Setecientos Monos Revista Literaria & Testimonio 1

Descripción

In-8. #1 May 1964 - #10 Oct 1967 (Complete set) & Tetimonios #1 May 1965 (All published). Wrappers in slipcase. Rare magazine. Collaborators : Jose Vazquez Rossi, Nicolas Rosa, Abelardo Castillo, Eduardo Lazaro Cavadlo, Adolfo Prieto, Gladys Onega, Rosa Boldori, Marta Lynch, Fernando Quiñones, Dalmiro Saenz, Among others. Setecentemonos was published in the city of Rosario between May 1964 and October 1967, at the initiative of a group of young friends, passionate about literature: Juan Carlos Martini, Carlos Schork, Omar Pérez Cantón and Rubén Radeff. Martini and Schork were its directors. In mid-1964 we meet Nicolás Rosa, who joins as a "permanent collaborator" from number 3/4 (Sept. From number 6 (August 1965) the directors have been integrated. Under his influence, Setecentemonos acquires a differential character that reveals a significant episode in the process of theoretical modernization of Argentine literary criticism. With issue 3/4, the magazine goes from the mimeograph to the printing press. The first of the issues had a rudimentary, handmade production, with covers elements, some typos and some basic illustrations, by Pérez Cantón The graphic redesign is evident: the summary appears on the cover, the layout of the pages begins in columns, various fonts are incorporated and photographs and illustrations signed by the artists are included locals, Mele Bruniard and Oscar Herrero Miranda.Issue 6 features Mondrian's elegant design, designed by Rodolfo Elizalde, and photographs replace entirely to the illustrations.The magazine records Rosa's vertiginous theoretical-critical training in those years. The editorial letters, which until number 5 had appeared on the first pages, are replaced by texts by contemporary French theorists, translated by Rosa himself. At his invitation, Adolfo Prieto and several members of his team collaborate in Setecentemonos. Prieto, Gladys Onega and Norma Desinano write about Julio Cortázar. Desinano also publishes the first critical text on the work of Juan José Saer. Josefina Ludmer writes about Vicente Leñero and María Teresa Gramuglio, about Juan Rulfo and David Viñas. The latest issue includes poems by Saer, his translation of the story "The Beach" by Alain Robbe-Grillet, and a study by Gramuglio on the objectivist novel. In an indirect way, Setecentemonos also provides a compendium of the intense critical activity that takes place at Instituto de Letras de Rosario, in the months prior to Onganía's intervention. Tarcus p60. W19.

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Detalles bibliográficos

Título

Setecientos Monos Revista Literaria & Testimonio 1

Editor

Rosario Imprenta Sarmiento

Fecha de publicación

1964

Encuadernación

Encuadernación de tapa blanda

Estado

Muy bien

Firmado

Firmado por el autor