The Emergence of Cinematic Time: Modernity, Contingency, the Archive

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9780674007840: The Emergence of Cinematic Time: Modernity, Contingency, the Archive
Review:

Mary Ann Doane has written an ambitious and highly original work, relating film studies and the understanding of the basic apparatus of cinema to a broad cultural description of temporality in the late modern (late 19th and early 20th centuries) period. This is a new and exciting contribution to intellectual discourse about modernity, time and, especially. cinema. Its original cross disciplinary argument should attract readers from many fields and at many levels. Theory here takes on history and yields a strong new approach to questions about the role cinema plays in culture.--Tom Gunning, Professor of Art History and Film Studies at the University of Chicago

From the Publisher:

Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the 19th century as an unprecedented means of capturing time - and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a world that itself captures and reconfigures the passing moments of art, history and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the stucturing of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time", the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity.

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Doane, Mary Ann
Editorial: HARVARD UNIVERSITY PRESS, United States (2003)
ISBN 10: 0674007840 ISBN 13: 9780674007840
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Descripción HARVARD UNIVERSITY PRESS, United States, 2003. Paperback. Estado de conservación: New. 228 x 152 mm. Language: English . Brand New Book. Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the 19th century as an unprecedented means of capturing time - and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a world that itself captures and reconfigures the passing moments of art, history and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the stucturing of time and contingency in capitalist modernity. At this book s heart is the cinema s essential paradox: temporal continuity conveyed through stopped time , the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity. Nº de ref. de la librería AAZ9780674007840

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Doane, Mary Ann
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Descripción Harvard University Press. Paperback. Estado de conservación: new. BRAND NEW, The Emergence of Cinematic Time: Modernity, Contingency, the Archive, Mary Ann Doane, Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the 19th century as an unprecedented means of capturing time - and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a world that itself captures and reconfigures the passing moments of art, history and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the stucturing of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time", the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity. Nº de ref. de la librería B9780674007840

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Descripción Harvard University Press, 2003. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WH-9780674007840

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Doane, Mary Ann
Editorial: HARVARD UNIVERSITY PRESS, United States (2003)
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Descripción HARVARD UNIVERSITY PRESS, United States, 2003. Paperback. Estado de conservación: New. 228 x 152 mm. Language: English . Brand New Book. Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the 19th century as an unprecedented means of capturing time - and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a world that itself captures and reconfigures the passing moments of art, history and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the stucturing of time and contingency in capitalist modernity. At this book s heart is the cinema s essential paradox: temporal continuity conveyed through stopped time , the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity. Nº de ref. de la librería AAZ9780674007840

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Descripción 2002. Paperback. Estado de conservación: New. 153mm x 22mm x 233mm. Paperback. Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the 19th century as an unprecedented means of capturing time - and this at a moment when disciplines f.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 304 pages. 0.458. Nº de ref. de la librería 9780674007840

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Descripción Harvard University Press, 2002. Estado de conservación: New. 2002. n. Paperback. In a work that captures and reconfigures the passing moments of art, history and philosophy, Mary Ann Doane shows how the cinema, participated in the structuring of time and contingency in capitalist modernity. Num Pages: 304 pages, 44 halftones. BIC Classification: APF; JFD. Category: (P) Professional & Vocational. Dimension: 234 x 156 x 16. Weight in Grams: 436. . . . . . . Nº de ref. de la librería V9780674007840

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