saint judas de james wright (30 resultados)

Soft cover. Condición: Very Good. 1st Edition. Small 8vo. Soft cover. Stiff, printed covers. 1st edition. 56pp. Very good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Good. 1st. Wesleyan University Press, 1982 1st good -.

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Trade Paperbac. Condición: Used: Very good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDPoetry Books; Very good trade paperback; some light tanning; 5th printing; few scuffs to cover; tips bumped; clean pages; prompt shipping with tracking.

Hardcover. Condición: Poor. No Jacket. [poems. Former library book. Has been repaired by replacing the spine and meanding the hinges. Moderate edgewear on the boards. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library.

Soft cover. Condición: Very Good. 1st Edition. Wesleyan University Press, Middletown, CT, 1968. Soft cover. Condition: very good 1st Edition. 4th printing June 1968 stated.

Soft cover. Condición: Very Good. 1st Edition. 8vo. Soft cover. Glossy, stiff printed wrappers. 1st edition. 56pp. Very good.

Paperback. Condición: Very Good. Very Good. Lightly used, may have light reading wear and/or publisher's or previous owner's markings, but NO markings in text. Pasadena's finest new and used bookstore since 1992.

Soft cover. Condición: Very Good. 1st Edition. Wright's second book, after his debut, The Green Wall, and before his masterpiece, The Branch Will Not Break. Usual toning to wrappers, and minor soiling on back cover.

Soft cover. Condición: Good. 1st Edition. 1st edition stated. Simultaneous softcover printing. Binding tight; pages clean; covers toned as usual, especially spine. Author's second book. 56 pages.

Soft cover. Condición: Good. Softcover, third printing 1966, with clean pages and sound binding. Cover shows some age-toning.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. Stated first edition. Covers are toned with age around edges and along spine, minor wear at top of spine, otherwise a fine copy that is clean and tight on inside and appears unread. 56 pages.

Trade Paperback. Condición: Very Good. 1st Printing. First printing, softcover, light bumps to corners, light soiling and tanning to covers, slight lean to spine, otherwise solid, a VG copy.

Hardcover. Condición: Fair. Estado de la sobrecubierta: No Dust Jacket. 56 pages. Ex-university library marks, some discoloring and wear; a solid book. No jacket. Quantity Available: 1. Category: Poetry; Inventory No: 215972.

Paperback. Condición: Near Fine. First Edition. First Printing. A Near Fine copy of the first paperback issue, lightest wear, spine a little toned. This copy from the collection of poet Robert Huff [1924-1993], with his signature on the free front endpaper. 56pp. Wright's second collection. Q10611.

Trade Paperback. Condición: Very Good. No Jacket. Self Wraps.

hardcover. Condición: very good. no jacket. A little faded.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. A collection of poems. The author's second book. Fourth printing. Near fine in a very good (age toning and some light soiling, one short closed edge tear on rear panel) dust jacket. B0018OEZR6.

Fourth Printing. A Near Fine Book in a Very Good Dust Jacket, Price Clipped. Book is lightly shelf worn, sunned, and soiled to extremities. Text is unmarked. Binding is tight and square. Dust jacket is generally if moderately soiled. Shelf wear has caused some bumping and chipping to extremities. Hardcover. Slim Octavo. [viii], [2], 3-56pp. Publisher's Gray Cloth, Stamped Black and Red Detailing.

Soft cover. Condición: Very Good. Wright's second book, written before he met Robert Bly and changed his poetry (into what we think of when we think of Wright). Inscribed on ffep: "To Larry, with friendship, James Wright." Age toning and sunning to covers. 4th printing (1968), with publisher's $2.45 price sticker on back. Inscribed by Author(s).

