L.A. ARTISTS' PUBLICATION Vol I No 3

Descripción

67 [of 68] leaves in mailing envelope; 281 x 218 mm (leaves); 253 x 330 mm (envelope). The third compilation of L.A. artist-produced fascicules, issued in an edition of 600 copies late October 1972. Initiated by the editor, May 1972, the mailings extended four-&-a-half issues (to March 1973), before Danieli refined his focus on experimental & conceptual art with the alternative L.A.Institute of Contemporary Art Journal (1974-87). The present compilation includes prospectus samplings from: Dana Atchley; Eleanor Antin; Beth Bachenheimer; John M Beckman; Robert Cumming; Edie Danieli; Fidel Danieli (11 sheets); Lowell Darling; Ira G."Pop" Dawson (concerning Eleanor Antin's "boots" project); John Dowd; Jim Edson (2 die-cut sheets); Bob Haas (4 sheets); Rick Herold; Ida Horowitz; Caroline Kent (legal-size sheet folded, & a postcard); Larry Kwate; Linda Levi; Marshall; Joe Messinger; SMoore (folded legal-size sheet); Orlando Gallery; Ken Overman; Christian Ramiller (folded legal-size sheet); Victor Robinson (4 sheets); Betye Saar; Sabato; John Schroeder; SHB:OOM ENDEAVORS; Barbara Smith (2 sheets); C.R.Stecyk III; C.D.Taylor; Judith Von Euer (1 of 1000 signed copies of an elephant folio print, 48x38 inches); June Wayne; Wanda Westcoast; R.B.White; Buster Wingo; & Wynn Wolfe (4 sheets). Also including 8 further unattributed sheets: [1] Table of Consonants (2 sheets); [2] (klev'er) CHOCK; [3] List: Jerry Aistrup [etc]; [4] Mission Pak 2; [5] The Northwest Mounted Valise; [6] Octobriana Lives!; & [7] an orange title sheet (collage likely by the editor). As no Table of Contents was included, there appear to be two fascicules lacking (as compared with the Orlando Gallery copy described in the Online Archive of California website): [1] an uncredited "color photocopy" entitled 'War'; & [2] a 7-inch vinyl flexidisc by Charles B.Swann. Now in tatters, the printed envelope (postmarked 2 November 1972) was addressed to Victor Coleman in Toronto (though the address section & other portions are gone). The cover sheet is consequently spattered along the fore-edge & the Von Euer print (Licorice Suite: Map Facsimile #3) includes a few stains & some spattering on its underside at the folds (faintly visible only along a short section of fore-edge recto). WorldCat lists eight institutions holding at least one of the five volumes issued 1972/3, without indicating who holds what. A significant early imprint from the local artist collective & co-op gallery movements, rarely encountered at market today, half-a-century on. N° de ref. del artículo 004533

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