A compendium, or introduction to practical music, in five parts. . By Christopher Sympson. The ninth edition with material additions corrected from many gross errors in the former editions, .

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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<sourceLibrary>British Library

<ESTCID>T077992

<Notes>Engraved throughout, except for pp. i-vi. First published in 1667 as 'A compendium of practical musick'.

<imprintFull>London : printed & sold by Longman, Lukey and Co., [1775?]. <collation>[2],vi,90p., plates : port.,engr.music ; obl.4°