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ISBN 10: 0190632216 ISBN 13: 9780190632212
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Publicado por Oxford University Press, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
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Publicado por Oxford University Press, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
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Publicado por Oxford University Press, 2016
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Publicado por Oxford University Press, USA 9/1/2016, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
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Añadir al carritoPaperback or Softback. Condición: New. Sound Unseen: Acousmatic Sound in Theory and Practice 1.05. Book.
Publicado por Oxford University Press, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
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Librería: Labyrinth Books, Princeton, NJ, Estados Unidos de America
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Añadir al carritoPaperback. Condición: Brand New. reprint edition. 318 pages. 9.25x6.25x1.00 inches. In Stock.
Publicado por Oxford University Press, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
Idioma: Inglés
Librería: Milbury Books, New Romney, Reino Unido
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Añadir al carritoHardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 318pp investigation into acousmatic sound from a number of methodological perspectives. A Fine (As New) 1st Edition copy in a Fine dust wrapper - superbly looked after all round. Please see five pictures attached for a closer look.
Publicado por Oxford University Press, USA, New York, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
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Añadir al carritoPaperback. Condición: new. Paperback. Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music.Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrete Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to %Zi%zek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses. Sound Unseen explores the phenomenon of acousmatic sound - a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Publicado por Oxford University Press, USA, New York, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
Idioma: Inglés
Librería: CitiRetail, Stevenage, Reino Unido
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Añadir al carritoPaperback. Condición: new. Paperback. Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music.Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrete Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to %Zi%zek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses. Sound Unseen explores the phenomenon of acousmatic sound - a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Librería: Revaluation Books, Exeter, Reino Unido
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Añadir al carritoPaperback. Condición: Brand New. reprint edition. 318 pages. 9.25x6.25x1.00 inches. In Stock.
Publicado por Oxford University Press, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
Idioma: Inglés
Librería: Ria Christie Collections, Uxbridge, Reino Unido
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Publicado por Oxford University Press, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
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Publicado por Oxford University Press, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Publicado por Oxford University Press, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
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Publicado por Oxford University Press, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
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Publicado por Oxford University Press, USA, New York, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
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Añadir al carritoPaperback. Condición: new. Paperback. Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music.Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrete Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to %Zi%zek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses. Sound Unseen explores the phenomenon of acousmatic sound - a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Publicado por Oxford University Press, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
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Publicado por Oxford University Press, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
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Publicado por Oxford University Press, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
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Publicado por Oxford University Press Jul 2014, 2014
ISBN 10: 0199347840 ISBN 13: 9780199347841
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Añadir al carritoBuch. Condición: Neu. Neuware - Sound Unseen explores the phenomenon of acousmatic sound-a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses.
Publicado por Oxford University Press, 2016
ISBN 10: 0190632216 ISBN 13: 9780190632212
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Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Sound Unseen explores the phenomenon of acousmatic sound -- a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses.
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ISBN 10: 0190632216 ISBN 13: 9780190632212
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Añadir al carritoHRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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ISBN 10: 0199347840 ISBN 13: 9780199347841
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Añadir al carritoHardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 598.