This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations―between and among objects and media, people, and material and immaterial contexts―define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the―often contested―making and remaking of relations provides a unique conceptual entrypoint for understanding collections’―and ‘their’ objects’ and media’s―complex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.
The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
"Sinopsis" puede pertenecer a otra edición de este libro.
Hansjörg Dilger is Professor of Social and Cultural Anthropology in the Institute of Social and Cultural Anthropology at Freie Universitat Berlin, Germany.
Barbara Göbel is Director of the Ibero-Amerikanisches Institut (Stiftung Preusischer Kulturbesitz) and Honorary Professor in the Institute of Social and Cultural Anthropology at Freie Universitat Berlin, Germany.
Lars-Christian Koch is Director of the Ethnologisches Museum and Museum fur Asiatische Kunst (Stiftung Preusischer Kulturbesitz) and Director of the Staatliche Museen zu Berlin’s collections at the Humboldt Forum. He is also Professor of Musicology at Universitat zu Koln and Honorary Professor at Universitat der Kunste Berlin and Humboldt Universitat zu Berlin, Germany.
Stephanie Schütze is Professor of Cultural and Social Anthropology in the Institute for Latin American Studies at Freie Universitat Berlin, Germany.
Alexis Th. von Poser is Deputy Director of the Ethnologisches Museum and Museum fur Asiatische Kunst (Stiftung Preusischer Kulturbesitz) and Honorary Professor in the Institute of Social and Cultural Anthropology at Freie Universitat Berlin, Germany.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Paperback. Condición: new. Paperback. This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relationsbetween and among objects and media, people, and material and immaterial contextsdefine, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on theoften contestedmaking and remaking of relations provides a unique conceptual entrypoint for understanding collectionsand their objects and mediascomplex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9781032440248
Cantidad disponible: 1 disponibles
Librería: California Books, Miami, FL, Estados Unidos de America
Condición: New. Nº de ref. del artículo: I-9781032440248
Cantidad disponible: Más de 20 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: L2-9781032440248
Cantidad disponible: Más de 20 disponibles
Librería: CitiRetail, Stevenage, Reino Unido
Paperback. Condición: new. Paperback. This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relationsbetween and among objects and media, people, and material and immaterial contextsdefine, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on theoften contestedmaking and remaking of relations provides a unique conceptual entrypoint for understanding collectionsand their objects and mediascomplex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9781032440248
Cantidad disponible: 1 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 294 pages. 6.14x0.67x9.21 inches. In Stock. Nº de ref. del artículo: x-1032440244
Cantidad disponible: 2 disponibles
Librería: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condición: new. Paperback. This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relationsbetween and among objects and media, people, and material and immaterial contextsdefine, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on theoften contestedmaking and remaking of relations provides a unique conceptual entrypoint for understanding collectionsand their objects and mediascomplex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.The Open Access version of this book, available at , has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9781032440248
Cantidad disponible: 1 disponibles
Librería: moluna, Greven, Alemania
Condición: New. Hansjoerg Dilger is Professor of Social and Cultural Anthropology in the Institute of Social and Cultural Anthropology at Freie Universitat Berlin, Germany.Barbara Goebel is Director of the Ibero-Amerikanisches Inst. Nº de ref. del artículo: 3072809811
Cantidad disponible: Más de 20 disponibles
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Condición: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9781032440248
Cantidad disponible: Más de 20 disponibles
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Taschenbuch. Condición: Neu. Neuware. Nº de ref. del artículo: 9781032440248
Cantidad disponible: 2 disponibles
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. 2026. 1st Edition. paperback. . . . . . Nº de ref. del artículo: V9781032440248
Cantidad disponible: Más de 20 disponibles