Publicado por Ruscelli c. 1574, Venice, 1574
Librería: Alexandre Antique Prints, Maps & Books, Toronto, ON, Canada
Mapa
EUR 421,11
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Very Good; Italian text on verso.Girolamo Ruscelli (1518?1566) was an Italian mathematician and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, published posthumously in 1574., Size : 190x266 (mm), 7.48x10.47 (Inches), Hand Colored.
Publicado por 1507]., [Rome,, 1507
Librería: Daniel Crouch Rare Books Ltd, London, Reino Unido
Mapa
EUR 7.144,92
Cantidad disponible: 1 disponibles
Añadir al carritoThe second printed map of Turkey Double-page engraved map, on two sheets joined, with contemporary annotations in red, no watermark, lower right margin with loss, lower gutter with loss into image skilfully repaired in facsimile. Fine Ptolemaic map of Turkey, one of the earliest maps of the country, from the 1507 Rome edition. Map from the beautiful third Rome edition of Ptolemy's Geographia. "This handsome edition is a reprinting of the copper-plate maps of the 1478 [and 1490] Ptolemy [the first Rome edition by Conrad Sweynheym and Arnold Buckinck, whose] maps are considered the finest Ptolemaic ones produced up to the time that the great Mercator engraved his Ptolemy of 1578. It is believed that Sweynheym was the one who first thought of applying the very new art of copper-engraving to the printing of maps, and he might have taken a hand in the actual engraving of them himself" (World Encompassed). While the Bologna edition of 1477 was the first atlas to use copperplate maps, the present series is generally regarded as superior for its clear captions, accurate projections and overall design. Also, there are indications the Bologna edition was hurried through the press: the captions were not engraved but stamped into the plates. The early Italian Ptolemys, particularly the Rome editions, are "superb testimonials of Italian craftsmanship without the picturesque but unscientific monsters of the medieval maps or the addition of the adventitious decoration of later work, relying for their beauty solely on the delicacy of their execution and the fineness of the material employed" (Tooley).