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Neil Summersgill Ltd ABA,PBFA,ILAB., Blackburn, Reino Unido
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From a collection of recently acquired genuine autograph letters : 11-line note presenting his compliments to Mr Edward Webber, saying that it will be very inconvenient to have his portrait done for the National work as Mr Webber proposes. Paper is watermarked 181? which identifies this Captain Montague as George. His portrait, attributed to Thomas Beach, is in thew National Maritime Museum. Admiral Sir George Montagu (12 December 1750 24 December 1829) was a Royal Navy officer, the second son of Admiral John Montagu, and the brother of Captain James Montagu and Lieutenant-Colonel Edward Montagu. In 1763 Montagu entered the Royal Academy at Portsmouth, and was then appointed to HMS Preston with Captain Alan Gardner (afterwards Admiral Lord Gardner), going out to the Jamaica station with the flag of Rear Admiral William Parry. He served in Preston for three years, before following Captain Gardner to HMS Levant. He finally returned to England in 1770. He passed his lieutenant's examination on 2 October 1770, and on 14 January 1771 was appointed lieutenant of HMS Marlborough. In February he was moved into HMS Captain, going out to North America as the flagship of his father. On 9 April 1773 he was appointed commander in the 18 gun sloop HMS Kingfisher, and on 15 April 1774 (Pay-book of the Fowey) he was posted to HMS Fowey. In her he continued on the North American station during the early years of the war of independence, actively co-operating with the army in the embarkation at Boston in March, and in the reduction of New York City in October 1776. Shortly after he returned to England in bad health. From 1777 to 1779 he commanded HMS Romney, as flag captain to his father at Newfoundland. On his return he was appointed to the 32-gun frigate HMS Pearl, which when cruising near the Azores on 14 September 1779, captured the Spanish frigate Santa Monica of equal force. In December Pearl sailed with the fleet under Sir George Rodney, and assisted in the capture of the Caracas convoy; but having sprung her foremast, was ordered home with the prizes. She was afterwards sent out to North America, and on 30 September 1780, while on a cruise off the Bermudas, captured the Espérance, a frigate-built privateer of 32 guns. In the battle of Cape Henry, on 16 March 1781, she acted as repeating frigate. She was not with the fleet during the battle of the Chesapeake on 5 September, but joined it, still off Cape Henry, on the 14th, and was left to keep watch on the movements of the French till the 25th, when she sailed for New York. On 19 October she sailed again with the fleet, and on the 23rd was stationed ahead as a look-out (Pearl's Log). She returned to England in 1782. During the Spanish Armament of 1790 Montagu was appointed to HMS Hector (74) and went out to the Leeward Islands in 1793 with Rear Admiral Gardner, and thence to Jamaica, to convoy the homeward-bound trade. He was afterwards with the squadron in the Downs, under the orders of Rear Admiral MacBride, until 12 April 1794, when he was promoted to the rank of Rear Admiral, and, hoisting his flag in the Hector, joined the grand fleet under Lord Howe.On 4 May he was detached, with a squadron of six ships of the line, to convoy a large fleet of merchant ships as far as Cape Finisterre. His further orders were to cruise to the westward till 20 May, in the hope of meeting the French provision convoy daily expected from America. The convoy, however, did not arrive at that time, and Montagu, after making several important captures, returned to Plymouth on 30 May. He had extended his cruise for several days beyond the prescribed limit, but had not been able to communicate with Howe. On 2 June he received orders from the admiralty to put to sea again with every available ship, and to cruise off Brest in order to intercept the French provision fleet. On the 3rd the Audacious came in with news of the partial action of 28 May; but Montagu, having no other orders, put to sea on 4 J. N° de ref. del artículo 25166
Título: AUTOGRAPH LETTER REGARDING HIS PORTRAIT.
