Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right

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9780823040971: Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make it Right

Finally - a book to help you solve all your painting problems!

Inside you'll learn how to study a painting and correct problematic areas. Study topics include:

Ideas
- Is there a good abstract idea underlying the picture?
- What details could be eliminated to strengthen the composition?
- Does the painting have a focus?
- Are the unessential parts subbordinated?
- Does the painting "read"?
- Could you finish any part of the painting?

Shapes
- Are the dominant shapes as strong and simple as possible?
- Are the shapes too similiar?

Value
- Could the value range be increased?
- Could the number of values be reduced?

Light
- Is the subject effectively lit?
- Is the light area big enough?
- Would the light look stronger with a suggestion of burnout?
- Do the lights have a continuous flow?
- Is the light gradiated?

Shadows
- Do the shadow shapes describe the form?
- Are the shadows warm enough?

Depth
- Would the addition of foreground material deepen the space?
- Does the background recede far enough?
- Are the halftones properly related to the background?

Solidity
- Is the underlying form being communicated?
- Is the symmetry in perspective?

Color
- Is there a color strategy?
- Could a purer color be used?
- Do the whites have enough color in them?
- Are the colors overbended on the canvas?
- would the color look brighter if it were saturated into its adjacent area?

Paint
- Is your palette efficiently organized?
- Is the painting surface too absorbent?
- Are you using the palette knife as much as you could?
- Are you painting lines when you should be painting masses?
- Are the edges dynamic enough?
- Is there enough variation in the texture of the paint?

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Gregg Kreutz has won numerous honors as a student and professional painter. His paintings have been represented in many juried shows. Gregg is represented by the Fanny Garver Gallery as many others, including the Grand Central Galleries, New York, O'Brien's Art Emporium, and the Dirk Walker Gallery in Brimingham, Alabama. He teaches painting at Scottsdale (Arizona) Artists School, the Fechin Institute (New Mexico), and at the Art Students League in New York City where he lives.

"Sobre este título" puede pertenecer a otra edición de este libro.

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Kreutz, Gregg
ISBN 10: 0823040976 ISBN 13: 9780823040971
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Descripción 1997. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VR-9780823040971

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Gregg Kreutz
Editorial: Watson-Guptill Publications, United States (1997)
ISBN 10: 0823040976 ISBN 13: 9780823040971
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Descripción Watson-Guptill Publications, United States, 1997. Paperback. Estado de conservación: New. New edition. Language: English . Brand New Book. Finally - a book to help you solve all your painting problems! Inside you ll learn how to study a painting and correct problematic areas. Study topics include: Ideas- Is there a good abstract idea underlying the picture?- What details could be eliminated to strengthen the composition?- Does the painting have a focus?- Are the unessential parts subbordinated?- Does the painting -read-?- Could you finish any part of the painting? Shapes- Are the dominant shapes as strong and simple as possible?- Are the shapes too similiar? Value- Could the value range be increased?- Could the number of values be reduced? Light- Is the subject effectively lit?- Is the light area big enough?- Would the light look stronger with a suggestion of burnout?- Do the lights have a continuous flow?- Is the light gradiated? Shadows- Do the shadow shapes describe the form?- Are the shadows warm enough? Depth- Would the addition of foreground material deepen the space?- Does the background recede far enough?- Are the halftones properly related to the background? Solidity- Is the underlying form being communicated?- Is the symmetry in perspective? Color- Is there a color strategy?- Could a purer color be used?- Do the whites have enough color in them?- Are the colors overbended on the canvas?- would the color look brighter if it were saturated into its adjacent area? Paint- Is your palette efficiently organized?- Is the painting surface too absorbent?- Are you using the palette knife as much as you could?- Are you painting lines when you should be painting masses?- Are the edges dynamic enough?- Is there enough variation in the texture of the paint?. Nº de ref. de la librería AAJ9780823040971

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KREUTZ, GREGG
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Descripción Penguin Random House. Estado de conservación: New. Brand New. Nº de ref. de la librería 0823040976

