1806 1896 (50 resultados)

Condición: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condición: New.

Paperback or Softback. Condición: New. The New Month of Mary; Book.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In.

Paperback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Nouv. éd. Good copy in modern gilt-blocked buckram with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; xlii, 378 p. ; 19 cm. Subjects; Merlin Coccaie. History. French History. Rabelais. 3 Kg.

Condición: New. In.

Condición: New.

Nouv. éd. Good copy in modern gilt-blocked buckram with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; xlii, 378 p. ; 19 cm. Subjects; Merlin Coccaie. History. French History. Rabelais. 1 Kg.

Couverture rigide. Condición: Assez bon. Edition originale. In-8° relié, 384 pages.

Condición: New. In.

Condición: Good. - A 17 inch high by 22-3/4 inch wide sheet of paper has been folded in half & then folded 2 additional times to form a document 8-1/2 inches high by 4 inches wide. The printed document is filled in in ink by an agent and signed "Willard Ives" beside his printed title "President". Illustrated with an engraving of the fire insurance company's building. There is some staining and light soiling to the document & 1 corner is creased. There is a crease with short tears to the right edge & a tear & chip along the first fold. Good. Though he liked best to be known as a farmer and owned Hillcrest Farm in Watertown for 48 years, Willard Ives [1806-1896] was a noted and active participant in the life of Jefferson County and beyond. He was a leader in the Methodist Episcopal Church, was a delegate to the world convention of Methodists held in London in 1846, and served as President of Ives Seminary in Antwerp, NY. In addition to his presidency of the fire insurance company, he was a director of the Bank of Watertown, a founder and second president of the Jefferson County Orphan Asylum and president of the Jefferson County Agricultural Society in 1848. He was one of the organizers of Syracuse University and represented his district in Congress as a Democrat from 1851-53.

Couverture souple. Condición: Satisfaisant. Edition originale. In-8° broché, 26 pages. Une importante mouillure parcourt la partie inférieure des feuillets. Signé par l'auteur.

Couverture souple. Condición: Bon. Edition originale. In-8° broché, 122 pages. Quelques rousseurs. Bel envoi sur le premier plat de l'auteur. Signé par l'auteur.

Couverture souple. Condición: Très bon. Edition originale. In-octavo broché, 52 pages. Victor Brochard, né à Quesnoy-sur-Deûle (Nord) le 29 juin 1848 et mort à Paris le 25 novembre 1907, est un philosophe français. Spécialisé dans l'histoire de la philosophie antique, il fut maître de conférences à l'École normale supérieure et professeur d'histoire de la philosophie à la Sorbonne. Il fut élu membre de l'Académie des sciences morales et politiques en 1900. Son mémoire sur Les Sceptiques grecs a notamment été salué et intensivement utilisé par Nietzsche comme l'a souligné Gilles Deleuze. Dans son édition de Sodome et Gomorrhe, Antoine Compagnon suggère que Brochard aurait servi de modèle à Marcel Proust pour créer le personnage de Brichot dans À la recherche du temps perdu.

Condición: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.

Couverture souple. Condición: Satisfaisant. In-8° broché, 118 pages. Dédicacé par l'auteur.

1st Edition. iv, 214; [2], 171, [1 (blank)]; lxxii, [2 (blank)] pp. Couple illustrations, at least one lithograph by W[alter]. [Hood] Fitch (1817-1892). 8-3/4" x 5-1/4" Walter Fitch was a botanical illustrator from Scotland. Fitch's illustration have appeared in Curtis's Botanical Magazine, most publications issued by Royal Botanical Gardens Kew, George Bentham's 'Handbook of the British Flora', James Bateman's "A Monograph of Odontoglossum" and William Hooker's "A century of Orchidaceous Plants". "Fitch was made a fellow of the Linnean Society in 1857." [wiki]. The previous owner inscription reads "Skipper Kent 1953". Skipper Kent was a restauranteur in the San Francisco Bay Area, owning Zombie Village in Oakland and Skipper Kent's in San Francisco. These "tiki" inspired restaurants were his pride and joy as he was already and avid collector of Polynesian art and artifacts. Kent was also an avid orchid collector, so we suspect this was in his library at one time, with his interest in botany. The embossed library stamp comes from the library of Herman Knoche (1870-1945). Knoche was born in San Jose, California and studied botany at Stanford University. He moved to France to further his studies at University of Montpellier; his particular interest was island vegetation. Boards and edges are rubbed/(scuffed), some tears to the paper wrapped boards, some soiling to boards and back strip, some fraying to back strip, blue ink inscription to ffep - possible previous signature, some soiling to end papers (particularly to fore-edge), embossed library stamp to head of title page, age toning to leaves, water damage to fore-edge of leaves and boards, water damage particularly bad at tail of boards and leaves -going towards middle of leaves, binding a bit tender, some gatherings are loose or torn. A Good copy. Period binding, black ink stain to all edges.

