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Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de ref. del artículo S_442858472
Leo Steinberg is the rare art historian who has known the political pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg. With the sharpness and confidence of one who championed Rauschenberg's work in its beginnings and has pondered it ever since, Steinberg offers in-depth discussions of such major challenges as the "Erased de Kooning Drawing", "Bed" and "Monogram". Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own change of mind over the years. Rauschenberg's crucial role in exploding earlier limits of art - "letting the world in again" -is demonstrated with fresh argument and precision. Where some of Rauschenberg's more recent work leaves him unmoved, or resistant, Steinberg is ready to say so. Steinberg warns against the modish enthusiasm that now loads Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and viewer more subtly intentioned.
Reseña del editor: Leo Steinberg is the rare art historian who has known the political pressures implicit in reviewing the work of living artists. In his engrossing lecture, filled with exciting insights and personal memories, he surveys the career of Robert Rauschenberg, one of the great American postwar artists. Beginning with his own experience as a moonlighting critic in the turbulent art world of New York in the 1950s and 1960s, he reveals much about himself and more about the insolent originality of the young Rauschenberg. With the sharpness and confidence of one who championed Rauschenberg's work in its beginnings and has pondered it ever since, Steinberg offers in-depth discussions of such major challenges as the "Erased de Kooning Drawing", "Bed" and "Monogram". Where his interpretations differ from those of other critics, he shows how, and why. And he reflects candidly on his own change of mind over the years. Rauschenberg's crucial role in exploding earlier limits of art - "letting the world in again" -is demonstrated with fresh argument and precision. Where some of Rauschenberg's more recent work leaves him unmoved, or resistant, Steinberg is ready to say so. Steinberg warns against the modish enthusiasm that now loads Rauschenberg's work with murderous symbolism or same-sex iconography. He argues that meaning in this artist's work is almost unspeakable, and the novel relationship established between the work and viewer more subtly intentioned.
Título: Encounters with Rauschenberg: (A Lavishly ...
Editorial: University Of Chicago Press
Año de publicación: 2000
Encuadernación: Paperback
Condición: Very Good
Librería: Goodwill Southern California, Los Angeles, CA, Estados Unidos de America
Condición: good. Paperback Book. Nº de ref. del artículo: LACV.0226771830.G
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Librería: Half Price Books Inc., Dallas, TX, Estados Unidos de America
Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_452879585
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Librería: Evergreen Goodwill, Seattle, WA, Estados Unidos de America
paperback. Condición: Acceptable. This is a former library/ rental copy with stickers, inserts, and markings. Nº de ref. del artículo: mon0000490705
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Librería: Better World Books Ltd, Dunfermline, Reino Unido
Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 15329934-20
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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de America
Condición: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Nº de ref. del artículo: 00098938399
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Librería: Goodbookscafe, Macon, GA, Estados Unidos de America
Condición: good. Used may have minimal highlights, annotations, creases, curled corners, writing on some pages, discoloration, dust from shelves, may need batteries. Nº de ref. del artículo: MGV.0226771830.G
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Librería: Miranda Books & Ephemera, Easthampton, MA, Estados Unidos de America
paperback. Condición: As New. First Edition. FIRST edition, first printing. Spine free of stress and creasing -- appears unread. Fine. Unmarked. Nº de ref. del artículo: 2408280021
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Librería: Sam's Books, St. Petersburg, FL, Estados Unidos de America
Paperback. Condición: Very Good. Octavo, softcover, 75 pp. Photographs. Light edge wear. Nº de ref. del artículo: 12329
Cantidad disponible: 1 disponibles
Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de America
Paperback. Condición: Fine. 1st. vii, 75 pages, illustrations (chiefly colour); 25 cm. Firm binding, clean inside copy. First paperback edition. *** "In his insightful and engrossing lecture, Leo Steinberg surveys and critiques the work of Robert Rauschenberg, one of the great American post-war artists. He also discusses his own experience as a critic in the exciting and turbulent art world of New York in the 1950s and 1960s. The result is a rare glimpse not only into Rauschenberg, but also into Steinberg. With the sharpness and confidence that can only come from a critic who has long been involved with Rauschenberg's work, Steinberg offers an in-depth discussion of such major pieces as the Erased DeKooning Drawing, Bed, and Monogram. He explains the subtle differences between his interpretations and those of other critics, such as Clement Greenberg and Hilton Kramer. He candidly reflects on how he has changed his mind over the years, and defends his new ideas about Rauschenberg's work with precise, fresh arguments. He critically evaluates Rauschenberg's more recent work and addresses how it falls short from the artist's earlier work. From Rauschenberg's silk-screen prints of the 1960s to the vegetable dye transfer prints of the 1990s, Steinberg warns against the dangers of overinterpretation and iconographic enthusiasm. He argues that the unifying strand through this great artist's work is his drive to appropriate, to take objects and images from the world and make them his own by making them become a part of his art. Provocative, intelligent, and beautifully articulated, Steinberg's words shed light on one remarkable artist and on the post-war New York art scene, on Steinberg's particular appreciation of Rauschenberg and on his life's work as an art critic. / Leo Steinberg is Benjamin Franklin Professor Emeritus at the University of Pennsylvania." - Publisher. Size: 8vo. Nº de ref. del artículo: 116767
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Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de America
Wrappers. Condición: Near Fine. 75 pages with 51 illustrations in color. A fine line of fading to the top edge, otherwise fine. First paperback edition. Illustrated wraps. Foreword by Walter Hopps and Susan Davidson. The lecture was presented at the Solomon R. Guggenheim, New York (October 21, 1997) and with revisions, for the Menil Collection, Houston (May 7, 1998), on the occasion of the exhibition "Robert Rauschenberg: A Retrospective." For this publication, the text has been slightly augmented. Notes. Book. Nº de ref. del artículo: 014218
Cantidad disponible: 1 disponibles