252 S., 24cm Zustand: Einband gering berieben, mit Widmung f�r Prof. Claus Ocker von Yoichi Ando. --- Inhalt: Englischer Text. This book proceeds from basic theory to design analysis of concert and multiple-purpose halls. The author introduces a seat-selection system for new and existing halls and proposes a diagnostic system for testing the physical properties and calculating psychological attributes at any seat after a hall is built. The book also presents a theory of subjective preferences, based on a model of the auditory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From the results of calculating subjective preference at each seat, for example, architects, musicians, and acoustical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen. W3-8 ISBN: 9780387983332 Sprache: Englisch Gewicht in Gramm: 550.

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Detalles bibliogr�ficos

T�tulo

Architectural Acoustics: Blending Sound Sources, Sound Fields, and Listeners

Editor

New York, Springer

Fecha de publicaci�n

1998

Idioma

Ingl�s

ISBN 10

0387983333

ISBN 13

9780387983332

Encuadernaci�n

Pappe

Edici�n

1. Auflage.

Estado

Sehr gut

Firmado

Firmado por el autor

Cat�logos de vendedores

350 Architektur

Acerca de

Sinopsis

Proceeding from basic theory to design studies of concert and multiple purpose halls, the author introduces a remarkable seat selection system for the analysis of new and existing halls, and proposes a diagnostic system for testing the physical properties and calculating the psychological attributes at any seat after a hall is built. The book also presents a theory of subjective preferences, based on a model of the auditory cognitive system in the brain. Readers can thus follow the temporal and spatial values that may be associated with the left and right cerebral hemispheres in listening to music and speech, respectively, in a room. From the results of calculating subjective preference at each seat, for example, architects, musicians, and acoustical engineers concerned with the design and use of concert and multi-use halls may determine the best location to perform a certain type of music on the stage, as well as the best seats from which to listen.

Rese�a del editor

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