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Gregg Kreutz
Editorial: Watson-Guptill Publications, United States (1997)
ISBN 10: 0823040976 ISBN 13: 9780823040971
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Descripción Watson-Guptill Publications, United States, 1997. Paperback. Estado de conservación: New. New edition. Language: English . Brand New Book. Finally - a book to help you solve all your painting problems! Inside you ll learn how to study a painting and correct problematic areas. Study topics include: Ideas- Is there a good abstract idea underlying the picture?- What details could be eliminated to strengthen the composition?- Does the painting have a focus?- Are the unessential parts subbordinated?- Does the painting -read-?- Could you finish any part of the painting? Shapes- Are the dominant shapes as strong and simple as possible?- Are the shapes too similiar? Value- Could the value range be increased?- Could the number of values be reduced? Light- Is the subject effectively lit?- Is the light area big enough?- Would the light look stronger with a suggestion of burnout?- Do the lights have a continuous flow?- Is the light gradiated? Shadows- Do the shadow shapes describe the form?- Are the shadows warm enough? Depth- Would the addition of foreground material deepen the space?- Does the background recede far enough?- Are the halftones properly related to the background? Solidity- Is the underlying form being communicated?- Is the symmetry in perspective? Color- Is there a color strategy?- Could a purer color be used?- Do the whites have enough color in them?- Are the colors overbended on the canvas?- would the color look brighter if it were saturated into its adjacent area? Paint- Is your palette efficiently organized?- Is the painting surface too absorbent?- Are you using the palette knife as much as you could?- Are you painting lines when you should be painting masses?- Are the edges dynamic enough?- Is there enough variation in the texture of the paint?. Nº de ref. de la librería AAJ9780823040971

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Gregg Kreutz
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Descripción Watson-Guptill Publications, United States, 1997. Paperback. Estado de conservación: New. New edition. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Finally - a book to help you solve all your painting problems! Inside you ll learn how to study a painting and correct problematic areas. Study topics include: Ideas- Is there a good abstract idea underlying the picture?- What details could be eliminated to strengthen the composition?- Does the painting have a focus?- Are the unessential parts subbordinated?- Does the painting -read-?- Could you finish any part of the painting? Shapes- Are the dominant shapes as strong and simple as possible?- Are the shapes too similiar? Value- Could the value range be increased?- Could the number of values be reduced? Light- Is the subject effectively lit?- Is the light area big enough?- Would the light look stronger with a suggestion of burnout?- Do the lights have a continuous flow?- Is the light gradiated? Shadows- Do the shadow shapes describe the form?- Are the shadows warm enough? Depth- Would the addition of foreground material deepen the space?- Does the background recede far enough?- Are the halftones properly related to the background? Solidity- Is the underlying form being communicated?- Is the symmetry in perspective? Color- Is there a color strategy?- Could a purer color be used?- Do the whites have enough color in them?- Are the colors overbended on the canvas?- would the color look brighter if it were saturated into its adjacent area? Paint- Is your palette efficiently organized?- Is the painting surface too absorbent?- Are you using the palette knife as much as you could?- Are you painting lines when you should be painting masses?- Are the edges dynamic enough?- Is there enough variation in the texture of the paint?. Nº de ref. de la librería BTE9780823040971

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Descripción Watson-Guptill, 1997. Paperback. Estado de conservación: New. New. Fast Shipping. APO,FPO welcome. Nº de ref. de la librería 920062

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Descripción Watson-Guptill. PAPERBACK. Estado de conservación: New. 0823040976 *BRAND NEW* Ships Same Day or Next!. Nº de ref. de la librería SWATI2132249765

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Descripción Watson-Guptill Publications Inc.,U.S. 1997-04-28, 1997. PAPERBACK. Estado de conservación: New. Nº de ref. de la librería NU-GRD-00500662

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Descripción Watson-Guptill, 1997. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0823040976

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Descripción Watson-Guptill Publications Inc.,U.S. Paperback. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9780823040971

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