1757 painter (7 resultados)
William Blake | Catalogue of the Collection in the Fitzwilliam Museum, Cambridge.
Bindman, David [William Blake (28 November 1757 - 12 August 1827) English poet, painter, and printmaker. Largely unrecognised during his lifetime, he is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age]. Foreword by David Piper
Editorial: Published by the Syndics of the Fitzwilliam Museum, Cambridge | W. Heffer and Sons Ltd., 20 Trinity Street, Cambridge, First Edition Thus . 1970. 1970
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- Primera edición
Librería: Little Stour Books PBFA Member, Canterbury, Reino UnidoLittle Stour Books PBFA Member
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Condición: Usado - Bueno
EUR 13,13
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Condición: Very Good. First paperback edition in publisher's original flat backed illustrated card wrap covers (soft back). Landscape. 8½'' x 10''. Contains colour frontispiece, (viii), 88 pp followed by 74 monochrome illustrations on 42 pp with additional items sheet and errata slip laid-in. In Very Good condition, no dust wrap…per as issued. Member of the P.B.F.A. ART [British].
Más imágenesThe Life of William Blake "Pictor Ignotus" with Selections from His Poems and Other Writings | Illustrated from Blake's Own Works, in Facsimile by J. Linton and in Photolithography; with a Few of Blake's Original Plates | Volume I and II (Two Volumes Complete)
Gilchrist, Alexander [William Blake (28 November 1757 - 12 August 1827) was an English poet, visionary, painter, and printmaker].
Editorial: Published by Macmillan and Co. London and Cambridge First Edition . 1863. 1863
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- Primera edición
Librería: Little Stour Books PBFA Member, Canterbury, Reino UnidoLittle Stour Books PBFA Member
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Condición: Usado
EUR 954,72
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Uniform matching first edition hard back binding in publisher's original deep burgundy gilt decorated cloth covered boards, blocked and lettered gilt backs and front boards, rebacked with original backstrips laid-down, original dark green coated end sheets, bound by Burn & Co. London ticket inside. 8vo. 9½'' x 6¼''. Contains (xv…i), 389 pp; (viii), 268 pp. Volume I paper-guarded frontispiece, illustrated with eleven plates, and a host of in-text engravings, some full-page sepia. Volume II with a fold-out frontispiece of Chaucer's Canterbury Pilgrims, in-text illustrations, 21 photolithographs of the Book of Job and 16 plates printed from the electrotypes of the copper plates of the Songs of Innocence and Experience including additional illustrations and decorations. Both volumes with armorial bookplate of the noted British bibliophile Francis Frederick Fox inside each front paste down. Heavy volume pair weighing 2 kg, extra postage will be requested over and above our default setting for destinations outside of the UK. Member of the P.B.F.A. BIO (Résumé, Memoir).
Más imágenesIllustrations of the Book of Job | Invented and Engraved by William Blake
Blake, William [William Blake (28 November 1757 - 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, he is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age].
Editorial: Published by Methuen & Co. Ltd., 36 Essex Street, Strand, London First Thus Edition . 1903. 1903
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Librería: Little Stour Books PBFA Member, Canterbury, Reino UnidoLittle Stour Books PBFA Member
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Condición: Usado - Muy bueno
EUR 5370,32
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Condición: Near Fine. This Edition and is limited to 100 copies for England. Hard back copy binding in publisher's original quarter white cloth with cream paper title and author lettering label to the spine, steel blue paper covered boards, all page edges untrimmed. 8vo. 8'' x 5¼''. The engravings measure 4½'' x 3½''. Illustrati…ons of the Book of Job primarily refers to a series of twenty-two engraved prints (published 1826) by Blake illustrating the biblical Book of Job. It also refers to two earlier sets of watercolours by Blake on the same subject (1806 and 1821). The engraved Illustrations are considered to be Blake's greatest masterpieces in the medium of engraving, and were also a rare commercial and critical success for Blake. Red and black title page stating 'A New Edition'. This issue is reproduced in reduced facsimile from the original Edition published by William Blake in the year 1826. Contains 22 single-sided tissue-guarded monochrome etchings on India paper mounted on handmade paper, each stating 'Proof' to the bottom right hand corner. From the library of J. H. Moore, brother of G. E. Moore O.M., and Thomas Sturge Moore (4 March 1870 - 18 July 1944) English poet, author and artist. Very light soiling to the edges of the boards, contents in very near Fine condition with very light spotting to title page and first engravings. Member of the P.B.F.A. ART [British].
