Sensorium: Embodied Experience, Technology, and Contemporary Art (MIT Press)

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9780262101172: Sensorium: Embodied Experience, Technology, and Contemporary Art (MIT Press)

Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic "Abecedarius of the New Sensorium."

The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in Sensorium--which accompanies an exhibition at the MIT List Visual Arts Center--captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually. Copublished with The MIT List Visual Arts Center.

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About the Author:

Caroline A. Jones teaches contemporary art and theory in the History, Theory, Criticism Program at MIT. She is the author of Machine in the Studio: Constructing the Postwar American Artist.

Review:

On the exhibition: 'Put aside everything you think you know about art for the sake of experiencing the sensual extravaganza of 'Sensorium,' the ambitious, technically astute, and at times mesmerizing List Center exhibit that addresses the intersection of technology and physical sensation.'

(Boston Phoenix)

"Sobre este título" puede pertenecer a otra edición de este libro.

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Descripción MIT Press Ltd, United States, 2006. Hardback. Estado de conservación: New. Language: English . Brand New Book. Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic Abecedarius of the New Sensorium. The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand s experiment in controlled schizophrenia and Janet Cardiff and Georges Bures Miller s uneasy psychological soundscapes to Bruce Nauman s uncanny night visions and Francois Roche s destabilized architecture. The art in Sensorium--which accompanies an exhibition at the MIT List Visual Arts Center--captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on The Mediated Sensorium by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an Abecedarius of the New Sensorium. These short, playful pieces include Bruno Latour on Air, Barbara Maria Stafford on Hedonics, Michel Foucault (from a little-known 1966 radio lecture) on the Utopian Body, Donna Haraway on Compoundings, and Neal Stephenson on the Viral. Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists provocations, and from a distance, in essays that situate it historically and intellectually.Copublished with The MIT List Visual Arts Center. Nº de ref. de la librería AAS9780262101172

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Descripción MIT Press Ltd, United States, 2006. Hardback. Estado de conservación: New. Language: English . Brand New Book. Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic Abecedarius of the New Sensorium. The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand s experiment in controlled schizophrenia and Janet Cardiff and Georges Bures Miller s uneasy psychological soundscapes to Bruce Nauman s uncanny night visions and Francois Roche s destabilized architecture. The art in Sensorium--which accompanies an exhibition at the MIT List Visual Arts Center--captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on The Mediated Sensorium by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an Abecedarius of the New Sensorium. These short, playful pieces include Bruno Latour on Air, Barbara Maria Stafford on Hedonics, Michel Foucault (from a little-known 1966 radio lecture) on the Utopian Body, Donna Haraway on Compoundings, and Neal Stephenson on the Viral. Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists provocations, and from a distance, in essays that situate it historically and intellectually.Copublished with The MIT List Visual Arts Center. Nº de ref. de la librería AAS9780262101172

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Descripción MIT Press Ltd, United States, 2006. Hardback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic Abecedarius of the New Sensorium. The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand s experiment in controlled schizophrenia and Janet Cardiff and Georges Bures Miller s uneasy psychological soundscapes to Bruce Nauman s uncanny night visions and Francois Roche s destabilized architecture. The art in Sensorium--which accompanies an exhibition at the MIT List Visual Arts Center--captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on The Mediated Sensorium by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an Abecedarius of the New Sensorium. These short, playful pieces include Bruno Latour on Air, Barbara Maria Stafford on Hedonics, Michel Foucault (from a little-known 1966 radio lecture) on the Utopian Body, Donna Haraway on Compoundings, and Neal Stephenson on the Viral. Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists provocations, and from a distance, in essays that situate it historically and intellectually.Copublished with The MIT List Visual Arts Center. Nº de ref. de la librería BTE9780262101172

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