Hitler's State Architecture: The Impact of Classical Antiquity

Scobie, Alex

ISBN 10: 0271006919 ISBN 13: 9780271006918

Editorial: Published for College Art Association by The Pennsylvania State University Press, University Park, 1990

Idioma: Ingl�s

Condici�n: Usado - Bueno Encuadernaci�n de tapa dura

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Descripci�n

First Edition. Hardcover. 11 1/4" X 8 3/4". 152pp. Mild coverwear to dust jacket featuring Statue of Augustus and a photograph of Mussolini and Hitler in Munich, September 1937, with gentle bumping to tail of spine. Bound in red cloth over boards, with upper board and spine lettered in gilt. Pages slightly musty. Inked inscription to verso of half-title page and small pencilled note to last page of index, else unmarked. Binding is firm, tight, and sound. Monographs on the Fine Arts sponsored by College Art Association, Volume XLV. ABOUT THIS BOOK: Adolf Hitler admired ancient Rome as the "crystallization point of a world empire," a capital with massive public monuments that reflected the supremacy of the State and the political might of the ancient world's "master-race." He also admired the way Mussolini turned the monuments of imperial Rome into validatory symbols of Fascism. Hitler planned a Reich that would be a as durable as the Roman Empire. Its capital, Berlin, would surpass the architectural magnificence of ancient Rome before the advent of Christianity as its official religion. This book examines Hitler's views on Roman imperialism, town planning, and architecture, and shows how Albert Speer, though a self-confessed student of "Doric" architecture, planned and sometimes built structures that were intended to rival such monuments as Nero's Golden House, Hadrian's Pantheon, and the Stadium of Herodes Atticus at Athens. Other architects, such as Ludwig Ruff and C�sar Pinnau, were to plan structures inspired by the Colosseum and the Baths of Caracalla. The ancient Roman obsession with order, discipline, and the domination of the environment is clearly reflected in the town plans and public buildings conceived by Hitler and his architects. We see that "neoclassical" state architecture in Nazi Germany was intended to signify more than stability and the persistence of tradition. It was only one aspect of the Nazi attempt to re-create a "pagan" totalitarian state based on clearly defined forms of hierarchy that divided society into slaves and slave-owners, those with and those without human rights. (publisher) This book is oversize and will require substantial additional postage to ship internationally. Please contact us today for an international shipping quote!

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Detalles bibliogr�ficos

T�tulo

Hitler's State Architecture: The Impact of Classical Antiquity

Editor

Published for College Art Association by The Pennsylvania State University Press, University Park

Fecha de publicaci�n

1990

Idioma

Ingl�s

ISBN 10

0271006919

ISBN 13

9780271006918

Encuadernaci�n

Hardcover

Edici�n

First Edition.

Estado

Very good

Estado de la sobrecubierta

very good

Cat�logos de vendedores

Art, Architecture, & Design

Acerca de

Sinopsis

Adolf Hitler admired ancient Rome as the "crystallization point of a world empire," a capital with massive public monuments that reflected the supremacy of the State and the political might of the ancient world's "master-race." He also admired the way Mussolini turned the monuments of imperial Rome into validatory symbols of Fascism. Hitler planned a Reich that would be a as durable as the Roman Empire. Its capital, Berlin, would surpass the architectural magnificence of ancient Rome before the advent of Christianity as its official religion.

This book examines Hitler's views on Roman imperialism, town planning, and architecture, and shows how Albert Speer, though a self-confessed student of "Doric" architecture, planned and sometimes built structures that were intended to rival such monuments as Nero's Golden House, Hadrian's Pantheon, and the Stadium of Herodes Atticus at Athens. Other architects, such as Ludwig Ruff and Cäsar Pinnau, were to plan structures inspired by the Colosseum and the Baths of Caracalla. The ancient Roman obsession with order, discipline, and the domination of the environment is clearly reflected in the town plans and public buildings conceived by Hitler and his architects.

We see that "neoclassical" state architecture in Nazi Germany was intended to signify more than stability and the persistence of tradition. It was only one aspect of the Nazi attempt to re-create a "pagan" totalitarian state based on clearly defined forms of hierarchy that divided society into slaves and slave-owners, those with and those without human rights.

Acerca del autor

Alex Scobie is Reader in Classics at the Victoria University of Wellington, New Zealand.

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Descripci�n de la librer�a

Underground Books, ABAA is an online rare and antiquarian bookshop as well as a brick and mortar general bookstore of the same name in downtown Carrollton, Georgia. Sister store Hills & Hamlets Bookshop is located in the nearby planned eco-community of Serenbe. Co-owners Josh Niesse and Megan Bell met in 2011, just 10 days or so after Josh opened the doors of Underground Books, literally underground, several steps below street level in a 100-year-old basement in our historic downtown. Megan, an English student at the University of West Georgia, walked in, fell down the rabbit hole, and never left! Reader, we married in May of 2014, under the book arch that now resides at the bookshop. We are both proud alumni of the Colorado Antiquarian Book Seminar (CABS), and Megan additionally of Rare Book School at the University of Virginia and of the ABAA Women?s Initiative Mentorship Program. We have two open bookshops that carry new, used, bargain, rare, and antiquarian books, as well as our online office, impossible without our incredible team of booksellers, including two fellow CABS graduates, Miranda McMillan and Suzanne Carnes. Like many booksellers with open brick-and-mortar stores, we are passionate generalists, but our specialties are in decorative publisher's cloth bindings; fairy tales, folklore, and mythology; popular science and natural history; the occult; and fine press books.

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