Jan Gossart (ca. 1478–1532) was among the first Netherlandish artists to travel to Rome to make drawings after antique monuments and sculpture and then, upon his return, to introduce biblical and mythological subjects with erotic nude figures into the mainstream of Northern painting. Often credited with successfully assimilating Italian Renaissance style into the art of 16th-century northern Europe, Gossart is the pivotal old master who redirected the course of early Netherlandish art from the legacy of its founder, Jan van Eyck, toward a new style that would eventually lead to the great age of Peter Paul Rubens.
Man, Myth, and Sensual Pleasures offers a much-needed comprehensive reappraisal of the artist’s accomplishment―the first in 45 years. It is not only an exhibition catalogue but also a study of the artist’s complete oeuvre as a painter, draftsman, and printmaker. The majority of the paintings in this volume have for the first time undergone rigorous technical examination. As a result, many problems relating to attributions, dating, versions, and copies have been clarified, and a fuller understanding has been obtained of the artist’s working procedures. The text draws on these unprecedented technical investigations as well as on recent original scholarship concerning many issues not adequately examined in the past, such as Gossart’s early career as a proponent of Antwerp Mannerism and the patronage of Philip of Burgundy (including a closer look at the erotic nature of court art).
Exhibition Schedule:
The Metropolitan Museum of Art(10/05/10-01/17/11)
National Gallery, London(02/23/11-05/30/11)
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Maryan W. Ainsworth is curator in the Department of European Paintings at The Metropolitan Museum of Art.
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Librería: Bay State Book Company, North Smithfield, RI, Estados Unidos de America
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Librería: Frey Fine Books, Rougemont, NC, Estados Unidos de America
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Librería: Materia Prima Books, New haven, CT, Estados Unidos de America
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First Edition. 12 x 10 inches. xii, 484 pp. b/w and color illustrations throughout. Illustrated paper boards. Illustrated jacket. Fine in Fine dust jacket. In mylar sleeve. Nº de ref. del artículo: 4343
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardbound. Condición: VG, light shelf wear to DJ. First. Color pictorial boards with color pictorial DJ, [xii] 484pp, 453 illustrations including 337 in color. [This volume] offers a much needed comprehensive reappraisal of the artist's accomplishments--the first in 45 years. It is not only an exhibition catalogue but also a study of Gossart's complete oeuvre as a painter, draftsman, and printmaker. Among the many highlights are the exquisite, gemlike Malvagna Triptych, Gossart's only surviving intact altarpiece; the Carondelet Diptych, one of the masterpieces of early Netherlandish portraiture; the Portrait of an Old Couple, an astonishingly trenchant psychological study; the extraordianry drawing of Adam and Eve from the collection of the Duke of Devonshire at Chatsworth; and a unique hand-colored etching of the young Charles V. To demonstrate the artistic milieu of which Gossart was part, antiqueand Renaissance sculpture, paintings by contemporaries such as Gerard David and Bernard van Orley, and prints and drawings by Marcantonio Raimondi, Lucas van Leyden, and Albrecht Durer are also discussed and illustrated. Nº de ref. del artículo: 128808
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardbound. Condición: VG/VG. Color pictorial boards with color pictorial DJ, [xii] 484pp, 453 illustrations including 337 in color. [This volume] offers a much needed comprehensive reappraisal of the artist's accomplishments--the first in 45 years. It is not only an exhibition catalogue but also a study of Gossart's complete oeuvre as a painter, draftsman, and printmaker. Among the many highlights are the exquisite, gemlike Malvagna Triptych, Gossart's only surviving intact altarpiece; the Carondelet Diptych, one of the masterpieces of early Netherlandish portraiture; the Portrait of an Old Couple, an astonishingly trenchant psychological study; the extraordianry drawing of Adam and Eve from the collection of the Duke of Devonshire at Chatsworth; and a unique hand-colored etching of the young Charles V. To demonstrate the artistic milieu of which Gossart was part, antiqueand Renaissance sculpture, paintings by contemporaries such as Gerard David and Bernard van Orley, and prints and drawings by Marcantonio Raimondi, Lucas van Leyden, and Albrecht Durer are also discussed and illustrated. Nº de ref. del artículo: 165086
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