The city of Venice holds a special place in the global imagination. This book explores the creation of one of its largest surviving depictions, which has remained almost unknown to the wider public since its creation exactly four centuries ago. Singed and dated 1611, the painting is the work of the notable early seventeenth-century Bolognese artist Odoardo Fialetti. His huge birds-eye view of the watery townscape is enlivened by tiny vignettes of Venetian life. Eight square meters in size, this remarkable painting is a tour-de-force among depictions of cities. In 1636 the painting was given to Eton College by the former British ambassador to Venice, Sir Henry Wotton. Over the centuries it was known only to pupils and masters at the school, its surface obscured by layers of grime. Restored in 2010-11, Fialetti's view has emerged as a striking work of real artistic merit. Its prominent position in the British Museum's Shakespeare exhibition in the summer of 2012 brought it to the attention of the general public for the very first time. This book takes a closer look at the remarkable picture and the context in which it was created. What kind of artist was Odoardo Fialetti, a Bolognese immigrant hoping to fill the shoes of the recently deceased great masters of the Venetian Renaissance? What image does it present of Venice? What sort of a figure was Henry Wotton, and informed connoisseur and a passionate playing the European politics, though not as diplomatic as perhaps he should have been? This is a relatively neglected period of both in Venetian art history and in British culture, the Jacobean prelude to the enthusiasm for Venetian art of Charles I's court. This beautiful commemorative volume is interdisciplinary in scope, involving history of art, political history, cartography, architectural history and English literature and bibliophilia, as well as a story of restoration and its techniques, drawn together by one of the most distinctive views ever inspired by the townscape of Venice.
"Sinopsis" puede pertenecer a otra edición de este libro.
The city of Venice holds a special place in the global imagination. This book explores the creation of one of its largest surviving depictions, which has remained almost unknown to the wider public since its creation exactly four centuries ago.
The city of Venice holds a special place in the global imagination. This book explores the creation of one of its largest surviving depictions, which has remained almost unknown to the wider public since its creation exactly four centuries ago. Singed and dated 1611, the painting is the work of the notable early seventeenth-century Bolognese artist Odoardo Fialetti. His huge birds-eye view of the watery townscape is enlivened by tiny vignettes of Venetian life. Eight square meters in size, this remarkable painting is a tour-de-force among depictions of cities.In 1636 the painting was given to Eton College by the former British ambassador to Venice, Sir Henry Wotton. Over the centuries it was known only to pupils and masters at the school, its surface obscured by layers of grime. Restored in 2010-11, Fialetti's view has emerged as a striking work of real artistic merit. Its prominent position in the British Museum's Shakespeare exhibition in the summer of 2012 brought it to the attention of the general public for the very first time.This book takes a closer look at the remarkable picture and the context in which it was created. What kind of artist was Odoardo Fialetti, a Bolognese immigrant hoping to fill the shoes of the recently deceased great masters of the Venetian Renaissance? What image does it present of Venice? What sort of a figure was Henry Wotton, and informed connoisseur and a passionate playing the European politics, though not as diplomatic as perhaps he should have been? This is a relatively neglected period of both in Venetian art history and in British culture, the Jacobean prelude to the enthusiasm for Venetian art of Charles I's court.This beautiful commemorative volume is interdisciplinary in scope, involving history of art, political history, cartography, architectural history and English literature and bibliophilia, as well as a story of restoration and its techniques, drawn together by one of the most distinctive views ever inspired by the townscape of Venice.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de America
Hardcover. Condición: Used-Very Good. Estado de la sobrecubierta: dj. 1st. Cloth, dj. Minor shelf wear. Else a nice, clean copy. Nº de ref. del artículo: 2014375
Cantidad disponible: 1 disponibles
Librería: medimops, Berlin, Alemania
Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Nº de ref. del artículo: M01907372482-V
Cantidad disponible: 1 disponibles
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. Nº de ref. del artículo: V9781907372483
Cantidad disponible: 19 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New. Nº de ref. del artículo: 19382565-n
Cantidad disponible: Más de 20 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: WY-9781907372483
Cantidad disponible: 15 disponibles
Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. pp. 168 100 Illus. Nº de ref. del artículo: 96063337
Cantidad disponible: 3 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 19382565
Cantidad disponible: Más de 20 disponibles
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Hardback. Condición: New. 1st. The city of Venice holds a special place in the global imagination. This book explores the creation of one of its largest surviving depictions, which has remained almost unknown to the wider public since its creation exactly four centuries ago. Nº de ref. del artículo: LU-9781907372483
Cantidad disponible: 10 disponibles
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. Nº de ref. del artículo: V9781907372483
Cantidad disponible: 19 disponibles
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Hardcover. Condición: new. Hardcover. The city of Venice holds a special place in the global imagination. This book explores the creation of one of its largest surviving depictions, which has remained almost unknown to the wider public since its creation exactly four centuries ago. Singed and dated 1611, the painting is the work of the notable early seventeenth-century Bolognese artist Odoardo Fialetti. His huge birds-eye view of the watery townscape is enlivened by tiny vignettes of Venetian life. Eight square meters in size, this remarkable painting is a tour-de-force among depictions of cities. In 1636 the painting was given to Eton College by the former British ambassador to Venice, Sir Henry Wotton. Over the centuries it was known only to pupils and masters at the school, its surface obscured by layers of grime. Restored in 2010-11, Fialetti's view has emerged as a striking work of real artistic merit. Its prominent position in the British Museum's Shakespeare exhibition in the summer of 2012 brought it to the attention of the general public for the very first time. This book takes a closer look at the remarkable picture and the context in which it was created. What kind of artist was Odoardo Fialetti, a Bolognese immigrant hoping to fill the shoes of the recently deceased great masters of the Venetian Renaissance? What image does it present of Venice? What sort of a figure was Henry Wotton, and informed connoisseur and a passionate playing the European politics, though not as diplomatic as perhaps he should have been? This is a relatively neglected period of both in Venetian art history and in British culture, the Jacobean prelude to the enthusiasm for Venetian art of Charles I's court. This beautiful commemorative volume is interdisciplinary in scope, involving history of art, political history, cartography, architectural history and English literature and bibliophilia, as well as a story of restoration and its techniques, drawn together by one of the most distinctive views ever inspired by the townscape of Venice. The city of Venice holds a special place in the global imagination. This book explores the creation of one of its largest surviving depictions, which has remained almost unknown to the wider public since its creation exactly four centuries ago. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781907372483
Cantidad disponible: 1 disponibles