Film: The Creative Process: The Search for an Audio-Visual Language and Structure

Editorial: Hill and Wang, New York, 1964

  • Primera edición
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Librería: ReadInk, ABAA/IOBA, Los Angeles, CA, Estados Unidos de AmericaReadInk, ABAA/IOBA

Vendedor de 5 estrellas

Vendedor de AbeBooks desde el 24 de febrero de 1998

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Condición: Usado - Muy bueno

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Descripción del artículo del vendedor

[nice clean book, minimal wear to spine ends, a couple of tiny spots on top edge of text block; jacket lightly edgeworn (see notes)] (B&W photographs) A major theoretical work by the outspoken Hollywood Ten screenwriter, who apparently had a lot of time on his hands to think about such matters; a little prison time and some blacklisting will do that for you. The book is described in the jacket blurb as "the first serious attempt by an American writer to develop an aesthetic of the film, [combining] intimate practical experience in Hollywood with an understanding of avant-garde theory and trends." Very uncommon in such nice condition. [NOTE that although the book itself appears to be the American first edition, the jacket looks like it was prepared specifically for British distribution, with a "42s" printed price on the front flap and advertisements for other books available from Trans Atlantic Book Service, Ltd., London on the rear panel.].

N° de ref. del artículo 23956

Detalles bibliográficos

Título
Film: The Creative Process: The Search for an Audio-Visual Language and Structure
Autor
Lawson, John Howard
Editorial
Hill and Wang, New York
Año de publicación
1964
Estado
Near Fine
Sobrecubierta
Very Good+ dj
Encuadernación
Hardcover
Ilustrador
Illustrated by (dj design) Leo Manso
Edición
First Edition.

ReadInk, ABAA/IOBA

Los Angeles, CA, Estados Unidos de America

Vendedor de 5 estrellas

Vendedor de AbeBooks desde el 24 de febrero de 1998

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Welcome to ReadInk (rhymes with "Dead Ink"), now in our 29th year of putting interesting books into the hands of interested people. **** Although I occasionally lapse into the "royal we" voice, ReadInk is just me, from one end of the pipeline to the other: buying, cataloging, customer service, shipping, you name it. Nothing here is automated, and every order or inquiry gets my prompt, personal attention. **** In describing a book's physical condition, I employ standard book-grading terminology (Good/Very Good/Fine, with various in-between gradations as appropriate) and do my best to avoid both excessive jargon and overly-finicky detail. My goal is always to present a faithful impression of a book's condition and appearance; significant flaws are individually noted, or if too numerous are succinctly summarized. **** Books are more than just physical objects, however: they are also intellectual/information vessels, and in almost every case I also include some information about a book's content in my listing, even if it's only a carefully chosen quotation from the dust jacket copy. (This may sound like a small thing, but take a look sometime and you'll see how amazingly few sellers bother with this, especially in the case of older fiction, which is one of my specialties.) **** I take great care (and pride) in my packaging of books for shipment; I figure it's my responsibility to ensure that each book I send out will withstand the rigors of the U.S. Postal System, and will reach its new owner in the same condition as advertised. (A sturdy box or an unbendable package is always involved.) **** That's all there is to ReadInk: just a guy who has loved books all my life (perhaps to excess) and entered the trade in my "middle years" to see what I could make of it. And I'm still finding out. **** To view my inventory exclusively, head over to my website -- www.readinkbooks.com. ---- Howard Prouty, prop.…

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