Encuadernación: No Binding
Condición: Good
Ejemplar firmado: Signed by Author(s)
Librería: Richard M. Ford Ltd, London, Reino Unido
2pp., 12mo. He 'unfeignedly' feels his 'unworthiness to be placed among those sons of Eton whose portraits are intended to grace the pannels [sic] of the College Hall'. He will comply with the Provost's wish, 'as soon as opportunity permits, & after I have learnt from you the most suitable mode of carrying your design into execution'. Nº de ref. del artículo: 18183
Cantidad disponible: 1 disponibles
Librería: Richard M. Ford Ltd, London, Reino Unido
LETTER: 2pp., 12mo. On lightly aged and worn paper. He summons him to a meeting, telling him to read a memo beforehand, before writing: 'I am not disposed to waive any Crown rights for money advanced | Lenders may have notice, but if P. W L C advance public money, the public must be protected against persons who are trading for profit'. CARTE DE VISITE: In fair condition, lightly aged, with 'W. H. SMITH, ESQ., M.P.' printed beneath the image, and the details of the London Stereoscopic & Photographic Company on the reverse. LABEL: Printed in black on one side of a 7.5 x 10.5 cm piece of purple paper. Giving the terms of 'W. H. Smith & Son's Subscription Library, 186, Strand, London'. In good condition, lightly aged. Nº de ref. del artículo: 18794
Cantidad disponible: 1 disponibles
Librería: Richard M. Ford Ltd, London, Reino Unido
See his entry in the Oxford DNB. Friswell was described by Tennyson as 'the would-be poet, / Friswell, Pisswell - a liar and a twaddler'. 1p, 16mo. With mourning border. In good condition, lightly aged. Folded once. Fourteen lines of text. Addressed to 'Messrs Virtue & Co.' Signed 'J. Hain Friswell'. Begins: 'Gentlemen, / Many thanks for your fine print of the Chandos Portrait of Shakspere which I will notice in the P. C. & perhaps elsewhere.' He declares that his 'book on the Shakspere Portraits is now out of print', but that it gave him 'a certain status as a critic on that special subject'. He will be very happy to furnish the publisher with 'a page or so of the result of my enquiry into the portraits for your new & worthy work'. Nº de ref. del artículo: 26371
Cantidad disponible: 1 disponibles
Librería: Richard M. Ford Ltd, London, Reino Unido
4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot. 112 by order of the Executors of the late Judge Evans, catalogued as "Dobson, Charles II in Oxford robes holding a book." He reproduces inscriptions present on the back of the frame, and concludes: 'I should so very much like to know what these robes represent. Can you help me to find out.'. Nº de ref. del artículo: 22800
Cantidad disponible: 1 disponibles
Librería: Richard M. Ford Ltd, London, Reino Unido
See his entry, and that of his mother, in the Oxford DNB, as well as James Lees-Milne's biography 'The Bachelor Duke' (1991). 2pp, 12mo. With thin mourning border, and his monogram at top left of recto. In fair condition, lightly aged, with slight discoloration to extremities on recto. Folded for postage. Reads: 'Sir / On my return to London I shall have great pleasure in sending a portrait of my mother, not Duchess of "Richmond" to Lord Lansdowne - & I shall send you one for Mr W W Russell who is I suppose the Accountant General though he must be too young to have been acquainted with the Dss / Yours sincerely / Devonshire.'. Nº de ref. del artículo: 25242
Cantidad disponible: 1 disponibles
Librería: Richard M. Ford Ltd, London, Reino Unido
