Paul holberton publishing ltd (Más de 1900 resultados)

Paperback. Condición: Good. Together with important First Nations material, the Thomson Canadian Collection is the largest of all private holdings of Canadian art. There are rare and incomparable examples of Northwest Coast Aboriginal art. Krieghoff's inspired accounts of life in the Canadas, prior to Confederation, bring the light and atmosphere of history fully into the present. A staggering power to capture the fleeting and the fugitive in paint still distinguishes the work of the early 20th-century painter Morrice.…

Paperback. Condición: Good. This richly illustrated volume introduces one of America?s finest university art museums ? one whose directors, curators, donors, and patrons have left a remarkable legacy, a museum collection that encourages us all to ?look close, think far.? The selection of over 280 highlights is presented with brief commentaries and an essay that traces the growth of the Ackland Art Museum?s outstanding collection.   The Ackland Art Museum at the University of North Carolina at Chapel Hill is one of the United States? most distinguished public university art museums. Founded in 1958, it now houses over 20,000 works of art, covering some 5,000 years of cultures from around the globe.   Look Close, Think Far is the tagline of the Ackland, informing everything from the dynamic and varied program of special exhibitions to ambitious interpretation, education, and outreach activities. It applies especially strongly to the museum?s extensive permanent collection. Although an integral part of the oldest public university in the United States, the Ackland is a relatively young institution. Now approaching its sixty-fifth year, it has become the proud steward of over 20,000 works of art from an impressively broad range of world cultures and time periods. The Museum is known for its special strengths in art of the European tradition, with very strong holdings in prints and drawings; the arts of Asia, and especially China, Japan, and India; a small but fine collection of classical art from Africa; and recent and contemporary art.   This publication showcases a cross-section though the diverse collection, with 283 works, giving an impression of the Ackland?s permanent collection that is true to its character, representative of its breadth, and indicative of its quality. The essay gives special attention to the early stages and the less obvious, more idiosyncratic moments that have contributed to the Ackland?s personality and individuality. The approach taken by the editor Peter Nisbet, deputy director for curatorial affairs at the Ackland, differs from most conventional volumes of museum collection highlights in several refreshing ways. Instead of separating works along the lines of curatorial departments, the arrangement emphasizes the unity of the collection by merging works from different cultures. These are presented in a largely chronological sequence, but one that surprises by starting with the present and extending back in time. Within this order, works of art are deliberately paired across individual page openings, to stimulate visual attention, reflective thinking, and sometimes maybe just a smile.…

Paperback. Condición: Good. The story of the creative relationship between the Dutch artist Piet Mondrian (18721944) and the British artist Ben Nicholson (18941982) is largely untold, yet during the 1930s they were leading forces of avant-garde art in Europe and their work was profoundly connected.

Paperback. Condición: Good. Together with important First Nations material, the Thomson Canadian Collection is the largest of all private holdings of Canadian art. There are rare and incomparable examples of Northwest Coast Aboriginal art. Krieghoff's inspired accounts of life in the Canadas, prior to Confederation, bring the light and atmosphere of history fully into the present. A staggering power to capture the fleeting and the fugitive in paint still distinguishes the work of the early 20th-century painter Morrice.…

