ISBN: 9780300166576 - man, myth, and sensual pleasures: jan gossart's renaissance: the complete works (fashion studies) (17 resultados)

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condición: New. New.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st edition. 1st edition. A Near Fine copy in Near Fine dust jacket. 4to., xii, 484 pp., illustrated with numerous b&w and color photographs. Illustrated paper boards in red, pictorial dust jacket. The dj is now protected in a mylar sleeve.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Fine hardcover in a Near Fine dust jacket. Overall a bright and attractive copy. Numerous color plates. 484 pp.

hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First Edition. 12 x 10 inches. xii, 484 pp. b/w and color illustrations throughout. Illustrated paper boards. Illustrated jacket. Fine in Fine dust jacket. In mylar sleeve.

Hardbound. Condición: VG/VG. Color pictorial boards with color pictorial DJ, [xii] 484pp, 453 illustrations including 337 in color. [This volume] offers a much needed comprehensive reappraisal of the artist's accomplishments--the first in 45 years. It is not only an exhibition catalogue but also a study of Gossart's complete oeuvre as a painter, draftsman, and printmaker. Among the many highlights are the exquisite, gemlike Malvagna Triptych, Gossart's only surviving intact altarpiece; the Carondelet Diptych, one of the masterpieces of early Netherlandish portraiture; the Portrait of an Old Couple, an astonishingly trenchant psychological study; the extraordianry drawing of Adam and Eve from the collection of the Duke of Devonshire at Chatsworth; and a unique hand-colored etching of the young Charles V. To demonstrate the artistic milieu of which Gossart was part, antiqueand Renaissance sculpture, paintings by contemporaries such as Gerard David and Bernard van Orley, and prints and drawings by Marcantonio Raimondi, Lucas van Leyden, and Albrecht Durer are also discussed and illustrated.…

Hardbound. Condición: VG, light shelf wear to DJ. First. Color pictorial boards with color pictorial DJ, [xii] 484pp, 453 illustrations including 337 in color. [This volume] offers a much needed comprehensive reappraisal of the artist's accomplishments--the first in 45 years. It is not only an exhibition catalogue but also a study of Gossart's complete oeuvre as a painter, draftsman, and printmaker. Among the many highlights are the exquisite, gemlike Malvagna Triptych, Gossart's only surviving intact altarpiece; the Carondelet Diptych, one of the masterpieces of early Netherlandish portraiture; the Portrait of an Old Couple, an astonishingly trenchant psychological study; the extraordianry drawing of Adam and Eve from the collection of the Duke of Devonshire at Chatsworth; and a unique hand-colored etching of the young Charles V. To demonstrate the artistic milieu of which Gossart was part, antiqueand Renaissance sculpture, paintings by contemporaries such as Gerard David and Bernard van Orley, and prints and drawings by Marcantonio Raimondi, Lucas van Leyden, and Albrecht Durer are also discussed and illustrated.…

Hardcover. Condición: Used-Very Good. dj. Cloth, dj. Minor shelf wear overall. Else a bright, clean copy.

hardcover. Condición: Fine copy in fine dust jacket. 1st. 4to, 484 pp. Profusely illustrated (ilustrador).

hardcover. Condición: fine. near fine. 453 illustrations, including 337 in full color. xii + 484 pages. Very thick 4to, red pictorial boards, d.w. New York: The Metropolitan Museum of Art, (2010). A fine copy in a near fine dust wrapper. Maryan W. Ainsworth, Stijn Alsteesn and Nadine M. Orenstein with Contributions by Others. Jan Gossart (ilustrador).…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Hardcover in dust jacket. First edition. Book is As New, crisp, clean, and free of markings. Jacket is As New. Published to accompany a 2010 exhibition of the same name at the Met in New York. Contains essays by numerous scholars about Gossart's paintings, drawings, and prints. Stunning full-page color plates and black-and-white plates for the prints. A beautiful copy. Large 4to. 223 pp. including appendix, bibliography, and index. Packed weight of book is nine pounds or more and will require additional postage if shipped priority or outside the U.S.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Metropolitan Museum of Art, New York, 2010. Hardcover, 484 pp. Massive exhibition catalog featuring.the complete works of Dutch artist Jan Gossart (c. 1478-1532), seen today as a pivotal Old Master who helped bring Southern Renaissance ideas and forms into Northern European art. In fine condition. **Heavy or oversize Item. An extra shipping charge may apply.**.…

Condición: Very Good. Picture Shown is For Illustration Purposes Only, CONDITION ? VERY GOOD ? HARDBACK :light wear and scuff marks to jacket, pages in nice condition, shipped from the UK.

Condición: Very Good.

Hardcover. Condición: As New. Metropolitan Museum of Art; Jan Gossart (ca. 1478â"1532) was among the first Netherlandish artists to travel to Rome to make drawings after antique monuments and sculpture and then, upon his return, to introduce biblical and mythological subjects with erotic nude figures into the mainstream of Northern painting. Often credited with successfully assimilating Italian Renaissance style into the art of 16th-century northern Europe, Gossart is the pivotal old master who redirected the course of early Netherlandish art from the legacy of its founder, Jan van Eyck, toward a new style that would eventually lead to the great age of Peter Paul Rubens. Man, Myth, and Sensual Pleasures offers a much-needed comprehensive reappraisal of the artistâs accomplishmentâ"the first in 45 years. It is not only an exhibition catalogue but also a study of the artistâs complete oeuvre as a painter, draftsman, and printmaker. The majority of the paintings in this volume have for the first time undergone rigorous technical examination. As a result, many problems relating to attributions, dating, versions, and copies have been clarified, and a fuller understanding has been obtained of the artistâs working procedures. The text draws on these unprecedented technical investigations as well as on recent original scholarship concerning many issues not adequately examined in the past, such as Gossartâs early career as a proponent of Antwerp Mannerism and the patronage of Philip of Burgundy (including a closer look at the erotic nature of court art).…

Hardcover. Condición: New. Jan Gossart (ca. 1478â"1532) was among the first Netherlandish artists to travel to Rome to make drawings after antique monuments and sculpture and then, upon his return, to introduce biblical and mythological subjects with erotic nude figures into the mainstream of Northern painting. Often credited with successfully assimilating Italian Renaissance style into the art of 16th-century northern Europe, Gossart is the pivotal old master who redirected the course of early Netherlandish art from the legacy of its founder, Jan van Eyck, toward a new style that would eventually lead to the great age of Peter Paul Rubens. Man, Myth, and Sensual Pleasures offers a much-needed comprehensive reappraisal of the artistâs accomplishmentâ"the first in 45 years. It is not only an exhibition catalogue but also a study of the artistâs complete oeuvre as a painter, draftsman, and printmaker. The majority of the paintings in this volume have for the first time undergone rigorous technical examination. As a result, many problems relating to attributions, dating, versions, and copies have been clarified, and a fuller understanding has been obtained of the artistâs working procedures. The text draws on these unprecedented technical investigations as well as on recent original scholarship concerning many issues not adequately examined in the past, such as Gossartâs early career as a proponent of Antwerp Mannerism and the patronage of Philip of Burgundy (including a closer look at the erotic nature of court art).…