Más imágenesEditorial: Rome, 1808-1810 and 1816-1821. 1821
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Librería: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, AustriaAntiquariat INLIBRIS Gilhofer Nfg. GmbH
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EUR 25.000,00
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Small 8vo. 51 unnumbered ff. Original red morocco. Green moirée silk endpapers; all edges gilt. Signed by Grassi on front flyleaf. The personal travel notebook of Joseph Grassi, one of the foremost portraitists of his age and remembered today as the painter of one of the very few authentic Mozart portraits. In her biographical s…ketch of the artist, Elisabeth Eixner deplores the lack of studies concerning Grassi's Roman years: "It would be a rewarding task for scholarship to investigate Grassi's activities in Rome, which he first visited in 1808-10 (becoming member of the Academy of San Luca in 1810), and again in 1816-21 as 'Director of Studies of Saxon Artists in Italy'" (NDB VII, 5). Clearly, the present notebook constitutes the principal and hitherto entirely undocumented source for such an investigation: apparently begun during his first journey to Italy, the booklet also served Grassi upon his return, containing his travel plans as well as lists of important events, meetings, addresses, and contacts in Rome. The detailed schedule of his itinerary from Gotha to Rome (no less than 60 stations, stating the distances and length of stay) is followed by a five-page catalogue of artists active in Rome, most of which Grassi managed to visit, a brief account of social life in the city, and a list of various works of art and their locations. The names of numerous art dealers and antiquarians as well as several paintings offered to Grassi (including works by van Dyck, Raffael, Michelangelo, and Rubens) give evidence of his activity as an agent for the Ducal collections. Among the extensive notes at the end of the volume (which include payments to his coachman) we also find a three-page autobiography in which Grassi records the principal events of his life with their respective dates. - After his last visit to Rome "Grassi returned to Dresden, where he died in 1838, lonely and after years of illness. For a decade (1781-1791), Mozart and Grassi both lived in Vienna. The close connection between Joseph Grassi, the Mozarts and their in-laws Lange is proved by a letter of 12 March 1783 from Wolfgang to Leopold Mozart in which he discusses a performance of his pantomime 'Pantalon und Colombine' (with his music, KV 446) on March 3rd, an event held in the Hofburg Redoutensaal and attended by his friends" (cf. Angermüller). - Perfectly preserved. Autographs in Grassi's hand are of the utmost rarity: the past decades' auction records list a single specimen (Stargardt, 21 March 1996, lot 672: his signature on a receipt for Duke August of Saxe-Gotha). - R. Angermüller, Mozart: Bilder und Klänge. Salzburg, Internationale Stiftung Mozarteum, 1991, p. 358. NDB VII, 4-5.
Plate III from Architettura E Prospettive. Dedicate alla Maesa di Carlo Sesto Imperador de'Romani.
Pfeffel, Johann Andreas (1674 - 1748) (engraver), after Giuseppe Galli Bibiena (1696 - 1757) (painter).
Editorial: Augsburg: Johann Andreas Pfeffel. 1740
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Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 452,09
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Condición: Good. Etching & Engraving on Rag. Margins: 21.5" x 15", Image: 18" x 12". Good with marginal tears.
Más imágenesEditorial: Paris, 9 Feb. 1822. 1822
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Librería: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, AustriaAntiquariat INLIBRIS Gilhofer Nfg. GmbH
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EUR 1500,00
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4to. 1¾ pp. Bifolium with integral address panel. To M. de Varennes, on behalf of an inquiery he had promised to do: "J'ai bien des excuses à vous faire d'avoir été si longtems à répondre à la lettre que vous m'avés fait l'honneur de m'écrire. J'avais fait de suite la moitié de votre commission: j'étais allé demander à M. Chénar…d quelle devrait être la force d'un appareil propre à l'usage auquel vous le destinés et il m'avait dit que pour produire un grand effet il fallait 150 à 160 couples de plaques de 3 ponces de diamètre sur deux. Cette instruction acquise, restait à m'enquérir des prix. J'étais alors occupé d'une distribution prochaine qui eut lieu à notre Ecole le dimanche 27 Janvier et quand j'ai eu le loisir nécessaire j'avais oublié d'achever mon entreprise : enfin, hier, Coulonuriers [?] et Ses bons habitans m'étant revenus à la mémoire, J'ai couru chez Demotiez lui demander le prix de l'appareil tel que M. Chénard me l'avait désigné. Démotiez m'a répondu que pour qu'il fut plus solidement établi il fallait le faire en quatre parties de 40 couples; qu'en donnant une plus grande longueur aux bois il pourrait arriver que le gonflement fît casser le mastic qui scelle les autres. []". - Some damage to edges and browned; fol. 2 with small tear due to breaking of seal (not touching text); seal remnant.
Editorial: Vienna, St. Pölten, and other places, 1738-1747. 1747
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Librería: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, AustriaAntiquariat INLIBRIS Gilhofer Nfg. GmbH
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EUR 35.000,00
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Altogether 37 pages on 38 leaves. Large 4to, with additional material (see below). To the Abbott of the Premonstratensians in Hradisko near Olomouc (Moravia). These unpublished letters, hitherto unknown to scholarship, represent a substantial part of Gran's correspondence with the Hradisch Abbey. They offer a detailed and intima…te perspective on the creative process of this famed artist, who, together with Paul Troger and Franz Anton Maulbertsch, is regarded as one of the best-known painters of the later Austrian Baroque period. The letters are valuable sources for the dating of Gran's works at the Hradisko Monastery itself (frescoes and oil paintings); they also provide ample information about the circumstances of their composition. Lost works such as a cycle of paintings from 1747 are also mentioned. Finally, the letters offer a unique perspective on Gran's everyday life, including the illnesses from which he suffered and collaborations with fellow artists. The recipient, although never explicitly named, is Abbott Norbert II. Also enclosed is an additional letter to the Abbott from the painter Christian Hilfgott Brandt (1693-1756), dated and signed Vienna, 25 March 1754. - Margins with occasional tears and light creases, still an extremely well-preserved collection of correspondence. Manuscript material by Gran is extremely rare.
