Personally, I am finding my freedom in the most “restricted” part of me, my body. This may sound like an oxymoron, I know. But if there’s a form of freedom, today, to me, it can only be as a form of resistance. ―Gaia Clotilde Chernetich This book is published on the occasion of HOW TO BE ENOUGH, ruby onyinyechi amanze’s first solo show in Italy, and presents the projects that took shape in the rooms of Collezione Maramotti, Reggio Emilia. Exploring the relationship between bodies and space, amanze experiments with multiple techniques and supports that allow her to exceed the two-dimensional nature of the sheet and transform the drawing into a sculptural medium. The fifteen sheets of paper that extended over the entire height and width of Collezione Maramotti’s walls―here generously documented through brilliant photography―open a door into her suspended architectural universe and its recurring population of hybrid characters. In this multilayered panorama, amanze constantly engages the viewer. She is one who draws but also one who dances; indeed, she captured and engaged the gaze in a performance organized at Collezione Maramotti in June 2021.
"Sinopsis" puede pertenecer a otra edición de este libro.
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
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Paperback. Condición: new. Paperback. Personally, I am finding my freedom in the most restricted part of me, my body. This may sound like an oxymoron, I know. But if theres a form of freedom, today, to me, it can only be as a form of resistance. Gaia Clotilde ChernetichThis book is published on the occasion of HOW TO BE ENOUGH, ruby onyinyechi amanzes first solo show in Italy, and presents the projects that took shape in the rooms of Collezione Maramotti, Reggio Emilia. Exploring the relationship between bodies and space, amanze experiments with multiple techniques and supports that allow her to exceed the two-dimensional nature of the sheet and transform the drawing into a sculptural medium. The fifteen sheets of paper that extended over the entire height and width of Collezione Maramottis wallshere generously documented through brilliant photographyopen a door into her suspended architectural universe and its recurring population of hybrid characters. In this multilayered panorama, amanze constantly engages the viewer. She is one who draws but also one who dances; indeed, she captured and engaged the gaze in a performance organized at Collezione Maramotti in June 2021. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9788867494590
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Paperback. Condición: New. Personally, I am finding my freedom in the most "restricted" part of me, my body. This may sound like an oxymoron, I know. But if there's a form of freedom, today, to me, it can only be as a form of resistance. -Gaia Clotilde ChernetichThis book is published on the occasion of HOW TO BE ENOUGH, ruby onyinyechi amanze's first solo show in Italy, and presents the projects that took shape in the rooms of Collezione Maramotti, Reggio Emilia. Exploring the relationship between bodies and space, amanze experiments with multiple techniques and supports that allow her to exceed the two-dimensional nature of the sheet and transform the drawing into a sculptural medium. The fifteen sheets of paper that extended over the entire height and width of Collezione Maramotti's walls-here generously documented through brilliant photography-open a door into her suspended architectural universe and its recurring population of hybrid characters. In this multilayered panorama, amanze constantly engages the viewer. She is one who draws but also one who dances; indeed, she captured and engaged the gaze in a performance organized at Collezione Maramotti in June 2021. Nº de ref. del artículo: LU-9788867494590
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