The American Crisis: What Went Wrong. How We Recover. - Tapa blanda

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With contributions by: Danielle Allen, Anne Applebaum, Yoni Appelbaum, Molly Ball, David W. Blight, Mark Bowden, Ta-Nehisi Coates, Lizabeth Cohen, McKay Coppins, James Fallows, Drew Gilpin Faust, Caitlin Flanagan, Franklin Foer, David Frum, Megan Garber, Michael Gerson, Elizabeth Goitein, David A. Graham, Emma Green, Yuval Noah Harari, Ibram X. Kendi, Olga Khazan, Adrienne LaFrance, Annie Lowrey, James Mattis, Lin-Manuel Miranda, Angela Nagle, Vann R. Newkirk II, George Packer, Elaina Plott, Jeremy Raff, Jonathan Rauch, Adam Serwer, Clint Smith, Matthew Stewart, Alex Wagner, Tara Westover, and Ed Yong.

Jeffrey Goldberg is the editor in chief of The Atlantic. Before taking on this role, he spent nearly a decade covering politics and foreign policy as a staff writer for the magazine. Previously, Goldberg was a Middle East correspondent and the Washington correspondent for The New Yorker, and a writer for The New York Times Magazine. He is a recipient of the National Magazine Award for reporting, and is the author of Prisoners: A Story of Friendship and Terror.

Anne Applebaum is a staff writer at The Atlantic and a Pulitzer Prize–winning historian. Her books Gulag: A History; Iron Curtain: The Crushing of Eastern Europe, 1944–1956; and Red Famine: Stalin’s War on Ukraine have appeared in more than two dozen translations. Her most recent book is Twilight of Democracy: The Seductive Lure of Authoritarianism. Applebaum is a former columnist for The Washington Post and a senior fellow of the Agora Institute at Johns Hopkins University.

Cullen Murphy is the editor at large of The Atlantic and a former managing editor of the magazine. He has also been the editor at large of Vanity Fair. His books include The Word According to Eve: Women and the Bible in Ancient Times and Our Own; Are We Rome?: The Fall of an Empire and the Fate of America; God’s Jury: The Inquisition and the Making of the Modern World; and Cartoon County: My Father and His Friends in the Golden Age of Make-Believe.