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Trade Paperback. Condición: Near Fine. First Edition. Inscribed by Wright to fellow poet and friend William Matchett on the half title, and is also signed by Annie Wright. From Matchett's library with his bookplate and pen date on the verso of the front cover. A nice association copy, with a touch of light wear, else Near Fine. Stated First Edition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition / First printing. Beige cloth. 56 pages. Fine in fresh near fine dust jacket with a hint of toning to the spine. Ownership name of Northwest Poet Joan Swift. A student of James Wright and Theodore Roethke at the University of Washington in the early 1960's. She mentored Tess Gallagher and was friends with Richard Hugo and Sister Mary Gilbert later known as Madeline DeFrees.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Saint Judas - James Wright Signed First Edition, 1st Printing 1959 The Minnesota based Pulitzer Prize winner's second published collection of poems neatly signed on the front free endpaper. VG+ or better hardcover book with some offsetting to ffep in a VG+ or better jacket with some small chips to spine ends and a price sticker covering original price. pp. [viii], 56.

Hard Cover. Condición: Very Good+. Estado de la sobrecubierta: Very Good. First Edition. 56 pages. First printing of Wright's relatively scarce second book. The title poem is a sonnet that makes clear this comment by poet and critic Ben Friedlander: "One does not turn to James Wright for laughter." The poem begins: "When I went out to kill myself, I caught a pack of hoodlums beating up a man." After this book Wright eschewed the use of rhyme, but the dark themes stayed with him. The book is in better than very good condition: clean and tight, with Just a hint of toning to spine; toning to endpapers, with previous owner's name/city/state written on ffep. A smattering of foxing to top and fore edges of textblock. DJ is toned, especially at spine; hint of soiling to front and rear; in new mylar. Three sections: Lunar Changes, A Sequence of Love Poems, The Part Nearest Home. Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 56 pages. First edition. first printing. His second book of poetry after "The Green Wall". Fine book in a near fine dust jacket with the spine very slightly darkened. Price clipped. A beautiful copy!

First edition and first printing. Hardcover. 56 pages. Wright's second collection of poems. Wright went on to win a Pulitzer Prize for his 1972 "Collected Poems." A clean near fine copy in gray cloth boards with some slight offsetting to the endpapers from the flaps of the bright near fine dust jacket. A lovely copy of the much less common cloth version.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First edition, hardbound issue. Fine in fine dustwrapper. A beautiful, pretty much as new copy.

FIRST EDITIONS. Three separately published works. All in original bindings, as issued (see below). SECOND TWO WORKS SIGNED BY THE AUTHOR. Covers of "Judas" a little sunned, minor issues to other volumes (see below), but fine copies overall. James Wright (1927-80) was a Pulitzer Prize-winning poet known for lyrical verse that explored themes of isolation, redemption, and the American Midwest. According to the Poetry Foundation, he has been "frequently referred to as one of America's finest contemporary poets. He was admired by critics and fellow poets alike for his willingness and ability to experiment with language and style, as well as for his thematic concerns." The three works in this collection span a large part of Wright's career and show the evolution of his style. 1) WRIGHT, JAMES; WILLIAM DUFFY, and ROBERT BLY. THE LION'S TAIL AND EYES. (Madison, Minnesota: The Sixties Press, 1962) 220 x 135 mm. (8 5/8 x 5 1/4"). 45, [1] pp. FIRST EDITION. Publisher's blue cloth, spine lettered in black. In original dust jacket. Dust jacket a little browned, jacket corners a bit rubbed. Binding with just the lightest shelf wear, contents pristine. 2) WRIGHT, JAMES. SAINT JUDAS. (Middletown, Connecticut: Wesleyan University Press, 1959) 220 x 153 mm. (8 x 6"). 4 p.l., 56 pp. FIRST EDITION. Original printed paper wrappers. SIGNED BY THE AUTHOR on the half-title. Early $1.25 price label adhered to the rear cover. In the original paper covers and fragile glassine wrapper. Binding unevenly sunned, small sticker or tape removal from upper corner of front cover, front endleaves with light offsetting, excellent internally, the contents entirely fresh and clean. 3) THE BLOSSOMING PEAR TREE. (New York: Farrar, Straus and Giroux, 1977) 217 x 170 mm. (8 1/2 x 5 1/2"). 7 p.l., 62 pp. FIRST EDITION. Publisher's buckram-backed green paper boards, front cover with a small floral device, spine lettered in black, top edge dyed black. In original dust jacket. SIGNED BY THE AUTHOR on the front flyleaf. Dust jacket slightly soiled; top edges of the boards very slightly sunned, two leaves stuck together at the head, internally spotless.