179 S. Ein gutes und sauberes Exemplar. - Introduction: Thinking Like an Architect -- Other Ways to Think about a Building: Thinking about Results -- Thinking about Values -- Getting Specific about Other Ways of Thinking: From Results to the Market -- From Values to Community -- A Way to Think about Practice -- Working with Other Ways of Thinking -- Talking across Ways of Thinking -- The Good Life for an Architect. ISBN 0262082357 Sprache: Englisch Gewicht in Gramm: 550 Fadengehefteter Originalpappband mit Schutzumschlag.

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Detalles bibliogr�ficos

T�tulo

A theory for practice. Architecture in three discourses.

Editor

Cambridge, Mass : MIT Press

Fecha de publicaci�n

1995

Idioma

Ingl�s

ISBN 10

0262082357

ISBN 13

9780262082358

Encuadernaci�n

Encuadernaci�n de tapa dura

Estado

Sehr gut

Estado de la sobrecubierta

Sobrecubierta no Incluida

Peso

550 gramos

Cat�logos de vendedores

Architektur

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Sinopsis

To speak comprehensively about a building today requires that we think about the building in three different ways - as an instance of architectural order, as an embodiment of values about living, and as an instrument for bringing about results. With this insight, Bill Hubbard offers architects a useful new way of thinking about the work they do. He looks at all of the groups with an interest in a work of architecture - owners, inhabitants, customers, community groups, critics and historians, architecture schools―and presents a conceptual framework in which those disparate interests are not just given a place but are honored for providing different perspectives on the building.Recalling a time when a building could be encompassed by a single way of thinking, Hubbard reviews how political, economic, and philosophical movements have fostered new roles for buildings and provided new ways of thinking about them. How can these ways of thinking talk to each other, much less have a conversation that can produce a building? To find a language for such conversation is the task Hubbard takes on, through an exploration of the concept of a sense of place. In the book's closing chapters Hubbard describes the varieties of place that we can feel, and proposes a way to characterize such feelings and render them usable by designers. In so doing, he raises a fundamental question about the practice of architecture; he proposes that a theory for practice founded on the idea of creating a sense of place is not a radical departure for architects because the acts of creating place are the acts architects do, for themselves, in their daily lives.

Acerca del autor

Bill Hubbard Jr. is an architect and writer who taught at the Massachusetts Institute of Technology for several years.

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