Paperback. Condición: Good. This richly illustrated volume introduces one of America?s finest university art museums ? one whose directors, curators, donors, and patrons have left a remarkable legacy, a museum collection that encourages us all to ?look close, think far.? The selection of over 280 highlights is presented with brief commentaries and an essay that traces the growth of the Ackland Art Museum?s outstanding collection.   The Ackland Art Museum at the University of North Carolina at Chapel Hill is one of the United States? most distinguished public university art museums. Founded in 1958, it now houses over 20,000 works of art, covering some 5,000 years of cultures from around the globe.   Look Close, Think Far is the tagline of the Ackland, informing everything from the dynamic and varied program of special exhibitions to ambitious interpretation, education, and outreach activities. It applies especially strongly to the museum?s extensive permanent collection. Although an integral part of the oldest public university in the United States, the Ackland is a relatively young institution. Now approaching its sixty-fifth year, it has become the proud steward of over 20,000 works of art from an impressively broad range of world cultures and time periods. The Museum is known for its special strengths in art of the European tradition, with very strong holdings in prints and drawings; the arts of Asia, and especially China, Japan, and India; a small but fine collection of classical art from Africa; and recent and contemporary art.   This publication showcases a cross-section though the diverse collection, with 283 works, giving an impression of the Ackland?s permanent collection that is true to its character, representative of its breadth, and indicative of its quality. The essay gives special attention to the early stages and the less obvious, more idiosyncratic moments that have contributed to the Ackland?s personality and individuality. The approach taken by the editor Peter Nisbet, deputy director for curatorial affairs at the Ackland, differs from most conventional volumes of museum collection highlights in several refreshing ways. Instead of separating works along the lines of curatorial departments, the arrangement emphasizes the unity of the collection by merging works from different cultures. These are presented in a largely chronological sequence, but one that surprises by starting with the present and extending back in time. Within this order, works of art are deliberately paired across individual page openings, to stimulate visual attention, reflective thinking, and sometimes maybe just a smile.…

Paperback. Condición: Good. Paul C zanne's famous series of paintings of peasants playing cards has long been considered among his most important and powerful works. The image of seated peasants, still and seeming silent, concentrating on their game of cards, can be seen as the human counterpart to the landscapes of C zanne's home countryside, notably Montagne Sainte-Victoire, which held such iconic significance for him. The two most ambitious versions show three card players, with spectators; in the other three the subject is distilled into a simpler form, with two figures facing each other, seen in profile, as in the Courtauld masterpiece. This catalogue accompanies a landmark exhibition at Metropolitan Museum of Art that will be the first to bring together the majority of these remarkable paintings alongside a magnificent group of C zanne's closely related portraits of Proven al peasants and rarely seen preparatory oil sketches and drawings.…

paperback. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Condición: Good. Paul C zanne's famous series of paintings of peasants playing cards has long been considered among his most important and powerful works. The image of seated peasants, still and seeming silent, concentrating on their game of cards, can be seen as the human counterpart to the landscapes of C zanne's home countryside, notably Montagne Sainte-Victoire, which held such iconic significance for him. The two most ambitious versions show three card players, with spectators; in the other three the subject is distilled into a simpler form, with two figures facing each other, seen in profile, as in the Courtauld masterpiece. This catalogue accompanies a landmark exhibition at Metropolitan Museum of Art that will be the first to bring together the majority of these remarkable paintings alongside a magnificent group of C zanne's closely related portraits of Proven al peasants and rarely seen preparatory oil sketches and drawings.…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Lewis, Wyndham (ilustrador).

Paperback. Condición: Very Good. During the Tudor Age the South West was famed for the innovation and endeavor of its people. Devon sea dogs Drake, Raleigh and Hawkins sailed to Worlds End in their pursuit of treasure and glory, Exeters Nicholas Hilliard produced exquisite miniature portraits of courtiers while fellow Exonian Thomas Bodley re-founded Oxford Universitys library, later named the Bodleian in his honor. These men lived during the religious turmoil and political intrigue of Elizabeth Is reign a time of opportunity for the merchants and traders of Devon. Many grew rich on the fruits of overseas trade and expressed their new status through fashionable houses, fine furnishings, decoration and valuable personal possessions. The demand for goods was met by a network of local craft workers: plasterers, masons, carpenters, lace-makers and goldsmiths. Aspects of their lives are revealed in this book, published to accompany the fascinating exhibition at the Royal Albert Memorial Museum, Exeter, which will draw together paintings, artifacts and documents from galleries, museums and record offices to tell the story of the South West and its people set against the backdrop of one of the most,evocative periods in British history. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Good. This groundbreaking reconstruction of Goya's so-called 'Witches and Old Women' album will offer rich insights into the artist's concerns and preoccupations and will immeasurably deepen our understanding of the artist. With its themes of witchcraft, madness and nightmares, the predominant imagery of the album offers a particularly important perspective on the development of Goya's interest in old age and its relationship to the fantastic and diabolical. …

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Good. This groundbreaking reconstruction of Goya's so-called 'Witches and Old Women' album will offer rich insights into the artist's concerns and preoccupations and will immeasurably deepen our understanding of the artist. With its themes of witchcraft, madness and nightmares, the predominant imagery of the album offers a particularly important perspective on the development of Goya's interest in old age and its relationship to the fantastic and diabolical. …

Condición: New. 2003. paperback. . . . . .

