xx, 261 pages, illustrations (some colour), maps; 29 cm. Firm binding, clean inside copy. First paperback edition. *** "Man Ray (1890-1976) has long been considered one of the most versatile and innovative artists of the twentieth century. As a painter, writer, sculptor, photographer, and filmmaker, he is best known for his intimate association with the French Surrealist group in Paris during the 1920s and 1930s, particularly for his highly inventive and unconventional photographic images. These remarkable accomplishments, however, have tended to overshadow the importance of his earlier work-significant not only for comprehending Man Ray's future artistic development, but also for fleshing out our understanding of the visual arts in America during one of the most important and crucial phases of modernism's evolution. The book, and the exhibition for which it will serves as the catalogue, concentrate on Man Ray's production from 1907 to 1917. Conversion to Modernism is the first comprehensive, fully illustrated work to examine this artist's seminal years, beginning with his high school years in Brooklyn, his studies at the Art Students League and the National Academy of Design in New York, and the time he spent in life drawing classes at the more progressive Ferrer Center. From 1913 to 1915, Man Ray lived in a small artists' colony in Grantwood, New Jersey. It was here, studying with Samuel Halpert (a former student of Matisse), that he began to become the artist we know today. Throughout this period, Man Ray's work developed methodically, in a gradual but certain evolution to abstraction. This progression culminated in 1916 with the publication of a remarkably early and important formalist tract, wherein the flat planar surface is established as a common vehicle of expression for all the arts: music, literature, dance, architecture, sculpture, and painting. The last section of the book includes recently discovered photographs and other works influenced by the emergent Dada movement. Here is Man Ray in recognizable form just before he leaves the country for France in 1921. / Francis M. Naumann is the author of numerous articles and exhibition catalogues, including New York Dada 1915-25 and Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction. Gail Stavitsky is chief curator at the Montclair Art Museum, where she has written many exhibition catalogs, including Will Barnet: A Timeless World (Rutgers). " - Publisher. *** CONTENTS: Youth and first artistic impulses (1907-1911); The Ferrer Center: formulating the aesthetics of anarchism (1912); Stieglitz, Ridgefield, and the assimilation of a modernist Aesthetic (1913: part 1); New words for new images: Adon Lacroix and the new modern poetry movement (1913: part 2); Approaching the art of painting in two dimensions: the paintings, drawings, and watercolors of 1914; The art of painting in two dimensions, part 1: the paintings, drawings, and watercolors of 1915 The art of painting in two dimensions, part 2: the paintings, drawings, watercolors, and collages of 1916; The art of painting in more than two dimensions: the paintings, drawings, watercolors, cliche verre, and airbrush compositions of 1917-1919; From an art in two dimensions to the higher dimension of ideas (1920-1921). Size: 4to.

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Detalles bibliogr�ficos

T�tulo

Conversion to Modernism: The Early Work of Man Ray

Editor

Rutgers University Press; Montclair Art Museum, New Brunswick and Montclair, NJ

Fecha de publicaci�n

2003

Idioma

Ingl�s

ISBN 10

0813531489

ISBN 13

9780813531489

Encuadernaci�n

Paperback

Edici�n

1st.

Estado

Fine

Tipo de libro

Collectible

Cat�logos de vendedores

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Sinopsis

Man Ray (1890-1976) has long been considered one of the most versatile and innovative artists of the twentieth century. As a painter, writer, sculptor, photographer, and filmmaker, he is best known for his intimate association with the French Surrealist group in Paris during the 1920s and 1930s, particularly for his highly inventive and unconventional photographic images. These remarkable accomplishments, however, have tended to overshadow the importance of his earlier work-significant not only for comprehending Man Ray's future artistic development, but also for fleshing out our understanding of the visual arts in America during one of the most important and crucial phases of the evolution of modernism. The book, and the exhibition for which this work will serve as the catalog, concentrate on Man Ray's production from 1907 to 1917. Conversion to Modernism will be the first comprehensive, fully illustrated work to examine this artist's seminal years. The show and the catalog begin with Man Ray's high school years in Brooklyn, his studies at the Art Students League and the American Academy in New York, and the time he spent in life drawing classes at the more progressive Ferrer Center. From 1913 to 1915, Man Ray lived in a small artists' colony in Grantwood, New Jersey. It was here, studying with Samuel Halpert (a former student of Matisse), that Man Ray began to become the artist we know today. The last section of the show and of the book include recently discovered photographs and other works that are influenced by a knowledge of the emergent Dada movement. Here is Man Ray in recognizable form just before he leaves the country for France in 1921. This exhibit will first be on display at the Montclair Art Museum from January 26 through March 2003. It will then travel to museums in Athens; Georgia; Philadelphia; and Chicago.

Acerca del autor

Francis M. Naumann is the author of numerous articles and exhibition catalogues, including New York Dada 1915-25 and Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction. Gail Stavitsky is chief curator at the Montclair Art Museum, where she has edited many exhibition catalogs, including Will Barnet: A Timeless World (Rutgers University Press).

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LEFT COAST BOOKS specialises in ART BOOKS, new & used, offering thousands of titles on painting, sculpture, graphic arts, architecture, design, photography, film, video & performance art. *** Simon Taylor, the business owner, was a NYC-based art critic and museum curator, who worked as Archivist for Dover Publications before launching Left Coast Books in 2003.

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