'Film Europe' and 'Film America' (Paperback). Este artículo no está disponible.'Film Europe' and 'Film America' (Paperback)

A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony.

Professor Andrew Higson holds the Greg Dyke Chair in Film and Television Studies at the University of York. He was previously Professor of Film Studies at the University of East Anglia, where he taught for over 20 years.

Running through much of his work is a concern for questions of national and transnational cinema; he has written widely on British cinema, from the silent period to the present, and from contemporary drama to the heritage film.

His books include Waving the Flag: Constructing a National Cinema in Britain (1995) and English Heritage, English Cinema: The Costume Drama Since 1980 (2003; both Oxford University Press), and has edited two general surveys of British cinema history, Dissolving Views: Key Writings on British Cinema (Cassell, 1996), and British Cinema, Past and Present (co-edited with Justine Ashby; Routledge, 2000). A third edited book surveys the development of cinema in Britain in the silent period: Young and Innocent? The Cinema in Britain, 1896-1930 (UEP, 2002).

Co-edited with Richard Maltby ‘Film Europe’ and ‘Film America’: Cinema, Commerce and Cultural Exchange, 1920-1939 (UEP, 1999) was awarded the prestigious Prix Jean Mitry.

Richard Maltby is Matthew Flinders Distinguished Professor of Screen Studies at Flinders University, South Australia. He moved to Flinders from the UK, where he established the Bill Douglas Centre for the History of Cinema and Popular Culture at the University of Exeter, before becoming Research Professor in Film Studies at Sheffield Hallam University.

His publications include Explorations in New Cinema History: Approaches and Case Studies (Wiley-Blackwell, 2011) and Cinema, Audiences and Modernity: New Perspectives on European Cinema History (Routledge, 2011), Hollywood Cinema (Wiley-Blackwell), Dreams for Sale: Popular Culture in the Twentieth Century (Harrap).  ‘Film Europe’ and ‘Film America’: Cinema, Commerce and Cultural Exchange, 1925-1939, co-edited with Andrew Higson (UEP 1999), was winner of the prestigious Prix Jean Mitry for cinema history in 2000.

He is a Series Editor of Exeter Studies in Film History.