“I’ve always had a sense of humor about my work. It amuses me to think that someone looking at one of these paintings might think, ‘Peter Halley has finally given up and become an abstract painter.’” ―Peter Halley Peter Halley: Cell Grids immerses us in the colorful staging of the eponymous 2021–22 exhibition curated by Peter Doroshenko at Dallas Contemporary. “This publication,” Doroshenko observes, “aims to elucidate the true essence of Halley’s Cell Grid paintings through thoughtful interpretation, unlocking the complex interplay between the visual and the conceptual in his work.” According to art critic and historian Barry Schwabsky, the exhibited artworks, realized between 2015 and 2021, mark a new phase―which time will reveal as either a momentous shift or ultimately a continuation―in the career of Halley, a protagonist of contemporary abstract and geometric painting.
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Peter Halley (né en 1953 à New York, où il vit et travaille) est un peintre minimaliste américain, figure du mouvement Néo-géo. Ses peintures, faites de « cellules » et de « prisons », reflètent la géométrisation rampante de l'espace social. De 1984 à 1987 il fonde et gère avec Ashley Bickerton, Jeff Koons et Meyer Vaisman la galerie International With Monument. Entre 1996 et 2006, il publie la revue Index Magazine.
Il a notamment exposé au CAPC musée d'art contemporain de Bordeaux (1991), au Museo Nacional Centro de Arte Reina Sofia, Madrid (1992), au Stedelijk Museum, Amsterdam (1992), au Des Moines Art Center (1992), au Dallas Museum of Art (1995), au Museum of Modern Art, New York (1997), au Kitakyushu Municipal Museum of Art (1998), au Museum Folkwang, Essen (1998), ainsi qu'au Butler Institute of American Art (1999).
Peter Halley (né en 1953 à New York, où il vit et travaille) est un peintre minimaliste américain, figure du mouvement Néo-géo. Ses peintures, faites de « cellules » et de « prisons », reflètent la géométrisation rampante de l'espace social. De 1984 à 1987 il fonde et gère avec Ashley Bickerton, Jeff Koons et Meyer Vaisman la galerie International With Monument. Entre 1996 et 2006, il publie la revue Index Magazine.
Il a notamment exposé au CAPC musée d'art contemporain de Bordeaux (1991), au Museo Nacional Centro de Arte Reina Sofia, Madrid (1992), au Stedelijk Museum, Amsterdam (1992), au Des Moines Art Center (1992), au Dallas Museum of Art (1995), au Museum of Modern Art, New York (1997), au Kitakyushu Municipal Museum of Art (1998), au Museum Folkwang, Essen (1998), ainsi qu'au Butler Institute of American Art (1999).
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Paperback. Condición: new. Paperback. Ive always had a sense of humor about my work. It amuses me to think that someone looking at one of these paintings might think, Peter Halley has finally given up and become an abstract painter. Peter HalleyPeter Halley: Cell Grids immerses us in the colorful staging of the eponymous 202122 exhibition curated by Peter Doroshenko at Dallas Contemporary. This publication, Doroshenko observes, aims to elucidate the true essence of Halleys Cell Grid paintings through thoughtful interpretation, unlocking the complex interplay between the visual and the conceptual in his work. According to art critic and historian Barry Schwabsky, the exhibited artworks, realized between 2015 and 2021, mark a new phasewhich time will reveal as either a momentous shift or ultimately a continuationin the career of Halley, a protagonist of contemporary abstract and geometric painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9788867495924
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Paperback. Condición: New. "I've always had a sense of humor about my work. It amuses me to think that someone looking at one of these paintings might think, 'Peter Halley has finally given up and become an abstract painter.'" -Peter HalleyPeter Halley: Cell Grids immerses us in the colorful staging of the eponymous 2021-22 exhibition curated by Peter Doroshenko at Dallas Contemporary. "This publication," Doroshenko observes, "aims to elucidate the true essence of Halley's Cell Grid paintings through thoughtful interpretation, unlocking the complex interplay between the visual and the conceptual in his work." According to art critic and historian Barry Schwabsky, the exhibited artworks, realized between 2015 and 2021, mark a new phase-which time will reveal as either a momentous shift or ultimately a continuation-in the career of Halley, a protagonist of contemporary abstract and geometric painting. Nº de ref. del artículo: LU-9788867495924
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