Looking Awry: An Introduction to Jacques Lacan through Popular Culture (October Books). Este artículo no está disponible.
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Idioma: inglés
Editorial: Mit Pr, 1991
- Primera edición
- Tapa dura
- Usado





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Librería: Liber Vitae, Gualala, CA, Estados Unidos de AmericaLiber Vitae
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Near Fine (NF)/ Slight visible wear, but still highly clean and collectable. Minor edge rubbing or faint shelf wear. Pages clean, binding strong. No major flaws, no writing or markings (very minimal non-disruptive ones).
N° de ref. del artículo ABE-1779346937987
- Título
- Looking Awry: An Introduction to Jacques Lacan through Popular Culture (October Books)
- Autor
- Slavoj Zizek
- Editorial
- Mit Pr
- Año de publicación
- 1991
- Estado
- Muy bueno
- Sobrecubierta
- Muy bueno
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 0262240319
- ISBN 13
- 9780262240314
- Edición
- 1ª Edición
- Peso del artículo
- 1,151 libras
- Dimensiones
- 7,5 pulgadas de ancho por 9,5 pulgadas de alto por 0,75 pulgadas de largo
Slavoj Zizek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Zizek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead—a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan.
Zizek discovers fundamental Lacanian categories—the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject—at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Zizek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Zizek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.
Zizek discovers fundamental Lacanian categories—the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject—at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Zizek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Zizek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.
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Críticas
" A Hegelian and a Lacanian Hitchcock has my vote! "Looking Awry" is a wonderful introduction to dialectical psychoanalysis; to a fresh approach to the subjectivities of mass culture; and to an extraordinary new voice we will hear often in the coming years." -- Fredric R. Jameson & quot; A Hegelian and a Lacanian Hitchcock has my vote! Looking Awry is a wonderful introduction to dialectical psychoanalysis; to a fresh approach to the subjectivities of mass culture; and to an extraordinary new voice we will hear often in the coming years.& quot; -- Fredric R. Jameson "A Hegelian and a Lacanian Hitchcock has my vote! "Looking Awry" is a wonderful introduction to dialectical psychoanalysis; to a fresh approach to the subjectivities of mass culture; and to an extraordinary new voice we will hear often in the coming years."--Fredric R. Jameson
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