Mousse publishing (Más de 3500 resultados)

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: RePrint ] Publisher: Mousse Publishing Pub Date: 3/31/2014 Binding: Paperback Pages: 144 RePrint edition.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condición: New. With Postproduction, the third and final issue of In Medias Res, Fluentum's research project on the history of its premises concludes by literally taking stock of both the production of and productivity inherent in moving images. At the core of this publication are new essays on film shot in the building: beginning in the mid-1990s, mere months after the US abandoned its West Berlin headquarters, these films formed part of reunified Germany's nascent creative industry, and continued to be made throughout the 2000s. This chronology is speculatively extended by time-based artworks that were commissioned as part of Fluentum's multiyear program series In Medias Res: Media, (Still) Moving, which this publication both documents and further explores through artistic contributions. Though varying in their commerciality, audience, and aesthetic, they similarly employ the material and ideological architecture of the space as a matrix for creating history, allowing one to uniquely trace how the past becomes real through the present.…

Condición: New.

Paperback. Condición: New. With Postproduction, the third and final issue of In Medias Res, Fluentum's research project on the history of its premises concludes by literally taking stock of both the production of and productivity inherent in moving images. At the core of this publication are new essays on film shot in the building: beginning in the mid-1990s, mere months after the US abandoned its West Berlin headquarters, these films formed part of reunified Germany's nascent creative industry, and continued to be made throughout the 2000s. This chronology is speculatively extended by time-based artworks that were commissioned as part of Fluentum's multiyear program series In Medias Res: Media, (Still) Moving, which this publication both documents and further explores through artistic contributions. Though varying in their commerciality, audience, and aesthetic, they similarly employ the material and ideological architecture of the space as a matrix for creating history, allowing one to uniquely trace how the past becomes real through the present.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: New.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. With Postproduction, the third and final issue of In Medias Res, Fluentum's research project on the history of its premises concludes by literally taking stock of both the production of and productivity inherent in moving images. At the core of this publication are new essays on film shot in the building: beginning in the mid-1990s, mere months after the US abandoned its West Berlin headquarters, these films formed part of reunified Germany's nascent creative industry, and continued to be made throughout the 2000s. This chronology is speculatively extended by time-based artworks that were commissioned as part of Fluentum's multiyear program series In Medias Res: Media, (Still) Moving, which this publication both documents and further explores through artistic contributions. Though varying in their commerciality, audience, and aesthetic, they similarly employ the material and ideological architecture of the space as a matrix for creating history, allowing one to uniquely trace how the past becomes real through the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present. It does so by combining formal surveys, critical essays, artist contributions, and visual collages, dissecting the manifold layers hiding in plain sight. Central for this investigation is the idea of the palimpsest, also referenced by architects Matthias Sauerbruch and David Wegener, who give insight into their process of remodeling the former military facility to become an exhibition space. With the fundamental overlapping of times, people, but also political ideologies--its palimpsestic quality, so to speak--, the former Luftgaukommando is an emblematic site for investigating the politicization of built forms, as contributions by architecture historian Petra Kind, artist and photographer Daniel Poller, and architecture theorist Stephan Trüby make apparent. Following these attempts to formalize and categorize, the contributions by artists Julian Irlinger and Anja Kirschner allow for a necessary interrogation of the methods at play when knowledge is generated. In Medias Res #2: Architecture in Motion not only attempts to historicize and record, but raises questions about the presence of ruinous, failed ideologies-their strategies of violence, aesthetic power, and propaganda, as well as contemporary debates about their (dis)continuities in the here and now.…

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: as new. Wie neu/Like new.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New.

Paperback. Condición: new. Paperback. On the many lives of a Berlin building, from Nazi compound to art museumThis inaugural edition of a new journal on historiographic inquiry examines the history of the structure that houses the Fluentum museum in Berlin. Originally a Nazi compound, it became the US military headquarters in Berlin and is now a museum focused on time-based works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Hardback. Condición: Like New. ?I?ve always had a sense of humor about my work. It amuses me to think that someone looking at one of these paintings might think, ?Peter Halley has finally given up and become an abstract painter.?? ?Peter Halley Peter Halley: Cell Grids immerses us in the colorful staging of the eponymous 2021?22 exhibition curated by Peter Doroshenko at Dallas Contemporary. ?This publication,? Doroshenko observes, ?aims to elucidate the true essence of Halley?s Cell Grid paintings through thoughtful interpretation, unlocking the complex interplay between the visual and the conceptual in his work.? According to art critic and historian Barry Schwabsky, the exhibited artworks, realized between 2015 and 2021, mark a new phase?which time will reveal as either a momentous shift or ultimately a continuation?in the career of Halley, a protagonist of contemporary abstract and geometric painting.…