Ville giardini roma (51 resultados)

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Italia Centrale Local History Central Italy Biblioteca romana 7 continua dal front.: .della capitale - cartone edit. con sovrac. ill. - illustrazioni in b.n. nel testo OTTIME CONDIZIONI.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: COME NUOVO. Roma, Newton & Compton cm.15x23, pp.166, numerose illustrazioni e tavole bn. nel testo, legatura editoriale con sopraccoperta figurata a colori. Collana Quest'Italia.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: buono. Italia Centrale Local History Central Italy in testa al front.: Comune di Roma - bross. edit. ill. - data di stampa presunta - prima edizione - numerose cartine e illustrazioni a colori nel testo OTTIME CONDIZIONI.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: buono. Guide Travel and Explorations Guides Facsimile dell'ed.Roma, Pietro Ferri in 16°, bross. edit. con bandelle illustrazioni in b.n. nel testo "degli Architetti, Pittori, Scultori, ed altri eccellenti Artefici de' Suddetti Edifizi. E delle cose più celebri, che erano nell'antica Roma: Come anche di alcune Chiese, Ville e Fabbriche insigni, che sono nelle Vicinanze della Città. Dedicata all'eminentissimo e reverendissimo Principe il Signor Cardinale Giorgio Spinola" - fuori catalogo. …

Condición: COME NUOVO. Roma, Ist.Poligrafico e Zecca dello Stato- Archivi di Stato cm.22,5x28,5, pp.688, centinaia di figg.a col.nt. legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Atti di Convegni. Presentaz.di Velia Rizza, Lester K.Little, Marcello Fagiolo.

Cartonato con sovracoperta. Introduzione di Rosario Assunto e note illustrative di Alessandro Tagliolini.Presenti XXI tavole in b/n f.t. Numero di tavole: XXI pp.64 altezza 0 larghezza 0 Esemplare in buone condizioni.Sovraccoperta in acetato trasparente. Copertina telata con ingiallimento, tracce di polvere e minimi segni di usura ai bordi e agli angoli.Tagli sfrangiati.Presente etichetta editoriale.Pagine lievemente ingiallite ai bordi.Testo in Lingua Italiana.…

Condición: NEW.

Unpaginiert (ca. 150 S.). Ill. Orig.-Broschur. - Papier altersbedingt leicht gebräunt. Ansonsten gut erhaltenes Exemplar. Innen sauber. - Band 9/10 (IX/X) der "Riedizione integrale" der Originalausgaben von 1759 und 1760. - Achtung: Bei Auslandsversand bitte Portokosten erfragen (höheres Gewicht).

Condición: ottimo. Mezza pelle in astuccio muto. Ottimo stato (ct/4) We ship all over the world. We ship all over the world. Shipping cost depends on weight and country. Please ask for a quote before ordering.

senza rilegatura. Condición: ottimo. prima edizione. Cartellina in brossura con segni del tempo, contenente 14 riproduzioni di stampe settecentesche delle Ville e Giardini di Roma. Edizione fuori commercio.

Encuadernación de tapa blanda. Condición: Aceptable. Ente Provinciale per il Turismo di Roma. 1954. 25x35 cm. 18 Láminas, reproducción de grabados antiguos de Roma. Papel de Hilo Verjurado. Carpeta. # arte.

rilegato paperback. Condición: Fine. Book.

Volume: 1 30x21,5 cm., legatura in mezza pelle, sul dorso: 4 nervi, fregi e titolo in oro, piatti cartonati, tutto in rosso, tagli in colore, pp. 488. testo su due colonne, centinaie di illustrazioni in bianco e nero, in italiano, abrasioni e piccole lacerazioni sul dorso e ai margini della legatura, cerniere con tracce di allentamento, pp. 11-12-13 angolo superiore interno con riparazione cartacea con piccola mancanza; normali segni d'uso e tempo, con più o meno leggere velature, esemplare in buone condizioni. Ex libris.…

rilegato. Condición: Good. 0. Copertina: in mezza pelle, in cartoncino uso tela. Legatura: a filo refe. Sovraccoperta: in acetato trasparente. Dorso: con impressioni in oro. Taglio: ingiallito, irregolare in modo lieve 8870500209 Buono (Good) . Book.

Brossura. Condición: ottimo. Estado de la sobrecubierta: ottimo. Profusamente a colori e b/n. 257pp.

24,5x34 cm. Grauer OKart. LII mit 22 gs. Architektur-Abb.; XLVIII mit 22, meist gs. Architektur-Abb. u. einzelnen Plänen im Text. Der Einband angestaubt u. leicht fleckig. Die Kanten u. Ecken minimal angerändert bzw. angestoßen. Der Buchschnitt gebräunt, innen die Seiten sauber. -In ital. Sprache! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Italienisch Gewicht in Gramm: 850 Reprint nach der Ausgabe v. 1759 (part 1) + 1761 (part. 2). …

Volume: 1 23,5x17 cm., legatura in piena tela, sopraccoperta, pp. 406 (1), 252 illustrazioni in bianconero nel testo, 44 tavole a colori fuori testo, prima edizione, in italiano, buone condizioni.

flessibile. Condición: Ottimo (Fine). Cartellina contenente 19 riproduzioni in nero di disegni storici de ville e giardini romani, f. 26,5x36,5 cm. Ottime condizioni. Book.

