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Sinopsis
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), language: English, abstract: This thesis compares several working class films such as "Brassed Off" and "Billy Elliot" with reference to the theoretical concept of national identity, ie. the British national identity.The analysis of such a diverse cultural term like "identity" and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called "Brassed Off" and, secondly, an independent film produced by Amber Films called "Like Father". Both films are set in the 1990′s and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity.
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Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), 9 entries in the bibliography, language: English, abstract: This thesis compares several working class films such as "Brassed Off" and "Billy Elliot" with reference to the theoretical concept of national identity, ie. the British national identity. The analysis of such a diverse cultural term like "identity" and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called "Brassed Off" and, secondly, an independent film produced by Amber Films called "Like Father". Both films are set in the 1990′s and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity.
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How identity is reflected in British working class films
Librería: California Books, Miami, FL, Estados Unidos de America
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How identity is reflected in British working class films
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GRIN Verlag Nov 2007, 2007
ISBN 10: 3638765431
ISBN 13: 9783638765435
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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), language: English, abstract: This thesis compares several working class films such as 'Brassed Off' and 'Billy Elliot' with reference to the theoretical concept of national identity, ie. the British national identity.The analysis of such a diverse cultural term like 'identity' and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called 'Brassed Off' and, secondly, an independent film produced by Amber Films called 'Like Father'. Both films are set in the 1990's and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity. 20 pp. Englisch. Nº de ref. del artículo: 9783638765435
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How identity is reflected in British working class films
Publicado por
GRIN Verlag, GRIN Verlag Nov 2007, 2007
ISBN 10: 3638765431
ISBN 13: 9783638765435
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Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemania
Calificación del vendedor: 5 de 5 estrellas
Taschenbuch. Condición: Neu. Neuware -Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), language: English, abstract: This thesis compares several working class films such as 'Brassed Off' and 'Billy Elliot' with reference to the theoretical concept of national identity, ie. the British national identity.The analysis of such a diverse cultural term like 'identity' and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called 'Brassed Off' and, secondly, an independent film produced by Amber Films called 'Like Father'. Both films are set in the 1990¿s and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity.BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt 20 pp. Englisch. Nº de ref. del artículo: 9783638765435
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How identity is reflected in British working class films
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), language: English, abstract: This thesis compares several working class films such as 'Brassed Off' and 'Billy Elliot' with reference to the theoretical concept of national identity, ie. the British national identity.The analysis of such a diverse cultural term like 'identity' and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called 'Brassed Off' and, secondly, an independent film produced by Amber Films called 'Like Father'. Both films are set in the 1990's and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity. Nº de ref. del artículo: 9783638765435
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