1st Printing. 1073 pages. Published in 1999. The author's unfinished master project. One of the greatest books of the 20th century. The first appearance of the title in English and in the United States. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only and as part of Harvard University's Complete Works of Walter Benjamin. The First Edition is now rare. Presents Walter Benjamin's "Das Passagen-Werk" in a felicitous English translation. The definitive critical study of the 19th century, "the greatest modern effort at historical comprehension", and at 1073 pages, still an unfinished masterwork. "Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' is a monumental ruin, meticulously constructed over the course of thirteen years: 'the theater of all my struggles and all my ideas'. Focussing on the arcades of nineteenth-century Paris - glass-roofed rows of shops that were early centers of consumerism - Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as Fashion, Boredom, Dream City, Photography, Catacombs, Advertising, Prostitution, Baudelaire, and Theory of Progress" (Publisher's blurb). The genius - and achievement - of the book lies in Benjamin's prescient identification of the Paris Arcades (thereby superseding Baudelaire) as THE microcosm of our modern, contemporary life. That is to say, the life we are living today, both "micro", and through the so-called global economy, "macro". About his extreme, ambitious project, this is what the author himself had to say: "To great writers, finished works weigh lighter than those fragments on which they labor their entire lives" (Walter Benjamin). Walter Benjamin's personal heroism wasn't just some egotistical idea he had about himself. He lived and then died as a hero: He committed suicide on September 26, 1940 at the French-Spanish border while trying to escape the Nazis with a group of fellow Jews. They were all arrested by the Spanish police (Franco was one of Hitler's closest allies). Moved and humbled by his desperate yet principled stand, the Spanish police, defying Franco's orders, allowed his fellow Jews to escape. An absolute "must-have" title for Walter Benjamin collectors. This title is a great book. As far as we know, this is the only copy of the First Hardcover Edition/First Printing (American) available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online are ALL subsequent printings or have serious flaws. This is surely an accessible and lovely alternative. A rare copy thus. The greatest literary/cultural critic of the 20th century. A fine collectible copy. (SEE ALSO OTHER WALTER BENJAMIN TITLES IN OUR CATALOG) ISBN 067404326X.

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Detalles bibliogr�ficos

T�tulo: THE ARCADES PROJECT - Rare Fine Copy of The First Hardcover Edition/First Printing - ONLY COPY OF THE TRUE FIRST ONLINE
Editor: Cambridge, MA: Harvard University Press, 1999
Fecha de publicaci�n: 1999
Idioma: Ingl�s
ISBN 10: 067404326X
ISBN 13: 9780674043268
Encuadernaci�n: Hardcover
Edici�n: 1st Edition.
Estado: Fine
Estado de la sobrecubierta: Fine
Firmado: no

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Sinopsis

To great writers, Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labour their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of 13 years - "the theatre," as the author called it, "of all my struggles and all my ideas." Focusing on the arcades of 19th century Paris - glass-roofed rows of shops that were early centres of consumerism - Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as "fashion," "boredom," "dream city," "photography," "catacombs," "advertising," "prostitution," "baudelaire," "theory of progress." His central preoccupation is what he calls the commodification of things -a process in which he locates the decisive shift to the modern age. This book is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

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Walter Benjamin (1892-1940) was the author of many works of literary and cultural analysis. Howard Eiland teaches literature at the Massachusetts Institute of Technology. Kevin McLaughlin is Assistant Professor of English at Brown University and the author of Writing in Parts: Imitation and Exchange in Nineteenth-Century Literature.

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