prof andrew higson (8 resultados)

Paperback. Condición: New. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research.This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute.Winner Prix Jean Mitry 2000.

PF. Condición: New.

Paperback. Condición: new. Paperback. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research.This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute.Winner Prix Jean Mitry 2000 A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PF. Condición: New.

Paperback. Condición: new. Paperback. Silent cinema and the study of British cinema have seen some of the most exciting developments in Film Studies. This study brings then together in a comprehensive survey of one of the most important periods of film history. The book also includes guides to bibliographical and archival sources. Most of the acknowledged experts on this period are represented, joined by several new voices. Together they chart the development of cinema in Britain from its beginnings in the 1890s to the conversion to sound in the late 1920s and the emergence of an intellectual film culture in the 1920s. From these acco unts the youthful British cinema emerges as far from innocent. On the contrary, it was a complex field of cultural and industrial practices. Topics covered include: the cinema of attractions in the early period; the emergence of the narrative film; and the series and serials of the 1910s and 1920s. The enormous range of actuality films, including early shorts, cinemagazines, interest films, travelogues and travel films is covered, as are the mainstream feature film of the late 1910s and 1920s.The study also examines the roles played by key producers, directors, scriptwriters and stars, ranging from Cecil Hepworth to Ivor Novello and from H.G. Wells to Alfred Hitchcock. Contributors consider the changin grelationships between film and literature, theatre and visual culture and the ways in which audiences engaged with films and the patterns of exhibition and reception, as well as the contribution of live music to the film experience, and British cinema's relations with American cinema and the Empire market. This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research.This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute.Winner Prix Jean Mitry 2000 A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research.This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute.Winner Prix Jean Mitry 2000.

Paperback. Condición: new. Paperback. Silent cinema and the study of British cinema have seen some of the most exciting developments in Film Studies. This study brings then together in a comprehensive survey of one of the most important periods of film history. The book also includes guides to bibliographical and archival sources. Most of the acknowledged experts on this period are represented, joined by several new voices. Together they chart the development of cinema in Britain from its beginnings in the 1890s to the conversion to sound in the late 1920s and the emergence of an intellectual film culture in the 1920s. From these acco unts the youthful British cinema emerges as far from innocent. On the contrary, it was a complex field of cultural and industrial practices. Topics covered include: the cinema of attractions in the early period; the emergence of the narrative film; and the series and serials of the 1910s and 1920s. The enormous range of actuality films, including early shorts, cinemagazines, interest films, travelogues and travel films is covered, as are the mainstream feature film of the late 1910s and 1920s.The study also examines the roles played by key producers, directors, scriptwriters and stars, ranging from Cecil Hepworth to Ivor Novello and from H.G. Wells to Alfred Hitchcock. Contributors consider the changin grelationships between film and literature, theatre and visual culture and the ways in which audiences engaged with films and the patterns of exhibition and reception, as well as the contribution of live music to the film experience, and British cinema's relations with American cinema and the Empire market. This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.