Condición: Very Good. 2003. Paperback. Clean copy with minor shelf wear. . . . .

Paperback. Condición: New. Tibetan Manuscripts spaning the thirteenth to the nineteenth centuries and includes a set of 42 painted tsakalis, or ritual cards. Accompanying an exhibition held at Sam Fogg Ltd., London, in 2001.

Condición: New. 2013. paperback. . . . . .

Condición: New. 2003. paperback. . . . . . Books ship from the US and Ireland.

Condición: New. 2013. paperback. . . . . . Books ship from the US and Ireland.

Condición: Very Good. 2003. Paperback. Clean copy with minor shelf wear. . . . . Books ship from the US and Ireland.

Paperback. Condición: Very Good. This catalogue accompanies an exhibition at The Courtauld Gallery, which is the first dedicated to the graphic oeuvre of Antoine Caron (15211599). Bringing together a core group of drawings centered around the figures and deeds of the French Royal family, the Valois, this display highlights the role played by Catherine de Medici (15191589). Featuring the Valois series, a set of drawings here reunited for the first time, the display showcases the way in which the powerful and influential Catherine promoted the success of her regency and future of her progeny by delivering a series of lavish courtly events that were meant to enhance the power and diplomacy of her family. The drawings represent jousts, tournaments, festivals and a mock naval battle, events that occurred at the French court during the reigns of Catherines sons Charles IX and Henri III. Preparatory designs for a group of tapestries, these visual documents relate to actual events that were organized by the court, some of which took place at the French castles of Anet, Palace of Fontainebleau, Bayonne and at the Tuileries Gardens in Paris. Minutely designed, they thus allow a reconstruction of the visual testimony of those events, as they were documented in written contemporary sources. Antoine Caron: Drawing for Catherine de Medici is the latest in a series of books accompanying critically acclaimed Courtauld displays, which showcase aspects of the Gallerys outstanding permanent collection. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Paperback. Condición: New. Jonathan Richardson (1667-1745) was one of 18th-century England's most significant cultural figures. A leading portrait painter and influential art theorist, he also amassed one of the period's greatest collections of drawings. But there was another, highly unusual dimension to his pursuits. In 1728, at the age of 61 and shortly before his retirement from professional life, Richardson began to create a remarkable series of self-portrait drawings. Not intended for public display, these works were unguarded explorations of his own character. In one of the most astonishing projects of self-examination ever undertaken by an artist, for over a decade Richardson repeatedly drew his own face. His self-portrait drawings are usually dated precisely, and they document, from month to month, his changing state of mind as much as his appearance. Many were drawn in chalks on large sheets of blue paper, from his reflection in the mirror. Some of these are bold and psychologically penetrating, while others, in which he regards his aging features with gentle but unflinching scrutiny, are deeply touching. A further group of self-portraits is drawn with graphite on small sheets of fine vellum, and in these Richardson often presents himself in inventive and humorous ways, such as in profile, all'antica, as though on the face of a coin or medal; or crowned with bays, like a celebrated poet. Sometimes, too, he copies his image from oil paintings made decades earlier, in order to recall his appearance as a younger man. In this extraordinary series of self-portraits, Richardson offers a candid insight into his mind and personality. Together, these drawings create nothing less than a unique and compelling visual autobiography. This publication - which accompanies the first ever exhibition devoted to Richardson's self-portrait drawings, held in the new Gilbert and Ildiko Butler Drawings Gallery at the Courtauld - tells the story of these remarkable works and puts them into the context of his other activities at this period of his life - in particular the self-searching poems he wrote during the same years and often on the same days as he made the drawings. An introductory essay is followed by focused discussions of each work in the exhibition. This part of the book explores the materials and techniques Richardson used, whether working in chalks on a large scale or creating exquisitely refined drawings on vellum. It will also reveal how Richardson modeled some of his portraits on old master prints and drawings, including works in his own collection by Rembrandt and Bernini. The publication brings together the Courtauld Gallery's fine collection of Richardson's drawings with key works in the British Museum, the National Portrait Gallery and the Fitzwilliam Museum.…