, xii, 324 pages, with 30 illustrations on 20 plates (some folding plates and some with 2 illustrations per plate) Third Edition , covers lightly stained and with a small tear at front edge of spine, owner's ink note and scribble on front and rear endpapers, lacking front free endpaper, small hole on title page affecting a small area towards end of the title, light foxing to pages, plates a little creased but generally clean, book in good condition , full vellum, ink title to spine 12mo, 15 cm by 8.5 cm Hardback ISBN.…

Hardcover. Condición: Fine. TWO COPIES, both bound in contemporary stiff vellum with speckled edges (the first soiled; the second with small stains.) Fine copies, each with a little bit of light foxing and a few light stains. Second copy with light spots on plate 12 and a small stain on the half-title. The 30 folding plates are in excellent condition. This pairing, each with variant plates, provides a good opportunity for analysis of the composition of this edition. In the first copy there are twelve plates; in the second there are eighteen. Seven of the twelve plates in the second copy are different versions -two of them by Piranesi- of those in the first. These depict: the Campidoglio, Piazza Trinità dei Monti, the Lateran, the Pantheon, the Baths of Diocletian, the Arch of Titus, and Piazza Navona. In the eighteen-plate copy, two plates (the Belvedere and the Quirinal) are by Piranesi; in the twelve-plate copy, three are by Piranesi (the aforementioned Belvedere, the Lateran, and Baths of Diocletian). The 1750 edition of "Mercurio Errante"(the first with illustrations) had twelve plates only, though a number of them were not re-used for the 1760 edition. Some of the plates, including those by Piranesi, had been in use by the publisher, Fausto Amadei, since the 1740s. See, for instance, his "Roma moderna distinta per rioni", 1741; and "Varie vedute di Roma", 1745. The Piranesi plates, among the artist's earliest, were some of the only plates sold by Piranesi to other publishers. From 1748 on, Piranesi would print his own works, maintaining control of his plates. "Pietro Rossini, an antiquarian from Pesaro and a professional guide for foreign visitors in Rome, first published 'Il Mercurio Errante' in 1693. The guidebook quickly became very successful: ten more editions were published before 1788 (including editions in 1704, 1715, 1739, 1750, 1760, 1771, and 1776), according to Ludwig Schudt (1930). The structure of the book, divided into three parts focused respectively on palaces, villas and ancient Roman ruins, and Christian churches, remained unchanged through the 1715 edition, which was expanded and revised by the author's son, Giovanni Pietro Rossini. While the overall structure remained constant, successive editions were updated, like a Baedecker guide. For example, new palaces are included, and the current owners are identified for palaces that have changed hands. In the 1715 edition the buildings of Innocent XII are recorded in a separate chapter. Rossini's description of palaces is richer than those by his competitors, and his expanded history of Roman private art collections is of greater importance. The discussion of antiquity is especially interesting for art historians since the transformation of ancient buildings into Christian churches is carefully charted. The nine principal churches are also dealt with in a separate chapter in the third part of the guide. The examination of current restorations makes Rossini's book an important document for archaeologists as well. "Schudt (1930) has shown how each successive edition offers additional material. The 1739 edition is important for the buildings sponsored by Clement XII; the second part includes not only the principal churches but also fifty more. In the 1750 edition the section on churches is further expanded, including observations on Sant'Apollinare, San Niccolo dei Lorenesi, and San Lorenzo in Damaso, as well as valuable information regarding the Lambertini pontificate. The 1760 edition adds further information about the pontificate of Benedict XIV, describes the coffeehouse in the Quirinal Palace, and includes Villa Albani. "The 1750 edition of the 'Mercurio errante' was rendered exceptional by the inclusion of a collection of remarkable illustrations. The authors of the plates are Giovanni Battista Piranesi, Jean-Laurent Legeay, and Philothee-François Duflos. "The structure of the guide in the 1750 edition (and the 1760 edition that followed it) is in two parts, each divided into two books. The first book, on palaces, begins with a discussion of the foundation of Rome, indelibly linked with the Capitoline whose palaces are the first to be described. Then follows the description of the Vatican beginning with the impressive statistics of the palace (12,522 rooms) and the library (35,000 volumes; 1,900 manuscripts from the collection of Christina, the queen of Sweden, bought by Alexander VIII), and a more detailed examination of the painted wall decorations moving on to art objects, whose origin and subsequent movements are often and usefully traced. Thus the bronze pineapple in the hemicycle of the Belvedere villa is traced to its previous locations in the atrium of Saint Peter's and on top of Hadrian's tomb, now the fortress of the Vatican. "The sequence of palaces described does not follow any apparent order. However, since the first one is the Palazzo Odescalchi, the family palace of Innocent XI, one could assume an attempt on Rossini's part to flatter the pope that was reigning when he began the composition of his guide to Rome. The painting collection in the Odescalchi, bought from the heirs of Queen Christina, was complemented by the family's distinguished collection of marble statues. Next Rossini examines the two residences of the duke of Parma in Rome, the Farnesina villa and the Farnese palace, both considered supreme examples of their building type, architecturally and in their extraordinary decorations. Rossini explicitly appreciates the cornice of the Palazzo Farnese, fashioned by Michelangelo from travertine taken from Vespasian's amphitheater, the Colosseum. The Palazzo Giustiniani is distinguished by the largest art collection in Rome, with its 1,867 statues and 636 paintings. The Altieri palace across the street from the Gesù church, another papal family residence, is praised for its staircase and library. The Borghese palace is singled out for its seventy-two walnut doors and its one hundred columns of oriental granite supporting.…