Inscriptions are often regarded as the ultimate textual ‘originals’ – authentic, authoritative, and unique. This volume challenges that longstanding assumption by showing that formal inscriptions were commonly produced with the help of manuscripts and are, in many cases, copies of preexisting models. Bringing together studies from China, India, Laos, and Siam, the book explores the complex processes of drafting, copying, and transferring texts across a wide range of materials and media. The contributions reveal previously little-known manuscript practices, highlight the tension between fidelity and creativity in inscription-making, and uncover the sociocultural, political, and technological forces at play. Moving beyond the traditional stemmatic approach, this book redefines how we understand epigraphic texts and contributes to current discussions on methodology and terminology in epigraphic research as well as to broader theoretical debates in the fields of philology, textual criticism, and manuscript studies.
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Ondřej Škrabal, PhD (Peking University, 2019) is a sinologist and Senior Research Group Leader at the Centre for the Study of Manuscript Cultures, University of Hamburg. His research draws extensively on epigraphic and manuscript sources to explore the socio-cultural history of ancient China. He is the co-editor of Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding (2023) and the Handbook of Epigraphic Cultures (forthcoming).
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Hardcover. Condición: new. Hardcover. Inscriptions are often regarded as the ultimate textual originals authentic, authoritative, and unique. This volume challenges that longstanding assumption by showing that formal inscriptions were commonly produced with the help of manuscripts and are, in many cases, copies of preexisting models. Bringing together studies from China, India, Laos, and Siam, the book explores the complex processes of drafting, copying, and transferring texts across a wide range of materials and media. The contributions reveal previously little-known manuscript practices, highlight the tension between fidelity and creativity in inscription-making, and uncover the sociocultural, political, and technological forces at play. Moving beyond the traditional stemmatic approach, this book redefines how we understand epigraphic texts and contributes to current discussions on methodology and terminology in epigraphic research as well as to broader theoretical debates in the fields of philology, textual criticism, and manuscript studies. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9789004707191
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Hardback. Condición: New. Inscriptions are often regarded as the ultimate textual 'originals' - authentic, authoritative, and unique. This volume challenges that longstanding assumption by showing that formal inscriptions were commonly produced with the help of manuscripts and are, in many cases, copies of preexisting models. Bringing together studies from China, India, Laos, and Siam, the book explores the complex processes of drafting, copying, and transferring texts across a wide range of materials and media. The contributions reveal previously little-known manuscript practices, highlight the tension between fidelity and creativity in inscription-making, and uncover the sociocultural, political, and technological forces at play. Moving beyond the traditional stemmatic approach, this book redefines how we understand epigraphic texts and contributes to current discussions on methodology and terminology in epigraphic research as well as to broader theoretical debates in the fields of philology, textual criticism, and manuscript studies. Nº de ref. del artículo: LU-9789004707191
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Hardcover. Condición: new. Hardcover. Inscriptions are often regarded as the ultimate textual originals authentic, authoritative, and unique. This volume challenges that longstanding assumption by showing that formal inscriptions were commonly produced with the help of manuscripts and are, in many cases, copies of preexisting models. Bringing together studies from China, India, Laos, and Siam, the book explores the complex processes of drafting, copying, and transferring texts across a wide range of materials and media. The contributions reveal previously little-known manuscript practices, highlight the tension between fidelity and creativity in inscription-making, and uncover the sociocultural, political, and technological forces at play. Moving beyond the traditional stemmatic approach, this book redefines how we understand epigraphic texts and contributes to current discussions on methodology and terminology in epigraphic research as well as to broader theoretical debates in the fields of philology, textual criticism, and manuscript studies. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9789004707191
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Hardcover. Condición: new. Hardcover. Inscriptions are often regarded as the ultimate textual originals authentic, authoritative, and unique. This volume challenges that longstanding assumption by showing that formal inscriptions were commonly produced with the help of manuscripts and are, in many cases, copies of preexisting models. Bringing together studies from China, India, Laos, and Siam, the book explores the complex processes of drafting, copying, and transferring texts across a wide range of materials and media. The contributions reveal previously little-known manuscript practices, highlight the tension between fidelity and creativity in inscription-making, and uncover the sociocultural, political, and technological forces at play. Moving beyond the traditional stemmatic approach, this book redefines how we understand epigraphic texts and contributes to current discussions on methodology and terminology in epigraphic research as well as to broader theoretical debates in the fields of philology, textual criticism, and manuscript studies. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9789004707191
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Buch. Condición: Neu. Neuware - Inscriptions are often regarded as the ultimate textual 'originals' - authentic, authoritative, and unique. This volume challenges that longstanding assumption by showing that formal inscriptions were commonly produced with the help of manuscripts and are, in many cases, copies of preexisting models. Bringing together studies from China, India, Laos, and Siam, the book explores the complex processes of drafting, copying, and transferring texts across a wide range of materials and media. The contributions reveal previously little-known manuscript practices, highlight the tension between fidelity and creativity in inscription-making, and uncover the sociocultural, political, and technological forces at play. Moving beyond the traditional stemmatic approach, this book redefines how we understand epigraphic texts and contributes to current discussions on methodology and terminology in epigraphic research as well as to broader theoretical debates in the fields of philology, textual criticism, and manuscript studies. Nº de ref. del artículo: 9789004707191
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Librería: Rarewaves.com UK, London, Reino Unido
Hardback. Condición: New. Inscriptions are often regarded as the ultimate textual 'originals' - authentic, authoritative, and unique. This volume challenges that longstanding assumption by showing that formal inscriptions were commonly produced with the help of manuscripts and are, in many cases, copies of preexisting models. Bringing together studies from China, India, Laos, and Siam, the book explores the complex processes of drafting, copying, and transferring texts across a wide range of materials and media. The contributions reveal previously little-known manuscript practices, highlight the tension between fidelity and creativity in inscription-making, and uncover the sociocultural, political, and technological forces at play. Moving beyond the traditional stemmatic approach, this book redefines how we understand epigraphic texts and contributes to current discussions on methodology and terminology in epigraphic research as well as to broader theoretical debates in the fields of philology, textual criticism, and manuscript studies. Nº de ref. del artículo: LU-9789004707191
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