Dan Graham (October Files)

ISBN 13: 9780262515771

Dan Graham (October Files)

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9780262515771: Dan Graham (October Files)

Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.

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About the Author:

Alex Kitnick, a PhD candidate in the Department of Art and Architecture at Princeton University, has taught at the School of Visual Arts and Vassar College.



Alex Kitnick, a PhD candidate in the Department of Art andArchitecture at Princeton University, has taught at the School of Visual Artsand Vassar College.

"Sobre este título" puede pertenecer a otra edición de este libro.

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ISBN 10: 0262515776 ISBN 13: 9780262515771
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Editorial: MIT Press Ltd, United States (2011)
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Descripción MIT Press Ltd, United States, 2011. Paperback. Estado de conservación: New. Language: English . Brand New Book. Since the 1960s, Dan Graham s heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham s artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham s extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham s art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall. Nº de ref. de la librería AAS9780262515771

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Descripción MIT Press Ltd, United States, 2011. Paperback. Estado de conservación: New. Language: English . Brand New Book. Since the 1960s, Dan Graham s heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham s artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham s extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham s art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall. Nº de ref. de la librería AAS9780262515771

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Descripción MIT Press Ltd, United States, 2011. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Since the 1960s, Dan Graham s heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham s artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham s extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham s art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall. Nº de ref. de la librería BTE9780262515771

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Alex Kitnick
Editorial: MIT Press 2011-02-18, Cambridge, Mass. |London (2011)
ISBN 10: 0262515776 ISBN 13: 9780262515771
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Descripción MIT Press 2011-02-18, Cambridge, Mass. |London, 2011. paperback. Estado de conservación: New. Nº de ref. de la librería 9780262515771

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Kitnick, Alex
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Descripción MIT Press, 2011. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WM-9780262515771

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Alex Kitnick
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Descripción MIT Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, Dan Graham, Alex Kitnick, Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall. Nº de ref. de la librería B9780262515771

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Alex Kitnick (Editor)
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Descripción The MIT Press, 2011. Paperback. Estado de conservación: New. 1. Nº de ref. de la librería DADAX0262515776

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