1p., 4to. Bifolium. Very good, on lightly-aged paper, with slight traces of mount on reverse of second leaf, which is addressed, with three postmarks and docketing by Spencer, to 'Knight Spencer Esq. | Surry [sic] Institution | Blackfriar's Road'. Gregory is pleased to learn 'that there is a probability of Mr. Jones being able to accommodate us with apparatus for our proposed Lectures, upon such terms as are likely to square pretty well with the funds of the Surry Institution'. 'Nothing', he adds, 'can be more pleasant in this subject than a moderate per-centage.' He gives details of when he will be able to call on Jones, after which he will 'take an early opportunity of communicating to [Spencer] the particulars resulting from our interview'. There is no record of Gregory having lectured at the Surrey Institution, but his use of the word 'our' suggests a reference to the series of lectures there on 'The Nature of the Animate World' by his friend John Mason Good. Gregory's 1828 biography of Good describes how Good delivered three series of lectures at the Surrey Institution between 1810 and 1812. The engraved portrait of 'OLINTHUS GREGORY, LL.D. F.R.A.S. &c' is by H. Robinson from a painting by R. Evans, published by Fisher, Son. & Co., London, 1846. In good condition, with spotting to border. Paper dimensions 21 x 27 cm; plate dimensions 15 x 22 cm. Nº de ref. del artículo: 11532
Cantidad disponible: 1 disponibles
Librería: Richard M. Ford Ltd, London, Reino Unido
ONE: Cabinet Card: 13.5 x 10 cm photographic head-and-shoulders portrait of Blouet, smartly-dressed with glasses and handlebar moustache, mounted on 16.5 x 10.5 cm card, with printed details of the photographers Taber's printed in gold below the image, and an elaborate advertisement for the firm printed in brown on the reverse. In fair condition, lightly aged. Inscribed on the base of the print: 'Yours Sincerely | Max O'Rell'. TWO: Autograph Letter Signed to 'Mr Appleton', i.e. E. W. Appleton. 1p, 12mo. On bifolium. 14 December 1885; 2 Lime Grove, Uxbridge Road, W. [London] In fair condition, aged and worn, with central spike hole. He is enclosing a cheque for £3 9s 6d, 'which I believe you will find correct to amount of fees received of me.' In a postscript he asks him, on acknowledging receipt of the cheque, to 'please say if I can see you on Wednesday, at Clifford's Inn, at about 2 p.m. | M. O'R.' The Woodson Research Centre, Rice University, Houston, has a collection of Blouet's letters to Appleton, who acted as agent for his lectures (see J. Verhoeven, 'Jovial Bigotry: Max O'Rell and the Transnational Debate over Manners and Morals in 19th Century France, Britain and the United States', 2012). Nº de ref. del artículo: 22785
Cantidad disponible: 1 disponibles
Librería: Richard M. Ford Ltd, London, Reino Unido
2pp., 12mo. In fair condition, aged and rather dusty, with small closed tear at head. He begins by explaining that he has been 'prevented by ill health from finishing the plate confided to my care, & of waiting upon you to make you acquainted with the cause of the delay. The engraving is 'in a state of forwardness', and he is willing to let 'Mr Satchwell' give his opinion of it before he sends it to them. 'I shall prove the plate again next week, after which I shall be enabled to state the time of its completion'. He ends by remarking that when he 'stated ten weeks as the time for completing a plate, I understood with the same portion of the work as in those of which Mr Harding [ senior partner Joseph Harding ] she me the Impressions. The Portrait of the Earl of Southn. has a great m more minutiae than any of those I inspected.' Postscript regarding a letter sent to Harding in Finsbury Square, Nº de ref. del artículo: 19776
Cantidad disponible: 1 disponibles
Librería: Richard M. Ford Ltd, London, Reino Unido
3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules [] He preferred to be called "M. Massenet" simply'. The recipient of this enthusiastic letter is not named. The letter appears to have been written to a man who has sent a portrait of his wife (the Swedish soprano Sigrid Arnoldson-Fischhof) to Massenet. It begins: 'Cher ami, | Le portrait est admirable et si ressemblant! | L'attention est exquise!' He continues with a reference to 'votre "merveille" de femme', and then writes: 'Nous sommes en voyage, Mlle. Massenet & moi, et je vais écrire à notre grand ami Hengel.' He ends with a message for 'Mme Arnoldson'. Nº de ref. del artículo: 22368
Cantidad disponible: 1 disponibles