Paperback. Condición: Very Good. This beautiful publication presents a collection of exquisite ancient bronzes from the Wadsworth Atheneum that were collected by John Pierpont Morgan. It accompanies a special exhibition of the bronzes at Bowdoin College.   This fully illustrated catalogue presents highlights of the ancient bronzes that were collected by J. Pierpont Morgan and are currently in the collection of the Wadsworth Atheneum. Purchased between 1904 and 1916, the bronzes were given to the museum by Morgan?s son in 1917. Morgan was a passionate collector and spent years of his life acquiring exquisite works of art. He had a discerning eye and discriminating taste, and his driving motivation was to find works of quality and beauty. His Greek and Roman bronzes include a range of figure and vessel types: males and females, gods and mortals, humans and animals and hybrid mythological creatures, free-standing statuettes, and furniture embellishments. This is the first exhibition and publication to consider the bronzes as a group.   Morgan chose each work of art for its exquisite craftsmanship, its quality of composition and execution, and its preservation. These objects represent the very best of ancient Mediterranean bronze sculpture, with carefully rendered clothing, hair, and fur, and adorned with inlays of silver and other luxury materials. Showcasing different types of objects and figures that were made in bronze in the ancient world, this exhibition and book demonstrate the high level of quality that these works of art could achieve. The bronzes are important not only for their provenance and place in America?s ?Gilded Age?, but also as highly significant individual works of art that represent the best of ancient bronzeworking. New high-resolution photography of each work of art will allow readers to appreciate their intricate details of craftsmanship, including copper and silver inlay. This focused publication will also present current research on these exceptional objects to help readers better understand how they were made and what they represented in an ancient context.…

Paperback. Condición: Very Good. This fascinating catalogue explores the work of Franco-Belgian poet and visual artist Henri Michaux and an experience that transformed his artistic life: trying the psychedelic drug mescaline.

Paperback. Condición: New. Accompanying a focused display at The Courtauld Gallery that will bring together for the first time Pieter Bruegel the Elder's only three known grisaille paintings - the Courtauld's Christ and the Woman Taken in Adultery (which is barred from travel), The Death of the Virgin from Upton House in Warwickshire (National Trust) and Three Soldiers from the Frick Collection in New York - this book will examine the sources, function and reception of these three exquisite masterpieces. The panels will be complemented by prints and contemporary replicas, as well by other independent grisailles in order to shed light on the development of this genre in Northern Europe. Despite his status as the seminal Netherlandish painter of the 16th century, Pieter Bruegel the Elder (c. 1525-1569) remains an elusive artist: fewer than forty paintings are ascribed to him. Of these, a dozen are cabinet-sized. These small-scale works offer key insights as they often bear a personal significance for the artist and were sometimes given as gifts to friends and patrons. Presenting these works together for the first time is not only an extraordinary and unprecedented opportunity but it will be extremely revealing, considering their unusual nature in both Bruegel's oeuvre and 16th-century art in general. Monochrome painting in shades of grey was a mainstay of Netherlandish art from the early 15th century, most often present on the wings of altarpieces and preparatory sketches for engravings. In contrast, Bruegel's panels constitute one of the earliest and rare examples of independent cabinet pictures in grisaille, created for private contemplation and enjoyment. This seemingly austere type of painting has often been imbued with religious or political significance. On a purely artistic level, it enabled the painter to showcase his skill by limiting his palette. The publication, which includes a technical investigation of the three panels, will provide the opportunity to reassess the practical aspects of the grisaille technique and the many ways in which this effect was achieved. Indeed, Bruegel's three monochromatic paintings display quite different techniques, raising the question of the painter's intent. This is the latest in the series of books accompanying critically acclaimed Courtauld Gallery displays, following on from Collecting Gauguin (2013), Antiquity Unleashed (2013), Richard Serra (2013), A Dialogue with Nature (2014), Bruegel to Freud (2014) and Jonathan Richardson (2015).…

