Erasmus wrote In Praise of Folly, his masterpiece of ironic literature, in less than a week while en route to England from Italy to visit his good friend Thomas More. He wrote it merely to amuse himself and he was astonished at its immediate and wide popularity. But his satire of the clergy, the upper classes, and general pretentiousness, narrated by the goddess Folly, daughter of Youth and Wealth, struck a chord and is considered by some historians to be one of the catalysts of the Protestant Reformation. This might have disappointed Erasmus who, though critical of the Church, never intended to encourage a split and remained a faithful adherent until his death. Still read regularly in college English courses, Erasmus's timeless classic remains as relevant today as it was when first written nearly five hundred years ago. Dutch humanist, scholar, and theologian DESIDERIUS ERASMUS (1466?-1536) is perhaps best remembered for In Praise of Folly. His other works include Handbook of a Christian Knight (1503), Instituto principis Christiani (1516), and Colloquia familiaria (1518).
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Erasmus wrote In Praise of Folly, his masterpiece of ironic literature, in less than a week while en route to England from Italy to visit his good friend Thomas More. He wrote it merely to amuse himself and he was astonished at its immediate and wide popularity. But his satire of the clergy, the upper classes, and general pretentiousness, narrated by the goddess Folly, daughter of Youth and Wealth, struck a chord and is considered by some historians to be one of the catalysts of the Protestant Reformation. This might have disappointed Erasmus who, though critical of the Church, never intended to encourage a split and remained a faithful adherent until his death. Still read regularly in college English courses, Erasmus's timeless classic remains as relevant today as it was when first written nearly five hundred years ago. Dutch humanist, scholar, and theologian DESIDERIUS ERASMUS (1466?-1536) is perhaps best remembered for In Praise of Folly. His other works include Handbook of a Christian Knight (1503), Instituto principis Christiani (1516), and Colloquia familiaria (1518).
In Praise of Folly is an essay written in 1509 by Desiderius Erasmus of Rotterdam and first printed in 1511. The essay was inspired by De Triumpho Stultitiae, written by Italian humanist Faustino Perisauli, born at Tredozio, near Forlì. Erasmus revised and extended the work, which he originally wrote in the space of a week while sojourning with Sir Thomas More at More's estate in Bucklersbury. In Praise of Folly is considered one of the most notable works of the Renaissance and one of the catalysts of the Protestant Reformation. It starts off with a satirical learned encomium after the manner of the Greek satirist Lucian, whose work Erasmus and Sir Thomas More had recently translated into Latin, a piece of virtuoso foolery; it then takes a darker tone in a series of orations, as Folly praises self-deception and madness and moves to a satirical examination of pious but superstitious abuses of Catholic doctrine and corrupt practices in parts of the Roman Catholic Church—to which Erasmus was ever faithful—and the folly of pedants (including Erasmus himself). Erasmus had recently returned disappointed from Rome, where he had turned down offers of advancement in the curia, and Folly increasingly takes on Erasmus' own chastising voice. The essay ends with a straightforward statement of Christian ideals. Erasmus was a good friend of More, with whom he shared a taste for dry humor and other intellectual pursuits. The title "Moriae Encomium" can also be read as meaning "In praise of More". The double or triple meanings go on throughout the text. The essay is filled with classical allusions delivered in a style typical of the learned humanists of the Renaissance. Folly parades as one of the gods, offspring of Plutos and Freshness and nursed by Inebriation and Ignorance, whose faithful companions include Philautia (self-love), Kolakia (flattery), Lethe (oblivion), Misoponia (laziness), Hedone (pleasure), Anoia (madness), Tryphe (wantonness), Komos (intemperance) and Eegretos Hypnos (dead sleep).
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Paperback. Condición: Good. This witty, influential work by one of the greatest scholars of the Renaissance satirizes the shortcomings of the upper classes and religious institutions of the time. The most effective of all Erasmus's writings -- ripe with allusions, vignettes, and caricatures -- the literary gem was not only an extremely intelligent and articulate response to pretentiousness of all sorts, it also proved to be spiritual dynamite, leaving monastic brothers and clergymen the objects of universal laughter.The book's purported narrator, the goddess Folly, proclaims herself to be the daughter of Youth and Wealth, nursed by Drunkenness and Ignorance. She is accompanied by such followers as Self-love, Pleasure, Flattery, and Sound Sleep.A clever mix of drollery and fantasy, fast-paced and lighthearted in tone, the work has proved to be a lively and valuable commentary on modern times. It remains, according to the great Dutch historian John Huizinga, a masterpiece of humour and wise irony . something that no one else could have given to the world. Nº de ref. del artículo: CIN1602064601G
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Paperback. Condición: Good. This witty, influential work by one of the greatest scholars of the Renaissance satirizes the shortcomings of the upper classes and religious institutions of the time. The most effective of all Erasmus's writings -- ripe with allusions, vignettes, and caricatures -- the literary gem was not only an extremely intelligent and articulate response to pretentiousness of all sorts, it also proved to be spiritual dynamite, leaving monastic brothers and clergymen the objects of universal laughter.The book's purported narrator, the goddess Folly, proclaims herself to be the daughter of Youth and Wealth, nursed by Drunkenness and Ignorance. She is accompanied by such followers as Self-love, Pleasure, Flattery, and Sound Sleep.A clever mix of drollery and fantasy, fast-paced and lighthearted in tone, the work has proved to be a lively and valuable commentary on modern times. It remains, according to the great Dutch historian John Huizinga, a masterpiece of humour and wise irony . something that no one else could have given to the world. Nº de ref. del artículo: CIN1602064601G
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