Realms memory construction french (40 resultados)

Hardback. Condición: Very Good. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation.".…

Hardback. Condición: Fair. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation.".…

Hardback. Condición: Fair. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation.".…

Hardback. Condición: Very Good. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation.".…

Hardcover. Condición: Near Fine.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Cultural Studies. First Printing. This is a clean, unmarked, undamaged copy.

Hardcover. Condición: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9780231106344. …

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Book hardcover First English Edition b&w ills throughout pp591. Condition Near Fine tight, bright and clean apart from minimal foxing on top edge. DJ: Near Fine in protective plastic sleeve.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. First Edition; First Printing. First English language edition. Translated into English by Arthur Goldhammer. Edited and with Foreword by Lawrence Kritzman. Realms of Memory is a monumental collective endeavor by France's leading intellectuals to explore the events and places that form the landscape of French consciousness. This volume is about the political clashes that have carved a path through French history: Franks and Gauls, French and foreigners, Vichy and all other regimes. No previous owner marks - text, maps, and photos clean. Minor soiling to top page edges, bottom page edges scratched. Dust jacket protected in Mylar. Ships same or next business day well protected in a box. ; 8vo 8" - 9" tall; 651 pages.…

hardcover. Estado de la sobrecubierta: Good. First Edition. New York. 1996. Columbia University Press. 1st American Edition. Very Good in Slightly Worn Dustjacket. 0231084048. English Language EditionEdited & With A Foreword by Lawrence D. Kritzman. Translated by Arthur Goldhammer. 651 pages. hardcover. keywords: French History. DESCRIPTION - REALMS OF MEMORY is a monumental collective endeavor by France's leading intellectuals, exploring the cathedrals and palaces, the rituals, legends, and episodes that form the landscape of French consciousness. The first volume, Conflicts and Divisions, reflects on symbols of political, religious, regional, and generational difference that structure France's self-definition. The book begins with the political clashes that have carved a path through French history and memory, between Franks and Gauls, French and foreigners, Vichy and all other regimes. Contributors explore shifting conceptions of political meaning over centuries, from the often irreverent portrayals of Gauls in such popular media as the Asterix comics to nostalgic reimaginings of pre-revolutionary France by modern ultranationalists. A second section analyzes sites and events of the religious conflicts that underlie French identity. The authors chronicle the manufacture of remembrance, as seen in the Protestant festivals held each September to commemorate the persecution of Huguenots in the sixteenth-century Wars of Religion; and of the processes of forgetting, witnessed in the assimilative tradition among French Jews that has hindered, if not prevented, rediscovery of a distinctively Jewish past and acknowledgments of the French legacy of anti-Semitism. Conflicts and Divisions concludes with a section on issues of time and place, and analysis of the cleavages that separate Paris and province, north and south, and human generations as demarcated by such transformative years as 1789 and 1968. inventory #23073 Very Good in Slightly Worn Dustjacket. …

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condición: new.

Condición: New. 1996. Subsequent. Hardcover. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Editor(s): Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 642 pages, 140 black & white illustrations. BIC Classification: HBAH; HBJD; J. Category: (P) Professional & Vocational. Dimension: 183 x 252 x 30. Weight in Grams: 1460. The Construction of the French Past. Conflicts and Divisions. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 642 pages, 140 black & white illustrations. Editor(s): Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Cateogry: (P) Professional & Vocational. BIC Classification: HBAH; HBJD; J. Dimension: 183 x 252 x 30. Weight: 1352. . . . . .…

Condición: New. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Editor(s): Nora, Pierre; Kritzman, Lawrence D. Translator(s): Goldhammer, Arthur. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 643 pages, 140 black & white illustrations. BIC Classification: HBJD; JFC. Category: (P) Professional & Vocational. Dimension: 253 x 180 x 25. Weight in Grams: 1218. The Construction of the French Past. Traditions. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 642 pages, 140 black & white illustrations. Editor(s): Kritzman, Lawrence D. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Cateogry: (P) Professional & Vocational. BIC Classification: HBJD; JFC. Dimension: 253 x 180 x 25. Weight: 1186. Translator(s): Goldhammer, Arthur. . 1997. 0th Edition. Hardcover. . . . .…

Condición: new.

Hardcover. Condición: Very Good Plus. No Jacket. No wear and all pages clean with a solid square binding. First couple of pages have a corner crease.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: New. 1996. Subsequent. Hardcover. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Editor(s): Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 642 pages, 140 black & white illustrations. BIC Classification: HBAH; HBJD; J. Category: (P) Professional & Vocational. Dimension: 183 x 252 x 30. Weight in Grams: 1460. The Construction of the French Past. Conflicts and Divisions. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 642 pages, 140 black & white illustrations. Editor(s): Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Cateogry: (P) Professional & Vocational. BIC Classification: HBAH; HBJD; J. Dimension: 183 x 252 x 30. Weight: 1352. . . . . . Books ship from the US and Ireland.…

Condición: New. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Editor(s): Nora, Pierre; Kritzman, Lawrence D. Translator(s): Goldhammer, Arthur. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 643 pages, 140 black & white illustrations. BIC Classification: HBJD; JFC. Category: (P) Professional & Vocational. Dimension: 253 x 180 x 25. Weight in Grams: 1218. The Construction of the French Past. Traditions. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 642 pages, 140 black & white illustrations. Editor(s): Kritzman, Lawrence D. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Cateogry: (P) Professional & Vocational. BIC Classification: HBJD; JFC. Dimension: 253 x 180 x 25. Weight: 1186. Translator(s): Goldhammer, Arthur. . 1997. 0th Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Condición: New.

Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.