ROBERT FRANK: STORY LINES

Philip Brookman

ISBN 10: 1854375601 ISBN 13: 9781854375605

Editorial: Tate Publishing, London, 2004

Idioma: Ingl�s

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Descripci�n

Published on the occasion of the exhibition Robert Frank: Story Lines at Tate Modern 28 October 2004 - 23 January 2005, 208pp, illustrated with black & white photos, pages clean and crisp, plastic-covered soft card covers. Robert Frank (November 9, 1924 - September 9, 2019) was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ . ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage. PLEASE NOTE: THIS LARGE BOOK MAY COST EXTRA TO SHIP OUTSIDE OF THE UK. Size: 9.75 x 11.25 Inches.

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Detalles bibliogr�ficos

T�tulo: ROBERT FRANK: STORY LINES
Editor: Tate Publishing, London
Fecha de publicaci�n: 2004
Idioma: Ingl�s
ISBN 10: 1854375601
ISBN 13: 9781854375605
Encuadernaci�n: Plastic Covered Soft Card
Edici�n: First Edition.
Estado: Very Good
Estado de la sobrecubierta: No Dust Jacket as Published
Tipo de libro: Art Exhibition Book

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Sinopsis

Robert Frank (1924-) is one of the most influential of the post-war photographers. Emigrating to the US in 1947, he began working in fashion and the advertising industry for magazines like Life, Fortune and The New York Times. A year later he left to travel through South America and Europe, shooting in Peru, Bolivia, London, Wales and France. Some of these images were published in Life and in the book Indiens Pas Morts. In 1955 he became the first European photographer to receive a Guggenheim Fellowship. He used it to take a road-trip across the States, shooting scenes of ordinary American life, deliberately retaining the imperfections of the printing process in stark contrast to the perfectionism of contemporaries like Ansel Adams and Minor White. The resulting book, The Americans, radically changed the language of photography, gave rise to a new distinct art form in the photo-book and questioned the authority of the photograph as document. Published to accompany the major retrospective exhibition of Frank in the UK, Robert Frank will survey a career that has continued to develop and break new ground since the 1950s. Photographs from locations including Peru, London, Wales, Detroi

Cr�ticas

A moving record of an exceptional career. --Metro, London, 16 December, 2004

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