x 20 1/2 inches). 4 hand-coloured aquatint plates by Debucourt after Vernet. (Light foxing to one plate). Provenance: A. B. (contemporary ink initials in the upper right corner of each plate) A fine large-scale series of hand-coloured plates exhibiting Debucourt and Vernet's mastery of the genre print. The series consists of four views of scenes glimpsed "on the road." As usual with Vernet, the human figures are slightly caricatured, whilst the horses (in three of the prints) are beautifully observed. The plates are titled: Les Aveugles [The Beggars. Fenaille 407]; Route de St. Cloud [The St. Cloud Road. Fenaille 405]; Route de Poissy [The Poissy Road. Fenaille 404]; and Route de Poste [The Post Road. Fenaille 406]. According to Fenaille the series was eventually extended to include 12 large caricatures, published by Bance & Aumont between 1816 and 1823. Fenaille Catalogue de l'oeuvre gravé de Debucourt 404-407.…

Large 8vo. 1¾ pp. on bifolium. To an unnamed addressee: "[.] A de l'honneur que vous m'avez faite en esperant bien de moi [.]". - On stationery with black border; slightly browned due to paper.

Softcover. Condición: New. Reprint. Langue : Français. Environ 292 pages. Français : Réimpression à la demande. Édition originale : 1863. Ouvrage en français. Ouvrage illustré par Gustave Doré, ce conte fantastique explore la légende du Croque-Mitaine à travers des gravures sur bois. Une œuvre majeure de la littérature jeunesse du XIXe siècle, mêlant tradition orale et esthétique romantique. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1863. Text in French. Illustrated by Gustave Doré, this fantasy tale delves into the legend of the Bogeyman through wood engravings. A major work of 19th-century children's literature, blending oral tradition and romantic aesthetics. Book images are non-contractual. Cet article est imprimé à la demande et expédié depuis l'atelier de nos partenaires d'impression le plus proche de la destination. Ces ateliers se trouvent principalement aux États-Unis, au Royaume-Uni et au Canada.…