(SPN) Preumed 1st edition. No markings, 1/2" tear to the top edge of the front cover and first two leaves, slight bump to botto edge of first three leaves, Good copy in Good dust jacket with 1' tear to the head of the spine extending to the back cover. Wraps with dust jacket, 112pp, colour photos throughout. Thomas Struth's most recent project, "Making Time," was exhibited at the Prado, Madrid, in the winter and spring of 2007, and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues, and consists of photographs depicting the Prado's famous collection and its visitors, photographs that were displayed throughout the Prado during his exhibit, as part of the museum's current ambition to open up fresh perspectives on its holdings. Over the course of two years, Struth made more than 400 images in and around the Prado, showing an "inhabited" public space, and highlighting the interactions between the exhibited paintings and their viewers. This volume also marks the first presentation of Struth's earlier work, from the spring of 2005, on Vel�zquez's great "Las Meninas" (1656), itself a classic study of spectatorship. The result is a multilayered dialogue between Struth, the Prado, its collection and its visitors. (2.6 JM LVR 201/3 Size: 4to - over 9� - 12" Tall.

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Detalles bibliogr�ficos

T�tulo

THOMAS STRUTH: Making Time

Editor

Museo Nacional Del Prado / Turner, Spain

Fecha de publicaci�n

2007

Idioma

Ingl�s

ISBN 10

8475067883

ISBN 13

9788475067889

Encuadernaci�n

Paperback

Edici�n

1st.

Estado

Good

Estado de la sobrecubierta

Good

Cat�logos de vendedores

Photography, Cameras, Photographers

Acerca de

Sinopsis

In 2005 the German artist Thomas Struth worked in the Museo del Prado on his celebrated series devoted to museums which he began almost two decades ago and which focuses on the works on display and on museum visitors. Two years further on, the Prado presented, for the first time, the result of Struth's experience in the Museum, alongside a special selection of works from his unique "Tour" of institutions such as the Tokyo National Museum, the Alte Pinakothek in Munich and the Art Institute of Chicago, amongst others.
Distributed throughout the Museum's galleries, Struth's photographs proposed a contemporary reflection on the different ways of presenting art and on the individual or collective experience of the viewer within the conceptual context of the museum.
In parallel, the project was completed by a special installation - in the exhibition galleries of the Museum's new extension before its inauguration of three of his most recent works in the Prado. the Hermitage and the Accademia in Florence.

Acerca del autor

Thomas Struth was the first artist in residence at P.S. 1 Studios, Long Island City. From 1993 to 1996 he was Professor of Photography at the newly founded Hochschule fur Gestaltung, Karlsruhe.

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