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Sinopsis
In Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Whereas the sixteenth-century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into property. Fowler demonstrates how the emergence of landscape, maritime, and botanical painting were deeply intertwined with slavery amp rsquo s economic expansion. Moreover, she considers how the development of one of the first art markets was inextricable from the trade in human lives as chattel property. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler demonstrates that ideas about property, personhood, and citizenship were central to the oeuvres of artists such as Rembrandt van Rijn, Hercules Segers, Frans Post, Johannes Vermeer, and Maria Sibylla Merian and therefore inescapably within slavery amp rsquo s grasp.
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Acerca del autor
Caroline Fowler is Starr Director of the Research and Academic Program at the Clark Institute. She is the author of The Art of Paper: From the Holy Land to the Americas and Drawing and the Senses: An Early Modern History.
"Sobre este título" puede pertenecer a otra edición de este libro.
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Slavery and the Invention of Dutch Art
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Duke University Press, 2025
ISBN 10: 1478031328
ISBN 13: 9781478031321
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Slavery & the Invention of Dutch Art
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Duke University Press, 2025
ISBN 10: 1478031328
ISBN 13: 9781478031321
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Slavery and the Invention of Dutch Art
Publicado por
Duke University Press, 2025
ISBN 10: 1478031328
ISBN 13: 9781478031321
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Paperback
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Paperback. Condición: Good. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Nº de ref. del artículo: CIN1478031328G
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Slavery and the Invention of Dutch Art
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Slavery and the Invention of Dutch Art
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Paperback. Condición: New. In Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Whereas the sixteenth-century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into property. Fowler demonstrates how the emergence of landscape, maritime, and botanical painting were deeply intertwined with slavery amp rsquo s economic expansion. Moreover, she considers how the development of one of the first art markets was inextricable from the trade in human lives as chattel property. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler demonstrates that ideas about property, personhood, and citizenship were central to the oeuvres of artists such as Rembrandt van Rijn, Hercules Segers, Frans Post, Johannes Vermeer, and Maria Sibylla Merian and therefore inescapably within slavery amp rsquo s grasp. Nº de ref. del artículo: LU-9781478031321
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Slavery & the Invention of Dutch Art
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Duke University Press, 2025
ISBN 10: 1478031328
ISBN 13: 9781478031321
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Slavery and the Invention of Dutch Art
Publicado por
Duke University Press, 2025
ISBN 10: 1478031328
ISBN 13: 9781478031321
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Paperback
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Paperback. Condición: Good. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Nº de ref. del artículo: CIN1478031328G
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Slavery and the Invention of Dutch Art (eng)
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Slavery and the Invention of Dutch Art (Paperback)
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Paperback. Condición: new. Paperback. In Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Whereas the sixteenth-century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into property. Fowler demonstrates how the emergence of landscape, maritime, and botanical painting were deeply intertwined with slavery amp rsquo s economic expansion. Moreover, she considers how the development of one of the first art markets was inextricable from the trade in human lives as chattel property. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler demonstrates that ideas about property, personhood, and citizenship were central to the oeuvres of artists such as Rembrandt van Rijn, Hercules Segers, Frans Post, Johannes Vermeer, and Maria Sibylla Merian and therefore inescapably within slavery amp rsquo s grasp. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781478031321
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