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SCHNABEL, Julian Inscribed on FFEP [111] pp. Editions Du Centre Pompidou, Paris 1986 11 7/8" x 8 3/8" Julian Schnabel (born October 26, 1951) is an American painter and filmmaker. In the 1980s, Schnabel received international media attention for his "plate paintings" large-scale paintings set on broken ceramic plates. Since the 1990s, he has been a proponent of independent arthouse cinema. Schnabel directed Before Night Falls, which became Javier Bardem's breakthrough Academy Award-nominated role, and The Diving Bell and the Butterfly, which was nominated for four Academy Awards. For the latter, he won the Cannes Film Festival Award for Best Director and the Golden Globe Award for Best Director, as well as receiving nominations for the Academy Award for Best Director and the César Award for Best Director. Biography Early life and education Schnabel was born to a Jewish family in Brooklyn, New York, to Esta (née Greenberg) and Jack Schnabel. He moved with his family to Brownsville, Texas in 1965. He received his B.F.A. at the University of Houston. After graduating, he sent an application to the Independent Study Program (ISP) at the Whitney Museum of American Art in New York. His application included slides of his work sandwiched between two pieces of bread. He was admitted into the program and studied there from 1973 1975. Art career Schnabel returned to Houston in 1975 and rented a studio in the Heights neighborhood. After reported, repeated badgering by the artist, Jim Harithas, director of the Contemporary Arts Museum Houston, agreed to give him a show. The eponymously titled exhibit ran from February 20 to March 7, 1976 in the parallelogram building's lower gallery. On seeing the show, ARTnews critic Charlotte Moser wrote, Though still formative, Schnabel s paintings possess a palpable presence, but found the work clearly influenced by post-minimalist artists whose intellectual ideas he might share but whose technical expertise and clarity of vision he has yet to acquire." It was with his first solo show, at the Mary Boone Gallery in 1979 that Schnabel had his breakthrough; all his works were sold in advance. He participated at the Venice Biennale in 1980 with Anselm Kiefer and Georg Baselitz. By the time he exhibited his work in a show jointly organized by Boone and Leo Castelli in 1981, he had become firmly established and was the youngest artist in the legendary exhibition 'A New Spirit in Painting' in the Royal Academy of Arts. His now famous "plate paintings" large-scale paintings set on broken ceramic plates received a boisterous and critical reception from the art world. His wild and expressive works were classed as neo-expressionism by art critics. In the years to follow Schnabel's success on the art market would above all be criticised. Schnabel's style is characterised by very large scale paintings. He uses diverse materials such as plaster, wax, photographs, antlers, velvet and ceramics. His paintings make use of canvas, wood, muslin and even surfboards. His paintings often combine abstract and figurative elements. Due to the size, weight and depth of his works, they are often given sculptural properties. In 2002, Schnabel painted the cover artwork for the Red Hot Chili Peppers' eighth studio album, By the Way. The woman featured on the cover of By the Way is Julian's daughter, Stella Schnabel, who was band member John Frusciante's then-girlfriend.[59] Regarding the artwork, Frusciante noted: "My girlfriend's father offered to do the album art, so we sent him rough mixes of eight songs, and he just got the vibe of the album from that. He said that he wouldn't be offended if we didn't like it, but we loved what he did. He's also given us great covers for all the singles. He's a true artist." Schnabel had an exhibition at the Art Gallery of Ontario in Toronto, which ran from September 1, 2010 to January 2, 2011 and occupied the entirety of the gallery's fifth floor. It examined "the rich interplay between. N° de ref. del artículo 34849
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Título: Julian Schnabel: Oeuvres 1975-1986
Editorial: Editions Du Centre Pompidou, Paris
Año de publicación: 1986
Encuadernación: Hardcover
Condición: Very Good
Condición de la sobrecubierta: Very Good
Ejemplar firmado: Signed by Illustrator(s)
Edición: 1st Edition