simple present de danckaert (7 resultados)

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

hardcover. Condición: Gut. 128 Seiten; 9789086901791.3 Gewicht in Gramm: 1.

Condición: Very good.

Condición: very good. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommages esthetiques mineurs. vendeur professionnel; envoi soigne en 24/48h.

123 S., vorwiegend Abbildungen. Mehrsprachig: Englisch - Chinesisch - Niedrländisch. *-*-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be different than indicated (according to the weight). To OTHER COUNTRIES IN THE WORLD they may be different (sometimes less or rarely more, according to the weight). - ! ! ! ! NO SHIPPING TO USA ! ! ! ! -*-*-*-*-*-* Sprache: Englisch Gewicht in Gramm: 1001 OPb., OSU, Schutzumschlag an den Kanten minimal bestoßen, oberes Kapital minimal gestaucht, sonst guter Zustand.

Oblong hardcover met origineel buikbandje(gescheurd) 177 pages full Illustrated. ISBN 9789401412339. Bert Danckaert took the eighty-six photographs in this book across eighteen cities on four continents between 2007 and 2013. Depending on the spectator's empathy, Danckaert's photographs may be read on formal or documentary levels, or both. He turns ordinary, often unrecognizable fragments of urban reality into extraordinary works that reveal a profound knowledge and understanding of the history of modern art, especially its painterly, narrative, conceptual and constructivist currents. Inge Henneman, former curator of the Museum of Photography in Antwerp and professor of the history of photography at the Royal Academy of Fine Arts in the same city, wrote of his work: Bert Danckaert's bizarre cityscapes deal with the paradox of non-figurative simplicity, as well as with the complexity of meaning and metaphor. His 'urban still-lives' breathe a kind of strangeness that can only emanate from the familiar. 'Found' sidewalks, walls, and 'street furniture' refer more to minimalist art than to the conventions of documentary photography. In his absurd compositions, a recognizable and banal reality appears as a stage set, props and trompe l'oeil included, while the actors are absent . 0 g.

Tielt, Lannoo Publishers, 2013. In-folio oblong rel. d'éd. cartonnée, 177 pp., photographies à plein page. Texte en anglais. /82F Très bonne condition.