Ahh, the impact of Indian art and culture on a Dutch artist in the late 1650s! Pairing Rembrandt's twenty-three surviving drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt "brought life" to the static Mughal art. With essays written by both scholars of both Dutch and Indian art, this volume demonstrates that Rembrandt's contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper-an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt's engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt's artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
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Stephanie Schrader is a curator of drawings at the J. Paul Getty Museum. She is editor of "Looking East: Ruben's Encounter with Asia" (Getty Publications, 2013).
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Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. Nº de ref. del artículo: M1606065521Z4
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Hardcover. Condición: new. Hardcover. This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (16061669) in the late 1650s. By pairing Rembrandts twenty-three extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt brought life to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandts contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paperan approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandts engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandts artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions. This sumptuously illustrated volume pairs Rembrandt's drawn copies of Mughal paintings with originals of similar composition . Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781606065525
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Librería: art longwood books, Gloucester, MA, Estados Unidos de America
Hardcover. Condición: Fine. First Edition. hardcover, illustrated boards., no flaws or wear. clean. no markings. no bumps, tears, creases. tight binding. unused copy.; english text.; xi-148pp., illustrated throughout in color.four essays. Size: 4to - over 9¾" - 12" tall. Nº de ref. del artículo: 25065
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Librería: Joseph Burridge Books, Dagenham, Reino Unido
Hardcover. Condición: Fine. xi, 148 pages : illustrations (chiefly colour), colour map ; 30 cm. Contents: Rembrandt and the Mughal line : artistic inspiration in the global city of Amsterdam / Stephanie Schrader Mughal masterworks in Rembrandt's hand / Catherine Glynn "A book of Indian drawings, by Rembrandt, 25 in number" / William W. Robinson The global aspirations of the Mughal album / Yael Rice. Nº de ref. del artículo: 13jbewX703
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Librería: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condición: new. Hardcover. This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (16061669) in the late 1650s. By pairing Rembrandts twenty-three extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt brought life to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandts contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paperan approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandts engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandts artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions. This sumptuously illustrated volume pairs Rembrandt's drawn copies of Mughal paintings with originals of similar composition . Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9781606065525
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Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 148 pages. 11.50x8.75x0.75 inches. In Stock. Nº de ref. del artículo: 1606065521
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