A poor seventeenth-century servant girl knows her place in the household of the painter Johannes Vermeer, but when he begins to paint her, nasty whispers and rumors circulate throughout the town, in a deluxe edition of the best-selling novel that is enhanced by full-color reproductions of the Vermeer paintings mentioned in the book. Reissue.
"Sinopsis" puede pertenecer a otra edición de este libro.
"As a kid I’d often said I wanted to be a writer because I loved books and wanted to be associated with them. I wrote the odd story in high school, but it was only in my twenties that I started writing ‘real’ stories, at night and on weekends. Sometimes I wrote a story in a couple evenings; other times it took me a whole year to complete one.
"Once I took a night class in creative writing, and a story I’d written for it was published in a London-based magazine called Fiction. I was thrilled, even though the magazine folded 4 months later.
I worked as a reference book editor for several years until 1993 when I left my job and did a year-long MA in creative writing at the University of East Anglia in Norwich (England). My tutors were the English novelists Malcolm Bradbury and Rose Tremain. For the first time in my life I was expected to write every day, and I found I liked it. I also finally had an idea I considered ‘big’ enough to fill a novel. I began The Virgin Blue during that year, and continued it once the course was over, juggling writing with freelance editing.
"An agent is essential to getting published. I found my agent Jonny Geller through dumb luck and good timing. A friend from the MA course had just signed on with him and I sent my manuscript of The Virgin Blue mentioning my friend’s name. Jonny was just starting as an agent and needed me as much as I needed him. Since then he’s become a highly respected agent in the UK and I’ve gone along for the ride."
"As a kid I’d often said I wanted to be a writer because I loved books and wanted to be associated with them. I wrote the odd story in high school, but it was only in my twenties that I started writing ‘real’ stories, at night and on weekends. Sometimes I wrote a story in a couple evenings; other times it took me a whole year to complete one.
"Once I took a night class in creative writing, and a story I’d written for it was published in a London-based magazine called Fiction. I was thrilled, even though the magazine folded 4 months later.
I worked as a reference book editor for several years until 1993 when I left my job and did a year-long MA in creative writing at the University of East Anglia in Norwich (England). My tutors were the English novelists Malcolm Bradbury and Rose Tremain. For the first time in my life I was expected to write every day, and I found I liked it. I also finally had an idea I considered ‘big’ enough to fill a novel. I beganThe Virgin Blue during that year, and continued it once the course was over, juggling writing with freelance editing.
"An agent is essential to getting published. I found my agent Jonny Geller through dumb luck and good timing. A friend from the MA course had just signed on with him and I sent my manuscript ofThe Virgin Blue mentioning my friend’s name. Jonny was just starting as an agent and needed me as much as I needed him. Since then he’s become a highly respected agent in the UK and I’ve gone along for the ride."
"Sobre este título" puede pertenecer a otra edición de este libro.
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Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn. Nº de ref. del artículo: M00452287022-B
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Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.71. Nº de ref. del artículo: G0452287022I3N00
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Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.71. Nº de ref. del artículo: G0452287022I3N00
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Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.71. Nº de ref. del artículo: G0452287022I5N00
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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.71. Nº de ref. del artículo: G0452287022I4N00
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Librería: medimops, Berlin, Alemania
Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Nº de ref. del artículo: M00452287022-G
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Librería: Roundabout Books, Greenfield, MA, Estados Unidos de America
Paperback. Condición: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders. Nº de ref. del artículo: 1650549
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