8vo. 2 pp. on bifolium. With autograph address. To the lawyer and politician Adolphe Crémieux (1796-1880) concerning an upcoming concert together with the mezzo-soprano Émilie Emma Courtot in Bourgueil near Tours. Crémieux apparently planned the concert when he was deputy for the department Indre-et-Loire (1842-51). Duprez includes a list of arias and duets from Fromental Halévy's "Guido et Ginevra", Donizetti's "La favorite" and "Lucia di Lammermoor" among others to choose from for the programme: "Mon cher Avocat, député et surtout ami, n'entendant plus parler de notre Concert je prends l'initiative et Vous envoie la liste des morceaux dont vous pourrez bourrer votre programme. J'ignore encore quelles sont les ressources dont à part Mlle Courtot et moi vous pouvez déposer, - plus vous auriez d'artistes, mieux cela vaudrait cependant, en tous cas voici se que nous vous offrons: 1° Le Lac d. Niedermeyer - Mlle Courtot 2° La scène et air de Guido - il 3° La Romance de la Favorite - moi 4° La scène et air de Lucie [.] - Si vous voulez autres choses, écrivez moi avant jeudi, car ce jour nous nous mettrons en route pour Tours par le convoi de 8.30 du matin. Je ferai provision de musique afin que nous n'en manquions pas à Bourgueil [.]". - After a bumpy start of his singing career in Paris, Gilbert Duprez went to Italy in 1828, where he adopted the contemporary "tenore contraltino" register and soon built a strong reputation. In the Italian premiere of Rossini's "Guglielmo Tell" in 1831, Duprez pioneered the operatic high C sung from the chest, instead of the somewhat weaker falsettone register that was costumary until then. His greatest success in Italy was the creation of the role of Edgardo in the 1835 premiere of Donizzeti's "Lucia di Lammermoor". His Italian reputation firmly established, Duprez returned to Paris in 1836 and scored an immediate success at the Paris Opera with his new style of vocal delivery. Important premieres such as Berlioz's "Benvenuto Cellini" (1838), Donizetti's "La favorite" (1840), and Verdi's "Jérusalem" (1847) followed. However, Duprez's vocal style exceeded his physical resources. His singing began to deteriorate as early as 1838, and he was forced to retire from the stage completely in 1851, turning to teaching. Duprez's innovative style gave rise to the 19th century "tenore de forza", heralding the "dramatic tenor" range and style of today. - On stationery with embossed monogram. With traces of former mounting. Minor foxing and browning.

Couverture souple. Condición: Très bon. Edition originale. Grand in-8° relié demi-percaline vert amande à la bradel, pièce de titre de chagrin chamois gravée, 52 [1] et 210 {1] pages. Envoi autographe de Brochard (le destinataire de l'envoi a annoté soigneusement l'ouvrage au crayon dans les marges). Victor Brochard, né à Quesnoy-sur-Deûle (Nord) le 29 juin 1848 et mort à Paris le 25 novembre 1907, est un philosophe français. Spécialisé dans l'histoire de la philosophie antique, il fut maître de conférences à l'École normale supérieure et professeur d'histoire de la philosophie à la Sorbonne. Il fut élu membre de l'Académie des sciences morales et politiques en 1900. Son mémoire sur Les Sceptiques grecs a notamment été salué et intensivement utilisé par Nietzsche comme l'a souligné Gilles Deleuze. Dans son édition de Sodome et Gomorrhe, Antoine Compagnon suggère que Brochard aurait servi de modèle à Marcel Proust pour créer le personnage de Brichot dans À la recherche du temps perdu. Signé par l'auteur.

Couverture souple. Condición: Très bon. 2 parties en 1 vol. in-8° broché, couverture vert nil imprimée, 150 pp. Exemplaire non coupé en parfaite condition. Louis Juglar est le fils de Clément Juglar. Other Titles: Droit romain : du Rôle des esclaves et des affranchis dans le commerce. Droit français : de la Situation des obligataires au cas de faillite ou de liquidation judiciaire de la société. Thèse pour le doctorat. par Louis Juglar.

Couverture rigide. Condición: Bon. Gilbert Duprez (1806-1896), ténor. L.A.S., Paris, 29 mai 1861, 1p in-8. « Monsieur, D'après ce que m'écrit mon frère Ed Duprez, vous sembleriez être disposé à traiter avec moi pour une ou deux séances vocales et dramatiques. Je crois la chose difficile à faire, attendu qu'il me faudrait réunir de nouveau sept artistes au moins. Je ne pourrais dont tenter cette petite entreprise que si vous m'assuriez un fixe de deux mille quatre cents francs pour les deux représentations. Veuillez recevoir, Monsieur, l'assurance de ma parfaite considération. G. Duprez ». Sympathique lettre, peu commun. [476].