Gego: Between Transparency and the Invisible & Entre La Transparencia y Lo Invisible [Bilingual English & Spanish]

Ram�rez, Mari Carmen; Manrique, Josefina; De Zegher, Catherine

ISBN 10: 0300116349 ISBN 13: 9780300116342

Editorial: Museum of Fine Arts, Houston/Fundacion Eduardo F Constantini, Buenos Aires, 2006

Idioma: Lenguajes m�ltiples

Condici�n: Usado - Bueno Encuadernaci�n de tapa blanda

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Descripci�n

First edition, printed in February 2006. Bilingual edition, in English & Spanish. Wraps are clean & bright w/ light wear incl. small edge bumps & a 1.5" closed vertical tear along the printer's scoring of back cover (hard to see), see last photo. Interior pages are white & crisp, images vibrant, one small white spot on the last page (hard to see) else interior pages & French fold flaps excellent. No ownership marks or writing. Beautiful catalogue, lavishly illustrated in color and b/w, 256 pages. Published on occasion of the exhibits of same name at MALBA/Buenos Aires and Museum of Fine Arts/Houston, Texas. Distributed by Yale University Press. See photos.

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Detalles bibliogr�ficos

T�tulo

Gego: Between Transparency and the Invisible & Entre La Transparencia y Lo Invisible [Bilingual English & Spanish]

Editor

Museum of Fine Arts, Houston/Fundacion Eduardo F Constantini, Buenos Aires

Fecha de publicaci�n

2006

Idioma

Lenguajes m�ltiples

ISBN 10

0300116349

ISBN 13

9780300116342

Encuadernaci�n

Soft cover

Edici�n

1st Edition

Estado

Very Good

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Sinopsis

German-born Venezuelan artist Gego (1912-1994) produced a wide range of line-based abstract work, including drawings, prints, and wire sculptures. Focusing on a rare series of monotypes from the early 1950s, various drawings and prints, and her delicate 'drawings without paper' and 'tejeduras' (woven paper pieces) of the late 1970s and 1980s, this fascinating book traces Gego's exploration of line and space. Gego used lines as conceptual and visual tools to create in-between spaces within her works. Whether drawing lines on paper or projecting them into space, the artist sought to 'make visible the invisible'. She believed that line could express what is not physically present in nature - including thought, intuition, and emotions. By manipulating the density of the lines or by interrupting them, she brought light, shadow, and feeling into her linear works. With sumptuous illustrations that reveal the poeticism of her geometric forms and her masterful and innovative manipulation of space, this book is an important contribution to scholarship on Gego and Latin American modern art.

Acerca del autor

Mari Carmen Ramirez is the Wortham Curator of Latin American Art and director of the International Center for the Arts of the Americas at the Museum of Fine Arts, Houston.

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