Directing Postmodern Theater brings together critical theory and contemporary theater practice to provide valuable tools for directing in today’s expansive performance world. Postmodern theater places new and novel demands on stage directors. It is more experimental, and the boundaries of what constitutes a performance have shifted. Dialogue is no longer always the primary mode of communication, and music, sound, movement, and other visual elements are being explored as ways to make meaning onstage. Directing Postmodern Theater identifies the key communications systems at work in the theater: linguistic, visual, aural, olfactoral, and physical. Further, it pinpoints and examines twenty semiotic sign-systems that can be manipulated by directors to bring about meaningful communication. It is also the first book to bridge the gap between theoretical discussions of semiotics and the actual practice of producing theater. For those theories to have an impact, argues Whitmore, they must be linked to the process of transforming a playscript or concept into a living performance. This book fills the gap in practical yet provocative ways, grounding theoretical discussions in examples from specific postmodern productions.
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Jon Whitmore is President, Texas Tech University.
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Librería: Bookmonger.Ltd, HILLSIDE, NJ, Estados Unidos de America
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Librería: Redux Books, Grand Rapids, MI, Estados Unidos de America
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Librería: Better World Books: West, Reno, NV, Estados Unidos de America
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. Directing Postmodern Theater brings together critical theory and contemporary theater practice to provide valuable tools for directing in todays expansive performance world. Postmodern theater places new and novel demands on stage directors. It is more experimental, and the boundaries of what constitutes a performance have shifted. Dialogue is no longer always the primary mode of communication, and music, sound, movement, and other visual elements are being explored as ways to make meaning onstage. Directing Postmodern Theater identifies the key communications systems at work in the theater: linguistic, visual, aural, olfactoral, and physical. Further, it pinpoints and examines twenty semiotic sign-systems that can be manipulated by directors to bring about meaningful communication. It is also the first book to bridge the gap between theoretical discussions of semiotics and the actual practice of producing theater. For those theories to have an impact, argues Whitmore, they must be linked to the process of transforming a playscript or concept into a living performance. This book fills the gap in practical yet provocative ways, grounding theoretical discussions in examples from specific postmodern productions. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR001572792
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Good. Directing Postmodern Theater brings together critical theory and contemporary theater practice to provide valuable tools for directing in todays expansive performance world. Postmodern theater places new and novel demands on stage directors. It is more experimental, and the boundaries of what constitutes a performance have shifted. Dialogue is no longer always the primary mode of communication, and music, sound, movement, and other visual elements are being explored as ways to make meaning onstage. Directing Postmodern Theater identifies the key communications systems at work in the theater: linguistic, visual, aural, olfactoral, and physical. Further, it pinpoints and examines twenty semiotic sign-systems that can be manipulated by directors to bring about meaningful communication. It is also the first book to bridge the gap between theoretical discussions of semiotics and the actual practice of producing theater. For those theories to have an impact, argues Whitmore, they must be linked to the process of transforming a playscript or concept into a living performance. This book fills the gap in practical yet provocative ways, grounding theoretical discussions in examples from specific postmodern productions. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Nº de ref. del artículo: GOR004631502
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Nº de ref. del artículo: GOR006910054
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Librería: Better World Books Ltd, Dunfermline, Reino Unido
Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: GRP65467515
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