Although it is more than sixty years since Georges Bataille undertook his philosophical development of the term informe, only in recent years has the idea of the "formless" been deployed in the theorizing and reconfiguring of twentieth-century art. In Formless: A User's Guide, Yve-Alain Bois and Rosalind Krauss present a rich and compelling panorama of the formless. They chart its persistence within a history of modernism that has always repressed it in the interest of privileging formal mastery, and they assess its destiny within current artistic production. In the domain of practice, they analyze it as an operational tool, the structural cunning of which has repeatedly been suppressed in the service of a thematics of art. Neither theme nor form, formless is, as Bataille himself expressed it, a "job." The job of Formless: A User's Guide is to explore the power of the informe. A stunning new map of twentieth-century art emerges from this reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson, and Gordon Matta-Clark, among others.
"Sinopsis" puede pertenecer a otra edición de este libro.
Yve-Alain Bois studied at the Ecole des Hautes Etudes under the guidance of Roland Barthes and Hubert Damisch. A founder of the French journal Macula, Bois is currently a professor in the School of Historical Studies at the Institute for Advanced Study, Princeton, NJ.
Rosalind E. Krauss is University Professor in the Department of Art History at Columbia University, where, from 1995 to 2006, she held the Meyer Schapiro Chair in Modern Art and Theory. She is a founding editor of October and the author of Passages in Modern Sculpture, The Originality of the Avant-Garde and Other Myths, The Optical Unconscious, Bachelors, Perpetual Inventory, Under Blue Cup (all published by the MIT Press), and other books.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Centerbridge Books, Old Saybrook, CT, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Black cloth. Small folio. 304pp. Pictorial dust jacket. Second printing. The goal of this important work by two of the most influential and respected art historians of 20th century art is to explore the power of the "informe". A stunning new map of modern art emerges from this innovative reconceptualization and from the brilliantly original analyses of the work of Jackson Pollock, Andy Warhol, Cy Twombly, Lucio Fontana, Cindy Sherman, Claes Oldenburg, Jean Dubuffet, Robert Smithson and Gordon Matta-Clark, among others. A very good copy with light wear. The text is very good and clean. The jacket is very good with minor wear. Nº de ref. del artículo: 13082
Cantidad disponible: 1 disponibles
Librería: Read&Dream, SAINT LOUIS, MO, Estados Unidos de America
Condición: Good. The book may have minor cosmetic wear like creased spine, cover, scratches, curled corners, folded pages, minor sunburn, minor water damage, minor bent. The book may have some highlights, notes, underlined pages. Accessories such as CD, codes, toys, may not be included . Safe and Secure Mailer. No Hassle Return. Nº de ref. del artículo: 2.8M_MG_H0004N3O
Cantidad disponible: 1 disponibles
Librería: HPB-Emerald, Dallas, TX, Estados Unidos de America
hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_486494824
Cantidad disponible: 1 disponibles
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover with dustjacket, 296 pages, very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra. Nº de ref. del artículo: FoKrZo150
Cantidad disponible: 1 disponibles
Librería: Specific Object / David Platzker, New York, NY, Estados Unidos de America
296 pp.; 28.5 x 19 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory / exhibition catalogue published in conjunction with show held at Centre Georges Pompidou, Paris, May 22 - August 26, 1996. Includes bibliographical references and index. Originally published in France as 'L'Informe: mode d'emploi' by Editions du Centre Pompidou, 1996. Text in English. Fine. As issued in Fine dust-jacket. Due to large size and weight additional shipping charges may be required for international orders. Nº de ref. del artículo: 33848
Cantidad disponible: 1 disponibles
Librería: Lost Books, AUSTIN, TX, Estados Unidos de America
Hard cover. Condición: Good in good dust jacket. Sewn binding. Cloth over boards. 304 p. Contains: Illustrations. Zone Books. Audience: General/trade. Nº de ref. del artículo: Alibris.0019029
Cantidad disponible: 1 disponibles
Librería: Lost Books, AUSTIN, TX, Estados Unidos de America
Hard cover. Sewn binding. Cloth over boards. 304 p. Contains: Illustrations. Zone Books. Audience: General/trade. Very good in very good dust jacket. Nº de ref. del artículo: Alibris.0017813
Cantidad disponible: 1 disponibles
Librería: GoldBooks, Denver, CO, Estados Unidos de America
Hardcover. Condición: new. New Copy. Customer Service Guaranteed. Nº de ref. del artículo: 46A25_16_0942299434
Cantidad disponible: 1 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 296 pages. 11.50x7.75x1.25 inches. In Stock. Nº de ref. del artículo: 0942299434
Cantidad disponible: 1 disponibles