Time de beil ralf (4 resultados)

Softcover, 156 pages; in English; very good condition, except -inch crease to upper left corner of rear cover and last 12 pages; otherwise as new, no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st Printing. Signed. 160 pages. Published in 2006. Exhibition Monograph on subject. One of the most important and beautiful books on the art and achievement of Christian Boltanski. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now rare. A brilliant production by Christian Boltanski and Hatje Cantz: Oversize-volume format. Blue hard boards with titles embossed on cover and spine, as issued. Art by Christian Boltanski. Essays by Aleida Assmann and Ralf Beil. Printed on pristine-white, thick coated stock paper in Germany to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents Christian Boltanski's "Time". New work as well as previous work seen in a new, iridescent light. The emphasis Boltanski places on the most fragile objects to evoke our "struggle against death" (his phrase) is the central idea behind his art. As such, Boltanski's work is not "about" death but "against" it, through art rather than polemics. His obsession with death is often mistakenly seen as acceptance or even embrace of it when as Boltanski himself repeatedly says, the role of memory is to insist on the sanctity of human life, that whenever we remember those who have died, we remember their lives, not their death, and that memorial, archive, and elegy, which all pause Time, ultimately affirm Life. At the same time, Boltanski acknowledges, more than any other artist of our time, that death is a fact of life, and that even as we struggle against it, we intuitively realize from a series of "death experiences" throughout our lives that denying the reality of death is more dangerous than our fear of it. "The task is to create a formal work that is, at the same time, recognized by the spectator as a sentimentally charged object. The artist is someone who holds a mirror and those who look in the mirror recognize themselves but each one sees a different image" (Christian Boltanski). Now that he is (really) dead, the grief one feels for the vanished Life is somehow mitigated by the timeless beauty of the Art. An absolute "must-have" title for Christian Boltanski collectors. This copy is very prominently, neatly, and beautifully signed in black ink-pen on the title page by Christian Boltanski. It is signed directly on the page itself, not on a tipped-in page. This title is a great art book. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with black-and-white and color plates. One of the greatest artists of the 20th century and our time. A fine collectible copy. (SEE ALSO OTHER CHRISTIAN BOLTANSKI TITLES IN OUR CATALOG) ISBN 3775718257. Signed by Author.…

Condición: Sehr Gut. Zustandsbeschreibung: etwas bestoßen. Hrsg. von Andreas Beitin und Holger Broeker. Anlässlich der Ausstellung "Now is the time. 25 Jahre Sammlung Kunstmuseum Wolfsburg", 24.03.2019-29.09.2019. Mit Beiträgen von Lucía Agirre, Stephan Berg, Hubert Besacier, Christian Boros, José Miguel G. Cortés, Régis Durand, Ursula Frohne, Fabrice Hergott, Wulf Herzogenrath, Chrissie Iles, Roobina Karode, Simon Lamunière, Rita Lougares, Peter Pakesch, Julia Peyton-Jones, Reinhard Spieler, Thomas Zaunschirm u.a. Übersetzungen von Gerard A. Goodrow, Barbara Hess, Allison Moseley, Dörte Eliass, Andreas Hapkemeyer, Caroline Klein, Marlene Müller-Haas und Eva Srna. Grafische Gestaltung von Lena Kühle und Mozer. Die Ausstellung umfasste mehr als 600 Installationen, Werkgruppen sowie großformatige Einzelarbeiten aller Medien ab dem Schlüsseljahr 1968: Der Bogen der 100 Künstlerinnen und Künstler spannt sich von Franz Ackermann, Doug Aitken und Firelei Báez über Mithu Sen und Sam Taylor-Johnson bis hin zu Jeff Wall und Thomas Zipp. Der aufwändig gestaltete und reich bebilderte Band versammelt Texte von rund 100 international tätigen Autorinnen und Autoren zu den Künstlerinnen und Künstlern der Sammlung und erreicht so ein facettenreiches Gesamtbild der Sammlung sowie ein Panorama der Gegenwartskunst seit 1968. 500 Seiten mit 840 überwiegend farbigen Abb., Großformat, gebunden (Hatje Cantz 2019). Statt EUR 60,00. Gewicht: 2980 g - Gebunden/Gebundene Ausgabe.…

Condición: gut. 2019. Now is the Time. Kunstmuseum Wolfsburg - Die Sammlung In deutscher Sprache. pages.