Paperback. Condición: Very Good. An inscription on a silver-gilt cup and cover presented to the Lord Mayor in 1741 records that the intention of the gift was to increase the Honour and Grandeur of the City of London. It is just one piece of an exceptional collection of plate kept at Mansion House along with dozens of pieces of official regalia that represent the Mayorality which is constantly in use today to uphold that honor and in the grandest way possible. The continued use of ceremonial plate by the City of London is a rare survival of medieval practices of display. Though the collection has very little silver from before 1800, the quality and quantity of the nineteenth-and twentieth-century pieces is extraordinary. Before Mansion House was built between 1732 and 1754, the Lord Mayors guild hall or his own house had been used for formal entertaining by the City, and any silver presented during the year remained with the guild or became the Lord Mayors personal property. Since the mid eighteenth century, however, a vast and eclectic collection has grown up, seen regularly at banquets and events at the Guildhall and Mansion House. This new book will present over 80 of the finest and most historic pieces. New photography will be accompanied by full details and a commentary. Starting with the unique medieval Crystal Sceptre of 1420, seen only at the inauguration of the Lord Mayor and at Coronations, the regalia includes several famous items, notably the sixteenth-century gold and enamel Chain of SS, the great Mace of 173536 and the Pearl Sword, carried before the Sovereign on visits to the City. The silver-gilt and silver, used constantly during the year, includes pieces by some of the greatest names of English silversmithing Paul de Lamerie and Paul Storr, for example but also by rarer more modern masters Latino Movio and Omar Ramsden masterpieces previously completely unknown to silver historians. Though intended to introduce the collection as well as the history of the Lord Mayors, the City guilds and Mansion House itself, and the formation of the collection to a broad audience, the book will be of interest to specialists in silver, who will discover many masterpieces of style and technique. This volume is the third in the series on the treasures of Mansion House, following The Harold Samuel Collection of Dutch and Flemish Paintings by Michael Hall and Clare Gifford (2012) and Magnificent Marble Statutes: A Guide to the Sculpture at the Mansion House by Julius Bryant and Clare Gifford (2013). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condición: New. Disillusioned with London life and struggling to make a living, Blake and his wife Catherine went in 1800 to live at the coastal village of Felpham, which the artist soon described as "the sweetest spot on earth". Providing his principal encounters with both English rural life and the coast, the artist's three years "on the banks of the ocean" informed his two greatest illustrated epic poems, Milton and Jerusalem, and continued to be refl ected in his work for the rest of his career: "In Felpham", claimed Blake, "I saw and heard Visions of Albion".In addition to the work associated with Felpham, this publication considers the collections of nearby Petworth House, which include three major paintings by Blake - otherwise unrepresented in other grand houses of Britain - along with related prints, books and archival material. The authors will examine the relationships formed by Blake in Sussex, particularly with the poet William Hayley, the sculptor John Flaxman, the 3rd Earl of Egremont (one of the great collectors of contemporary art in the early 19th century) and his estranged wifeElizabeth Ilive, who commissioned two of the three paintings now in Petworth. Blake's work for Hayley, often dismissed as illustrative and decorative, will be reappraised, and other projects he worked on in Sussex - including remarkable biblical watercolours produced for his great London patron, Thomas Butts - will be celebrated. Blake's infamous arrest and trial for sedition - chief among the events profoundly aff ecting him in Sussex - will be discussed. It is not widely known that Blake was tried fi rst in Petworth, where he was vouched for by the 3rd Earl.…