Sinopsis
A sweeping look at the enduring resonance of the American modernist's art with Japanese traditions and aesthetics.
While Alexander Calder (1898-1976) never traveled to Japan, he was embraced by many of the country's artists and poets during his lifetime. Published on the occasion of the first monographic exhibition of work by Calder to be mounted in Tokyo in nearly 35 years, Un effet du japonais explores how Calder's art continues to resonate with Japanese culture and aesthetics.
Documenting 98 works from the collection of the Calder Foundation that span the 1930s to the 1970s, alongside extensive installation photography, this bilingual volume sheds new light on the artist's mobiles, stabiles, standing mobiles, oil paintings and works on paper. In addition to extensive archival material, new texts by Alexander S.C. Rower, Susan Braeuer Dam, Stephanie Goto, Jean McGarry and Akira Tatehata explore the many through lines that connected Calder and his work to Japan, complemented by an introduction by Marc Glimcher and a poem by Jane Hirshfield.
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De la contraportada
A sweeping look at the enduring resonance of the American modernist's art with Japanese traditions and aesthetics.
While Alexander Calder (1898-1976) never traveled to Japan, he was embraced by many of the country's artists and poets during his lifetime. Published on the occasion of the first monographic exhibition of work by Calder to be mounted in Tokyo in nearly 35 years, Un effet du japonais explores how Calder's art continues to resonate with Japanese culture and aesthetics.
Documenting 98 works from the collection of the Calder Foundation that span the 1930s to the 1970s, alongside extensive installation photography, this bilingual volume sheds new light on the artist's mobiles, stabiles, standing mobiles, oil paintings and works on paper. In addition to extensive archival material, new texts by Alexander S.C. Rower, Susan Braeuer Dam, Stephanie Goto, Jean McGarry and Akira Tatehata explore the many through lines that connected Calder and his work to Japan, complemented by an introduction by Marc Glimcher and a poem by Jane Hirshfield.
"Sobre este título" puede pertenecer a otra edición de este libro.
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Calder : Un Effet Du Japonais
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Pace Publishing, 2024
ISBN 10: 1948701545
ISBN 13: 9781948701549
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Calder : Un Effet Du Japonais
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Hardcover. Condición: new. Hardcover. A sweeping look at the enduring resonance of the American modernists art with Japanese traditions and aestheticsWhile Alexander Calder (18981976) never traveled to Japan, he was embraced by many of the countrys artists and poets during his lifetime. Published on the occasion of the first monographic exhibition of work by Calder to be mounted in Tokyo in nearly 35 years, Un effet du japonais explores how Calders art continues to resonate with Japanese culture and aesthetics.Documenting 98 works from the collection of the Calder Foundation that span the 1930s to the 1970s, alongside extensive installation photography, this bilingual volume sheds new light on the artists mobiles, stabiles, standing mobiles, oil paintings and works on paper. In addition to extensive archival material, new texts by Alexander S.C. Rower, Susan Braeuer Dam, Stephanie Goto, Jean McGarry and Akira Tatehata explore the many through lines that connected Calder and his work to Japan, complemented by an introduction by Marc Glimcher and a poem by Jane Hirshfield. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781948701549
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Calder: Un effet du japonais
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hardcover. Condición: New. Hardback in English, Japanese and some French in unclipped jacket with pocket and additional publication to rear. Nº de ref. del artículo: mon0000370697
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Calder: Un effet du japonais
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Hardback. Condición: New. A sweeping look at the enduring resonance of the American modernist's art with Japanese traditions and aestheticsWhile Alexander Calder (1898-1976) never traveled to Japan, he was embraced by many of the country's artists and poets during his lifetime. Published on the occasion of the first monographic exhibition of work by Calder to be mounted in Tokyo in nearly 35 years, Un effet du japonais explores how Calder's art continues to resonate with Japanese culture and aesthetics.Documenting 98 works from the collection of the Calder Foundation that span the 1930s to the 1970s, alongside extensive installation photography, this bilingual volume sheds new light on the artist's mobiles, stabiles, standing mobiles, oil paintings and works on paper. In addition to extensive archival material, new texts by Alexander S.C. Rower, Susan Braeuer Dam, Stephanie Goto, Jean McGarry and Akira Tatehata explore the many through lines that connected Calder and his work to Japan, complemented by an introduction by Marc Glimcher and a poem by Jane Hirshfield. Nº de ref. del artículo: LU-9781948701549
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Calder : Un Effet Du Japonais
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CALDER: Un effet du japonais
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Glimcher, Marc. CALDER: Un effet du japonais. 200 pages, including 123 color and 23 b&w plates. 4to, cloth. Pace Publishing, 2024. A sweeping look at the enduring resonance of the American modernist's art with Japanese traditions and aesthetics While Alexander Calder (1898-1976) never traveled to Japan, he was embraced by many of the country's artists and poets during his lifetime. Published on the occasion of the first monographic exhibition of work by Calder to be mounted in Tokyo in nearly 35 years, Un effet du japonais explores how Calder's art continues to resonate with Japanese culture and aesthetics. Documenting 98 works from the collection of the Calder Foundation that span the 1930s to the 1970s, alongside extensive installation photography, this bilingual volume sheds new light on the artist's mobiles, stabiles, standing mobiles, oil paintings and works on paper. In addition to extensive archival material, new texts by Alexander S.C. Rower, Susan Braeuer Dam, Stephanie Goto, Jean McGarry and Akira Tatehata explore the many through lines that connected Calder and his work to Japan, complemented by an introduction by Marc Glimcher and a poem by Jane Hirshfield. Nº de ref. del artículo: 172603
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